Goreaphobia is one of the great names from the old-school of American Death Metal that were unable to solidify their reputation with a full-length release, but they weren’t left totally obscured due to the infamous personnel of Death Metal warriors – largely of Incantation stock – who have contributed to this band’s line-up over the years. With ‘Mortal Repulsion’, Goreaphobia have finally crossed the Styx and, with the wisdom of old seers, address the nightmares that such a thanatopsical journey brings to life. Those familiar with these veteran’s earlier recordings, such as the barbaric ‘Morbidious Pathology’ demo, will notice that this album shows an highly controlled approach to Goreaphobia’s morbid style of art. This is a fair compromise for the lack of youthful energy, as the sound is an accumulation of a lot of technique that has been refined over the years by American Death and Black Metal bands, and guided by the same intelligence, also shows disdain for the cheap tricks employed by bands who should be performing nu-emo-metalcore in a circus somewhere.
The guitars have a noticeably sludgy quality not unlike Incantation, which lends itself well to the diversity of guitarwork on exhibition, while kept well anchored by the drumming, equally multi-dimensional in its awareness of primitivism within a fairly demanding instrumental framework. The sense of space conjured is often remarkable, such as the ambiential ‘Negative Screams’, which is like an inversion of Pestilence’s ‘Proliferous Souls’. Haunting melodies interact with rhythmical progressions in a manner not dissimilar to the older demos, but the flavour here is more like Immolation and their own inaugural breath of hellfire that was ‘Dawn of Possession’, and the subtle layering of secondary guitars and bass even recalls the likes of Demoncy. The vocal work of Gamble has a strange aura of older, more primal Black Metal such as N.M.E. or Hellhammer (whose presence is also felt during the down-tempo moments of the album that are laden with a Doomy sense of desolation) at times. ‘Mortal Repulsion’ is a great amalgamation of this unholy lineage of pure and nihilistic underground Metal, bringing to attention the fear of life inherent in the fear of death, and the dominion that can be held over such neuroses which fade within the depths of the abyss.
Filed under: Death Metal Music Reviews — Tags: American Death Metal, Death Metal, Nihilism — ObscuraHessian @ December 28, 2009 23:04 — Comments (3)
I really need to get around to listening to this album.
Chris Gamble has done some very intense and exhilarating work with Blood Storm during the decade Goreaphobia wasn’t around. Lots of those crusty BM flavours you mention in the second paragraph.
Comment by Devamitra — December 28, 2009 @ 23:45
I would be delighted to see more material of this quality come out of this band. Between Disma, these guys and the assortment of new bands influenced by this pantheon, for the first time in a long time it feels like something real might get rolling again.
Comment by Wolfgang — September 10, 2010 @ 15:20
There’s not much longer to wait for the next Goreaphobia album, with the release of ‘Apocalyptic Necromancy’ surely imminent.
Comment by ObscuraHessian — September 11, 2010 @ 13:30