“Thresholds”, the second offering from Mike Browning’s (ex-Morbid Angel) sci-fi death metal tour de force, is an uneven, messy, fusion-inspired, lurid and occult death metal album. The best bits on here such as the sparkling, baroque, Mozart-ian lead guitars on “Aquatica” and the super-addictive chug and rhythmic chant on “Climate Controller” will stick to mind but at times the observation leaps through that Browning & co. are nowhere near the composers that for example Azagthoth & Brunelle were. The polyphony of the looming synthesizers is mostly awkward atmosphere building instead of solid thematics incorporated with the guitars. Browning does have an uncanny primitivistic yet accurate touch with the drums, one he obviously is going for, even naming a track “Tribal Vodoun”. All in all, it was probably a disappointment for many who bought it back in the day simply because Trey Azagthoth was always wearing a Nocturnus shirt in promo pictures. Nowadays as a rare and seldom heard item it has both nostalgic cult value and alongside the equally fusionistic, strange but compulsive “Spheres” by Pestilence shows imaginative directions where death metal could have followed if it hadn’t been abandoned to the blind flocks with their “brutal chugging” and “melodic wanking” trends.
Filed under: Death Metal Music Reviews — Tags: Death Metal, Melodic Death Metal — Devamitra @ March 3, 2009 00:34 — Comments (2)
[...] on this cybernetic outpost, but our keenest veterans will recall that their release ‘Thresholds‘ was treated with some degree of distaste. Rummaging back further within the dustier recesses [...]
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[...] intensity and rather precise musical formulation approximating the most otherworldly moments of Nocturnus or even the classic progressive rock of Jacula. Some of the simpler riffs are only provocative, but [...]
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