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100% Death Metal and Black Metal Forum: death metal, black metal, heavy metal and ambient philosophy, discussions and MP3100% Death Metal and Black Metal Forum: death metal, black metal, heavy metal and ambient philosophy, discussions and MP3

Glorious Times, A Pictorial of the Death Metal Scene 1984-1991

100% Death Metal and Black Metal Forum: death metal, black metal, heavy metal and ambient philosophy, discussions and MP3

Dark Legions Archive

Hessian Studies Society: Political Rights for Death Metal Fans Now

Abraxas Neoclassical Music Reviews

Death Metal, Punk, Heavy Metal, Classic Rock Features

Death Metal, Heavy Metal, Black Metal Encyclopedia

National Day of Slayer

Forest Poetry

Metaleros

Death Metal Album of the Week: Morpheus Descends – Ritual of Infinity

The power of Death Metal as an esoteric form of popular music was perhaps never better demonstrated than by New York’s Morpheus Descends on their collosal debut album. These grotesque and violent mazes of deconstructionist composition are so ridden with diseased, downtuned guitars and seismic drumming, it presents a indistinguishable cacophony that somehow elucidates as much as it obscures the decaying riffs, like the rotten animation of countless maggots covering and consuming the matter of an otherwise soulless corpse. The guitarists’ manipulation of the lower extremities of their axes remains an unmatched exercise in brutal craftsmanship, with both rhythm and subtle melody pinned to a logical structure far greater than the sum of those parts, quite unlike even the more complex examples of NYDM such as ‘Pierced from Within‘. Also, thankfully disimilar to arguably the best from Suffocation‘s discography, the production here has been carefully engineered to retain a filthy sound with an appropriate amount of space between the instruments so that even the bass can stand out from the rumbling guitars, and the drums have a depth in the mix that enables a really tangible influence over the musical dynamics where the guitars, in their sludgy modulations, are largely unable to do so on their own. The content of this album turns away from another New York outfit, Cannibal Corpse, who would later even bear the influences of Morpheus Descends. Though caught in the stench of decomposing bodies and scenes of graphic gore, as the title ‘Ritual of Infinity’ might imply, there’s a profoundly mystical coordination to the music rather than the aforementioned band’s mere infatuation with graphic perversions or the morgue therapy of early Carcass. The multi-faceted burdens of mortality are stripped away as this album decomposes, with songs like ‘Trephanation’ reciting lyrics that sound like a kind of lobotomy as exacted on neophytes by a group of violent Vedantins in order to, we must imagine, negate the mind and its individuated, finite perceptions. As if possessed by the direct insight of an Aghori, ‘Ritual of Infinity’ is an intense meditation on the supremacy of death and the ultimate moksha that the corpse state represents.

O.D.I.R.

Filed under: Death Metal Album of the Week — Tags: , , , — ObscuraHessian @ March 21, 2010 05:08 — Comments (3)

3 Comments »

  1. from the darkest corner

    Comment by wesley — March 23, 2010 @ 04:31

  2. [...] Thoughts’ follows from the structuralism and down-tuned aesthetic of Morpheus Descends ‘Ritual of Infinity‘, but add to this the intensity of percussion and spiralling riff-work of Sinister and you [...]

    Pingback by DEATH METAL: Death Metal News, Death Metal Music and Death Metal Culture at Deathmetal.Org — April 8, 2010 @ 13:53

  3. can someone tell me where to get a copy, desperately want one

    Comment by Connor — December 2, 2010 @ 11:49

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