By the time 1997 rolled around Death Metal had all but returned to the primordial abyss from which it had emerged, and Black Metal had basically committed suicide. As if sensing the demise of extreme metal or unable to overcome the perceived expressive limitations of extreme metal, S.U.P. with an eye to their Heavy Metal and progressive rock influences, release a surprisingly expressive, intelligent and interesting album that could be referred to as industrial progressive death rock. Mid-paced, melancholy, unsettling, dreamlike and enigmatic, the listener of “Room Seven” is submerged into a world of varying and compelling experiences that often times work simultaneously to challenge and lift the listener beyond the simple, linear and emotive reactions that arise from rock and other forms of popular music. Despite some of the heavy metal fist pumping riffs and the common and accessible themes, “Room Seven” does a great job of placing the listener in a relative position of omniscience and thus introducing a position from which to contemplate and apply the wisdom of this release to one’s own life.
Masters at presenting simultaneously varying and subtly different shades of a theme, SUP reminds those who have the ears to listen that life is more than the mere temporal, logical and linear succession of events and experiences. Rather the listener is urged to contemplate life as the compound and expression of various and seemingly disparate elements, working simultaneously to create the complexity of life and its experiences, while remaining fundamentally connected. Vocals themselves, while melodic are emotionally restrained, dreary and often times express a profound fatalism, stoicism or a dissinterested acceptance of the superior forces alluded to above. Although “Room Seven” remains a compelling listen, the heavy metal and rock based themes preclude the possibility of this album reaching the cosmic heights of certain Black Metal and Death Metal classics, nonetheless as a testament to the intricacies of the human experience this album offers satisfying insight.
Filed under: Death Metal Music Reviews — Tags: Death Metal, Heavy Metal, Industrial, Progressive Death Metal — TheWaters @ April 10, 2010 22:01 — Comments (2)
Very good song, maybe the band too. Long time no metal to heat. This is somethin new in band style after Dream theathre…
All the best
Comment by Darryl Fernandes — May 3, 2010 @ 16:57
[...] Enslaved, and Neptune Towers. Continental Europe reveals a constellation of luminaries ranging from Supuration to Atrocity, whilst the melting pot frontiers of the Americas yield regional anomalies as diverse [...]
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