Article by Lance Viggiano inspired by International Day of Slayer.
A candidate for the best work within a genre of music should capture every manifestation as best as it can and be able to answer the question: what is X? One might make the argument that the best album must capture the genre at its summit; still, that is a far more difficult essence to capture as in the case of metal, both black and death metal scaled adjacent but different peaks and therefore offer their own unique views of the same musical landscape.
Continue reading Defining Metal
Blood Incantation have announced their debut full-length Starspawn out for release August 19th on Dark Descent Records.
Continue reading Blood Incantation’s Starspawn Out August 19th
Swedish blackened death metal band Vanhelgd announced the release of their fourth album, Temple of Phobos
Continue reading Vanhelgd Announce New Album, Temple of Phobos
Every June 6, Slayer fanatics worldwide come together to blast Slayer and be disobedient. This year, the International Day of Slayer XI falls on a Monday, which is a perfect time to call in sick to school/work and listen to Slayer instead!
Continue reading International Day of Slayer XI — June 6, 2016
Article by Johan P.
The stylistically inclusive nature of progressive rock allows quite a lot of stretching of the genre’s musical boundaries. This part of Death Metal Underground’s 1970s Progressive Rock for Hessians series looks into the early, classic period of the English group Hawkwind – a group of sonic shaman-warriors who transgressed more than one genre border right from their inception. Well, almost. Their unconvincing 1970 self-titled debut album can rightfully be dismissed as a failed attempt at improvisational psychedelic folk rock, with songs that sound too much like flawed byproducts of the flower power era. Luckily, the following years saw the band re-forge their sound on In Search of Space (1971), articulate it on Doremi Fasol Latido (1972) and finally push their newfound style to its limits on Space Ritual (1973).
Continue reading Space Rock Special: Hawkwind (1971-1973)
Death Metal Underground staffer Corey M reached out to the prolific French-Canadian black metal band Sorcier des Glaces for a written interview about their career. Our staff compiled a list of questions which Sébastien from Sorcier des Glaces thankfully and thoroughly answered:
Continue reading Interview: Sorcier des Glaces
Article by Lance Viggiano.
In its best moments punk music transcends volk-rage by serving as a cracked mirror reflecting the forlorn realities that industrialization and intangible goal of perpetual progress wrought as this civilization awaited technological rapture to deliver its destiny among the stars. The reflection was always unclear because of its nature as folk music, marred by smudges and dust that lead it to misdiagnose the cause of its own woes. Depressor spiritually and musically channel this ethos while stepping into the well-worn boots of Godflesh resulting in a body of work resides between industrial, doom/death and punk music. The artists understand that heaviness is not merely a novelty or a token, but a vessel.
Continue reading Depressor – Filth / Grace (2014)
This band is a pretty decent Bolt Thrower clone, with two caveats: their riff-writing relies on Pantera-blockhead phrases based purely in rhythmic expectation, and their songs are extremely simple in form in part because they are based around tropes borrowed from albums by that English band.
Continue reading Humiliation – Honourable Discharge (2016)
Some days, people write in with interesting questions. Interwoven among the constant stream of Viagra spam, your-mother-wears-boots invective and penis photos from metalcore bands, a glimmer of hope: the question which opens doors to other ideas.
Continue reading Hate Mail (#1)