Craig Pillard‘s (Incantation) controversial death metal band Disma premiered the title track from their upcoming EP, The Graveless Remains on Soundcloud today. “The Graveless Remains” is nothing special despite featuring the drumming of once and probably still amazing original Immolation drummer Craig Smilowski. Preorder The Graveless Remains from Profound Lore Records here if you wish the the will to enact your own inner-desires to own every C-grade death metal release ever published if the record is of the same caliber as the title track which I surely hope it won’t be. I know some of our readers out there will feel compelled to buy this even if that is the case. though. The Graveless Remains probably won’t as good as the Disma LP and certainly not even Mortal Throne of Nazarene. Where there’s a will, there’s a way but more of the Craigs is always welcome.
Experimental underground metal band Pale Existence has re-issued its 1994 demo cassette “Dark Sanctuary” in digital form. This allows a new generation to hear the music that borrowed from doom metal, early black metal, melodic death metal and abrasive deathgrind to create a vision of desolation and emptiness that mirrored the downfall of Western Civilization.
The following is a short list of black metal releases (with a commentary on each) that would general fall off the edge of the usual stylistic lines that Death Metal Underground follows when looking at genre releases. These are all exceptional and form part of what could, in hindsight, be described as the lone wolves of an established and matured black metal genre — generally unnoticed or passed by without receiving substantial attention among the waves of excess of the 21st century; treasures hidden in plain sight for those with a developed sense beyond mere form.
Tomas Skogsberg, the producer of most of the early nineties Swedish death metal classics from Entombed and Dismember at Sunlight Studio, was interviewed by the Swedish Communist Party’s Proletaren news site a couple of years ago. Skogsberg of course speaks about his collectivist ideals and why he eventually became a card-carrying Communist. He mentions that the Boss HM-2 pedal is only good for chainsaw guitar death metal and is otherwise bullshit. In addition he talks of his love of The Beatles and unpristine, properly dirty productions, and how Sunlight only bought digital audio workstation software in 1995 that he still uses. This could explain why various Swedish bands have noted over the years that Skogsberg let Sunlight Studio fall into disrepair in the mid 90s. Overall, Skogsberg says he is proud of the “rattly and raspy” records he engineered over the course of his career with his favorite production have been Entombed‘s Wolverine Blues, death ‘n’ roll sellout from 1993.
Article contributed to Death Metal Underground by Mike Alexander’s friend who is a Bill & Ted type of guy, you know.
I saw Mayhem play De Mysteriis Dom Sathanas, the only album of theirs that actually counts of course, last week at the Howard Theater in Washington, DC so I wanted to tell my fellow Death Metal Underground readers what’s happening inside the ANUS of this tour. That was surely an ironic choice of venue the band made there. Playing a black theater in a historically black city was strange for a band whose drummer, Hellhammer, is a badass drummer who hits like a fucking beast like a German in a tank trying to conquer Africa back from his historic racial enemies, the Polish and the Africans and Hellhammer is Greek or something so how can these losers with nothing better to do claim he’s even racist you know? Also practicing under their swastika banners and shit like that they shouldve brought out to steam roll all the drunk hipsters instead of comic book covers to hide behind onstage. I had to check this shit out to see if some shit would go down. I wanted to see if the gig would rule or if any crazy shit from hipsters, communists, or any other idiot life forms that could come out of a UFO or something would be real you know and prevent Mayhem from pounding my face in you know.
New Zealand war metal band Heresiarch announced their upcoming record, Death Ordinance, on their Facebook page. The artwork is by Misanthropic-Art and the album will be released by Dark Descent Records later this year. Heresiarch’s prior releases, Hammer of Intransigence and Waelwulf, were noted as some of The Best Underground Metal Releases of 2011 and 2014 respectively.
Nu-“metal” (really rap rock) bands Korn and Slipknot were banned by an American military captain heading a command post according to a Department of Defense memo posted to Twitter by a United States Marine. Also forbidden from being played at all hours were late 90s and early 2000s butt rock bands Smashmouth, Nickelback, and Creed. The reason for the officer banning the playing of the groups’ music in totality was that they were “terrible.” Hopefully this officer has his wits about him and bans metalcore and hipster whine rock if whichever imbecile was playing rap rock moves onto other styles of “terrible” rock music.