We have a fascinating story from the funderground, as a further indication that metal has decayed and metalheads, consumers and record companies are flies that reside inside its carcass. Four months ago, black metal band Batushka, a group of artists that flirts with Eastern Orthodox aesthetics, has split-up, yet under the guise of anonymity which they have been using for effect, the main songwriter and founder found himself outside of the band and the rest of the members grabbed the chance to present themselves as the true Batushka. However, the singer appears to have stolen all the right’s to the band’s music behind the rightful composer’s back and even prepared a new album under the same name. Now both Batushkas have released new songs. Let’s find out which is the real Batushka or the fake one! This is the video the self-proclaimed founder posted four months ago:
O Mars! God of War! Infernal battles and bestial devastation have ensued on this week’s Sadistik Metal Reviews! Unholy wars between the true and the pretenders, the golden race and the plastic one. Which shall prevail?
Famed loser and known Baroness lover Joe thrash n’kill (it/she/that) has spent two years crying over his pathetic attacks on DMU and the merciless retaliation that he has received. Joe recently made a podcast involving two “men” with the voices of prepubescent girls. Let us look at Joe’s claims and delve deeper into the psyche of a man so weak and insecure, he has to fabricate lies to cope with his useless existence.
(Join Ionnas as he dives into the final heap of contestants hoping to prove their worth, will there be any talent left or will he be forced to scrape the bottom of the barrel for any redeeming qualities. Either way every band here will have to face the harsh truths of reality.)
By the Hammer of the Gods, the time has come to round up those contestants who dared to volunteer themselves as subjects to the perennially stern yet perspicacious judgement of the DMU Lords! Let us see who shall emerge from this round victorious, rising unchained while their compatriots be left to live among the ruins!
The third edition of the DMU song contest has finally returned and a staggering amount of contestants are ready to prove that they can escape the curse that confronts the modern musical landscape. The DMU team has united in reviewing this large field of hopefuls. Each writer will review a selection of songs and then nominate the two best songs from their song list to the finals where we shall form a panel to determine which of these bands can escape futile serfdom.
Hessian website Det Som Engang Var are offering a sale on some great albums that will end on the 16th of may. The site will soon be out of operation for an undisclosed period of time so hurry up if you are interested. the prices and the offers can be found here
Shub Niggurath is the third band in what can be called the Mexican big three of Death metal with the other two being The Chasm and Cenotaph. Though Shub Niggurath shared members with both bands and subsequently shared some similarities with both in terms of aesthetics they managed to forge their separate identity in regards to composition. Opting for a form of Death metal based on early Morbid Angel,Deicide and some influences from Emperor and Darkthrone. Shub Niggurath create pompous Death metal out of bare bone parts.
In this article we shall see how Dawning manages to juggle various styles of doom and black metal while letting a fifteen minute song to mature as well as keep the listener hooked. Join us in this existential pilgrimage to Umunhum!
As you might have noticed, if you have been reading the comments in Brett’s latest tobacco review, Steve Cefala (Dawning, Pale Existence, Condemned to Live, Nothing Left, No God Only Pain) and his family members have been targeted by a cult named Victory Outreach. The police has been notified about these events.