Everything you love is eventually butchered, emulsified, digested, and squeezed out by lesser life forms ranging from head hunters to bacterium to mediocre metal bands. Here are some Sadistic Metal Reviews for our readers’ pleasure:
The music of Emperor is commonly misconceived by the mainstream metal media and certain YouTube clowns to be merely an atmospheric wall of sound or symphonic black metal orchestration engineered for superficial, surface level aesthetic appeal to an audience atypical for black metal. This is in fact not the case. In the Nightside Eclipse is just as perplexing to typical headbangers on first encounter as it was upon release in 1994. Mainstream audiences are even more flabbergasted and regard the record as a mere curiosity produced by those murderous church burners, preferring Emperor’s more rock-structured later work such as Anthems to the Welkin at Dusk, which abandoned the band’s signature riffing style and method in exchange for ones influenced by more stereotypical Norwegian B-listers such as Enslaved and Kvist. Emperor did eventually sell out, becoming technical guitar wank, rock-structured heavy metal after their rhythm guitarist Samoth and drummer Faust were imprisoned in 1994 and their songwriting influence subsequently waned. Yet In the Nightside Eclipse‘s hymns to Satan and Sauron remain as natural mutations of their metallic predecessors’ attempts to imitate horror scores and classical music’s overwhelming power of sublimity.
2016 is over. The funderground mentality continued spreading forth, infesting metal over the last year just the same as it had in the decades past the genre’s artistic high-point in the early nineties. Rehashes of past greats pandering to a lowest common denominator audience continue to dominate the release schedules of metal labels all too willing to please the lemmings with music fit to safely ignore during drunken socializing. Ever-flowing streams of posers are desperate to be rock stars, pumping out plagiarism, and paying their way to record deals. File sharing and streaming reducing the cost of hearing new music to essentially nothing has led fans to constantly consume whatever is new regardless of quality. However the purging is at last at hand. The day of doom is here. The filth who have lied and corrupted the underground must be cleansed while the commendable elite few will remain.
Demoncy‘s Within the Sylvan Realms of Frost has been quietly reissued by Nuclear War Now! Productions on CD as part of their series of Demoncy reissues. Within the Sylvan Reams of Frost is the most Norwegian sounding recording of Demoncy’s work and is a nice point in-between the classic Joined in Darkness and the controversial, almost Gothenburg, Empire of the Fallen Angel. Nuclear War Now’s remaster of Faustian Dawn last year sounded great so check this out if you’re a fan of Ixithra’s earlier material.
Earache Records is repressing the vinyl LPs of Bolt Thrower, Carcass, and Morbid Angel from the original tapes due to popular demand and inflated Ebay and Discogs prices. I reviewed the “Full Dynamic Range” remaster of Altars of Madness last year which sounded great. All are available for pre-order from Earache’s webstore and digital versions of most are on Earache’s Bandcamp page.
Underground black metal traditionalists Infamous and Polish black metal act Winter Blackness have released a new split album, Symbols of Scarlet Revenge, on vinyl and cassette tape. Continue reading Infamous / Winter Blackness Split Symbols Of Scarlet Revenge Released
Article by David Rosales.
I. Where is the music?
It is very rare to find a general fan of black metal today who has not at least heard of the name of Watain. The kind of fame it has attained, however, is the kind that is mostly based on peripheral affairs rather than the art which Watain is supposed to dedicate itself to. Watain is the kind of ‘entity’ (as most of these bands are now given to call themselves) that is surrounded by a nebulous aura which may at first, if one is inclined to be generous in providing the benefit of the doubt, seem like an hint of something truly profound going on. Now, whether that is the case in regards to the real, transcendent or philosophical knowledge or experience of the people behind Watain is not for the writer to say. On the other hand, the music itself does not seem to display any of the more-than-human qualities it should if one is to believe all the hype. In fact, it reveals itself as a very mundane affair when one is given to delve into a holistic examination of the music in itself, and even more so when seen in relation to the extra-musical portions of the ‘entity’.
Tommi Gronqvist of Finnish death metal band Desecresy was interviewed by French webzine Mithra! Templezine this week. Tommi explains how Desecresy arose from the ashes of Slugathor, the cohesive songwriting, his homegrown production techniques, the role of those cryptic blackened lead melodies, and how Jarno Nurmi (Serpent Ascending) writes the lyrics.
Vader are touring North America this year in support of their mediocre new release, The Empire. Hopefully Vader will play a good amount of material from their better, older releases such as The Ultimate Incantation and De Profundis. Tour dates and the press release are after the jump.
The first batch of bands for the Fall of Summer 2017 festival in France were announced in an overenthusiastic press release for a decent but not great lineup. Blasphemy, Demolition Hammer, and Bulldozer are playing along with a bunch of dumb hipster bullshitters and stoner doom idiots. Check it out if you’re nearby and want to deal with a bunch of drunken beer metallers.