RIP Brock Dorsey 1985 – 2018

It is with a heavy heart that the DMU staff mourns the loss of one of their own.

Earlier today, we were alerted to the sad news that Brock Dorsey, our fearless leader and editor, has passed on.  Brock was killed in a horrific sky diving accident over the Hamptons during a luxurious vacation with several other venture capitalists.  His parachute had failed to open, but Brock lives on in our hearts and memories.  His friends felt it should be noted should be noted that Brock confessed all of his sins of BTFOing soy-filled journalists and bullying overweight metal kids just before jumping.

Brock will be succeeded at DMU by a familiar face at editor, and the new era of the most storied website on the internet will be lead by the war hero of the DMU – Dreipfell cyber war, Nicholas Vahdias.

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Web Censorship Is The Modern Day Book Burning

 

I found it hilarious to see the book sales of George Orwell’s 1984 skyrocket just after the election of President Donald Trump.  This happened mostly because big name liberal journalists, in a hysterical tirade, issued a number of meltdown pieces over the similarities between the totalitarian novel and our current state of political affairs.  But anyone who has read (and comprehended) the novel would instead trace similarities of the preceding administrations and Orwell’s terrifying prophecies.  They include – but are not limited to – 1984′s established world of mass surveillance (not unlike the mass data collection Obama’s NSA was revealed to be doing on Americans), the elusive visual enemy of the people Goldstein (who parallels Osama Bin Laden’s Western symbolism in the Bush era), and the main character’s career in the “Ministry of Truth” where he is resoponsible for deleting historical data (similar to Google’s deletion of certain websites from its search results, in away the archives of modernity).

But in the events leading up to and following the election, another favorite book from my youth seemed to better define the times: Farenheit 451.  Centered on the themes of book burning, alternate history, mainstream media distractions, disconnect with actual world events, and ultimate dystopian horror, Farenheit 451 is worth revisiting now more than ever before.  This is because we’re seeing all of these things in our current way of life.

As editor of Death Metal Underground during the Tulio Baars DDOS attacks, I learned first hand that the modern West is living out what every early 20th century dystopia warned us we could become.  I saw 1984’s Winsten Smith seek to cross my writings out of history, but even more appropriately witnessed Farenheit 451’s Guy Montag attempt to burn the most honest and extensive archive of heavy metal history off the face of the Earth.  Those of us who had the mental capacity to process what we learned in High School English classes (outside of memorizing answers) know that a miserable dystopia is descending upon modern metal, the only question is if we will be able to enlighten the masses before the damage has already been done.

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Sadistic Metal Reviews: Flavor of the Week Metal Pt 2: Death Metal

Last month we ran the first  of a two part series on flavor of the week metal subgenres, focusing soley on black metal. The plan was to release a second edition a week later, but the Tulio Baars DDOS attacks prevented that from happening. That is, until now…

Death metal has existed for over 30 years now but the storied genre may finally have seen the climax of its success. Along the way it has been riddled with ridiculous spinoffs that saw tons of low-IQ normies mark out only to promptly discard them into the trash once public consensus realized how outrageous it was. Featuring all kinds of ridiculousness ranging from sideways hat wearing wiggers to throat tatted white trash scene kids, the grand scope of death metal has seen some of the dumbest music ever recorded. Sometimes replicating nu metal and rap, other times mimicking Europeon dance pop, death metal has been degraded and molested in every possible way imaginable. When considering all the horrendous demonization of the genre it’s incredible to think it has survived for so long (despite not seeing may works of relevance since 1994).

It’s the article the basement dwelling Dreipfeil losers did not want you to see, the Sadistic Genre Reviews of death metal’s worst offenders.

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Atrocity – Todessehnsucht (Longing for Death) (1992)

Most Death metal bands don’t age gracefully and tend to either become parodies of themselves or end up playing pop music. Atrocity after having conquered Death metal decided to experiment with various genres but each of those experiments has been abysmal failure. This band therefore destroyed its reputation in both underground and mainstream circles to the extent of being forgotten by all. But from 1985 to 1992, Atrocity were on the war path until the release of their Magnum Opus Todessehnsucht (Longing for Death). Five musicians with an obvious passion for classical music combined with Floridian Death metal and the Teutonic trio. More precisely their main influences seem to be Death, Destruction, Kreator, Morbid Angel and Richard Wagner.

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A Metalhead’s Journey to the Light

By Cullen Toner

Many have expressed emotions of extreme shock and awe after discovering the explicitly Christian lyrics and aesthetics of my newest album, Deus Vult. How could I, the former singer/songwriter of New Jersey’s most popular Satanic band, find God and religion after 15 years of playing in bands with misanthropic, anti-Christian themes? What would cause a complete 180 degree change in lifestyle, a complete about-face in world view? And why would I recklessly proclaim such a change in heart to a world of black and death metal that would so surely respond in confusion, mockery, and utter malice?

To even consider the answers requires a great deal of courage and intellect, as most in the world of extreme metal have extensively conditioned themselves to the idea that metal, in all of its rebelliousness, is the antithesis to Christianity. But since the spirit of metal is one that has historically challenged authority and convention in a quest for deeper truth, those who truly understand its foundation will not cower from the mere suggestion of radical thought. And to those to I can assure that a long quest for logic and wisdom has unexpectedly led me at the foot of the upright cross. Not only did this provide happiness and fulfillment for the first time, but the foundation for meaning and purpose that many metalheads are currently in a vast search for.

In an attempt to explain as objectively as I can, this is how I came to embrace Christianity as my faith, and what it meant for my relationship with metal music.

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Brett Stevens: “We’re a Threat to the Narrative”

In his first interview since the annoying DDOS attacks of sad vandalist loser Tulio Baars, alpha badass DMU founder Brett Stevens sits down with Identity Rising Podcast to discuss why his sites became the most dangerous on the internet.  Also discussed is the evolution and future of the dissident right, the Detroiting of society, and a newfound quest of the Alt Right to restore Western civilization.  The pair briefly touch on the miserable leftists who hired Tulio and their odd decision to go after Death Metal Underground instead of, I don’t know, actual hate sites?

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SCAM ALERT: Via Nocturna Records

Despite the vitriolic hatred, nihilism, and misanthropy that death and black metal music is known for many artists/fans/labels have a developed a pretty blind system of trust and assumptions.  This code of honor stems from a general assumption of a “metal brotherhood” along with the idea that beatings or some other justice would be served in the event anyone acting out of line while also publicly listing their address online.  However the extreme metal scene has seen many legendary rip-off artists ranging from Peruvian fat-girl-fucker Christian Felipe Paucar Toledo, Nachmystium’s Blake Judd and his Battlekommand Records (now Ascension Monuments Media), and Blake’s drug addicted sidkick crony Jeff Wilson and his Disorder Recordings/Design.  To date, none of these men have been beaten within an inch of their life despite robbing and conning people in droves, and all of them continue to tour and sell music.  Therefore, ripping people off appears to carry no penalty, or at least within the boundaries of the metal world.

Many musicians on Bandcamp have reported they are receiving an emails from a “label” calling itself Via Nocturnal Records.  The label starts off with an obviously generic message saying they want to release the band’s music on CD.  After responding positively indicating interest, the label now sends the bait for a really outrageous and embarrassing metal scam.

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1983

A footnote in an article we ran last week sparked a lot of controversy among our very passionate friends who lurk the DMU comment sections.  No, it wasn’t that we correctly identified SJW journalists as the nail in the coffin of metal as we know it; instead it was an observation of the last death of heavy metal:

In the early 1970s, heavy metal was an exciting new musical and cultural movement. So much so, that it surpassed even rock music (thought to be revolutionary just a few years before). But towards the end of the decade came a near-lethal blow: punk rock. Faster, louder, more abrasive and aggressive, punk had risen the bar and metal couldn’t compete. From 1977-1983, metal was almost completely obliterated. Many had declared the movement dead – a fleeting flavor of the week experiment that did not stand the test of time.

Many took issue with this: “metal wasn’t dead!”  they cried.  “Albums were released, things happened!”  “You’re erasing history Brock, your articles ruined this site and my life!”

The intrigue and utter distraction of this phrase sparked the need to further elaborate:  Did metal actually die, during this time period, or did I somehow just miss a few years of quality metal development?

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