Troll 2 and (the Joy of) Miscategorized Metal

Tower Records and Musicland didn’t seem to have much the other day.  So I went by Camelot music instead. I was wearing my old green Slayer demon head shirt. I had built up points at that store, and they gave me a free purple shirt with their logo on it. I hated the shirt and donated it to Goodwill.  In the metal section was the cassette soundtrack to Troll 2. I was almost certain this was a mis-categorization.  I didn’t have the money to buy it that day and it sold out before I could get my hands on it.

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Sammath Releases “Godless” Live Track

Furious Dutch black metal band Sammath have issued forth a live recording of “Godless” featuring founder/guitarist Jan Kruitwagen on vocals. The band takes a high-intensity old school approach to this track, emphasizing the multitude of death metal and black metal influences on this band, but with technical aptitude making the song flow together in the style of later black metal.

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Metal Works as Stepping Stones

Until now, metal works (albums, EPs, pieces, etc.) have been regarded as products, even by those who would assume anti-commercial postures. Why this is so, why the underground metal community still sees albums as products and so judge them in that light, has to do with the history of metal as arising from the general rock business context. Black Sabbath as the foundational metal band followed this path and they were also the first metal band to sell out, though there never was much to sell out. In any case, they did not really know what they had and quickly devolved into rock-ized (standardized) “improvements” on the gold they had struck at first, instead of exploring those new sounds and ideas regardless of the commercial context, regardless of the business prospects (gigs, deals, etc.). We must understand, however, that the ideal of metal beyond rock, beyond trends and commercialism, only arose with the Mayhem cabal. Their commercial activities, it should be understood, were a means to something greater, as can be seen from the meticulous selection of albums that came under the auspices of Deathlike Silence Productions.

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Musical Dissection of Pestilence “Out of the Body”

Once upon a time Pestilence were a very capable death/speed metal band that would attain great heights with the their magnum opus Consuming Impulse. Leaving behind the speed metal of Malleus Maleficarum for greater freedom in melody and structure, “Out of the body” is by far the most popular track on this album due to its catchy main riff, guitar acrobatics and absolute intensity.

Those are only the surface traits of what makes this song and the album a bonafide death metal classic.

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GIBSON IS DOOMED!

Gibson Guitars are on the verge of bankruptcy per an article in the Nashville Times.  The famed company is currently in a shitload of debt and its bondholders are panicking as their CFOs are abandoning ship. Despite bringing in a billion dollars last year, the prospects of Gibson are uncertain which begs the question: What future do high-end guitar brands have in a world that’s gravitating towards electronic music? And more importantly- is the death of electric guitar closer than we think, like many are claiming?

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Mastadon – Cold Dark Place Really Sucks

Bought an EP of Cold Dark Place by Mastadon, since the album cover looked cool, like a classic Aeternus. To my dismay, as I started track one, some horrible over-produced folk-rock attempt came blaring through my headphones, complete with horrible synced male and female off-pitched vocals.  Another track has a weird, crappy beat and Jane’s addiction styled vocals.  These songs are so bad that its hard to listen to more than fifteen seconds of each song before feeling violently ripped-off.
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Phil Anselmo’s Newest Solo Endevour Bombs

On a recent episode of “The Classic Metal Show” burnt out Pantera vocalist and famed roman-saluter Phil Anselmo admitted that his newest album Choosing Mental Illness as a Virtue was “only going to appeal to X amount of people, and that’s going to be a small amount of people.”  By X amount, Phil was likely referring to the roman numeral for the number 10 as that is about the number of fans his band of soon-to-be deported illegal immigrants has.  The album currently has a 46% score on Metal-Archives (already a low medium of standards) and virtually no one has professed a fondness for the album outside of the journalists who were paid to.

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