The three musicians from Entombed‘s classic Left Hand Path lineup, Nicke Anderssen, Alex Hellid, and Uffe Cederlund, won their trademark dispute against Left Hand Path vocalist Lars-Goran “L.G.” Petrov’s Entombed A. D. project in the Swedish Court of First Instance (Patent and Market Court [PMD] at Stockholm District Court). Petrov has used the Entombed A.D. moniker to release lame death ‘n’ roll to tour behind long after the rest of Entombed hung in the towel and admitted they would never be rock stars.
Metalucifer, the heavy metal loving parody side project of Gezol from Sabbat (Japan), released a new video to Youtube from their upcoming split 7″ with Sabbat. “We Are Still Metal Kids” is a disposable, haphazard parody of NWOBHM bands such as Iron Maiden and Judas Priest just like all other Metalucifer songs . It will also eventually appear on an upcoming album to be released on Iron Pegasus / R.I.P Records. Metalucifer’s previous albums (Heavy Metal Drill, Heavy Metal Chainsaw, and Heavy Metal Bulldozer) and all of their other cash grab releases are all pretty much disposable kitsch but still better than most of the war metal, metalcore, and crypto-indie rock the Funderground attempts to force down our throats.
Ancient‘s last hurrah, the Trolltaar EP, has been reissued by Sleaszy Rider Records with three bonus live tracks from 1993 according to the band’s Facebook page. Trolltaar saw Ancient develop cyclical simple Enslaved style riffs into extended black metal epics inspired by the virtuosity of longer 1970s popular progressive rock songs from Yes, Pink Floyd, Camel, and Led Zeppelin. Ancient were one of the few death or black metal bands inspired by popular rock music where the mass-market inspirations did not render them impotent as a metal band at least at first. Ancient, lacking a truly distinct riffing style of their own, eventually ran out of ideas and decided to play Hot Topic rock after Svartalvheim and Trolltaar but that is a topic for another time.
Barry McKay, one of the parties in the recent Beckett versus Iron Maiden “Hallowed by Thy Name” and “The Nomad” plagiarism lawsuit sent Death Metal Underground an email and statement to publish to clear up what he claimed were inaccuracies in George Psalmanazar’s initial article on the lawsuit.
In a recent blog post, Celtic Frost vocalist/guitarist Tom G. Warrior has publicly disowned BMG’s upcoming double CD reissues of his band’s best output, Morbid Tales and To Mega Therion, and the more pandering and spotty Into the Pandemonium and Vanity / Nemesis. The embarrassing Cold Lake was omitted at Warrior’s request. While initially on board with the reissues and involved with the creative process, Tom Warrior has abandoned ship because the commercial mega-label BMG refused to print his linear notes as he intended. This blatant censorship was a means of preserving the integrity of the Noise Records liquid assets purchased by the label but had inadvertently overwhelmed the Cold Laker with a plethora of painful flashbacks of the corporate influence that plagued Celtic Frost throughout its existence.
Social justice warrior deathcore band Bestial Evil are one of the seven openers for Angelcorpse at a pay to play show in Washington, DC tonight. Yes this is the same Bestial Evil you think it is, the antifascist and antiracist and probably Black Lives Matter supporting deathcore band whose antics and temper tantrums have been covered on Death Metal Underground Past. This time Bestial Evil, despite their antifascist stance, are opening for Angelcorpse. The bassist and vocalist of Angelcorpse is none other than Order From Chaos front man, existential social Darwinist and author of The Conqueror Manifesto Pete Helmkamp.
In a recent promotional video for Suffocation‘s upcoming not so great album …Of the Dark Light, frontman Frank Mullen admitted that since the band members live all over the place and not in one centralized area, have lives outside of Suffocation, and don’t really practice as much anymore “so a lot of stuff was put together kinda like right on the spot.” Rhythm guitarist Charlie Errigo said “It’s like a videogame. It’s like each riff is a level and you got that hard riff that’s the boss.”
As America’s conservative renaissance thrives through its flourishing Alt Right movement, the time is ripe for a full fledged rebirth of its black metal identity.
With the genre having reached rock bottom in recent years due to pop punk and screamo influences, beta male journalism, communist ideologies, and a faux transcendentalist philosophy, we can begin to right the ship by exhuming and examining the cadaver of its formative age.
Every once in awhile us vile black metal badasses need to suit up. Maybe it’s to please a family member at a wedding, maybe it’s to respect the dead at a funeral, maybe it’s because the soul was sold to embrace the nihilistic corporate world once sworn against (ugh). Nevertheless, life in the first world necessitates this occasional cleaner cut image and perhaps this projection may even impress some strangers in open territory. But deep down underneath this fabrication lurks that sadistic primal savage that lusts for chaos, destruction, and pure fucking mayhem.
Destruction are touring the US this year. The not as legendary as Sodom German speed metal band are bringing along z-list death metal bands Warbringer and Jungle Rot. Do people who love Sodom, Destructor, and Kreator love Jungle Rot? How many middle-aged men and party thrashers in Suicidal Tendencies hats also wear cargo shorts? Seeing this tour gives you the chance to find out. Will Schmier’s voice be as haggard as his appearance? Will Destruction’s drums be as fake as modern Kreator’s?