Sammath and Standvast have been booked to play the Diabolical Echoes PT 2 mini-festival with Norwegian black metal band Isvind in Groesbeek in the Netherlands on February 24th, 2018. Sammath is one of Death Metal Underground’s most highly praised modern bands while Standvast is an Ildjarn-like project from Nortfalke from Tarnkappe, Kjeld, and Kaeck. Sammath has long been a mainstay of our staff’s list of the The Best Underground Metal of the year so live shows from them should be a furious storm of riffs and whiplash.
Ever since the rise of leftist politicization of metal, there has been rising hysteria over a secret Nazi fifth column lurking within the metal community, ready to spring out of the shadows and attempt a world takeover. This is due to the effects of the corrupt mainstream media portraying everyone opposed to their Marxist agenda such as President Donald Trump, reincarnation of Hitler with the majority of America seeing through their psychotic imagined orange Fuhrer. But for the millions of citizens that will buy into whatever the mainstream sells them, including the scenesters of indie rock, this narrative maddens them to the point of belief that the entire Republican/Libertarian/Conservative movement is the spiritual sequel to the Axis Powers. This is immaculately articulated in a review buried deep within scenester shill blog No Clean Singing’s attempt to set the world record for “most metal bands reviewed ever.”
Sell-out formerly black metal band Enslaved has finished recording another indie rock album for Nuclear Blast Records. Expect every fat guy in flannel with neck pubes to love it almost as much as he loves the smell of putrid mayonnaise that gets stuck in the beard like little white dingle berries.
Recently many of the other “metal” websites, blogs, publications et cetera have been doing articles about the business side of music industry. Unsurprisingly none of these articles had the testicular fortitude to address the ugly reality of the underground metal economy as they are written by either slaves to the machine itself or losers who genuinely believe that they have “careers” in music which heavily depend on acceptance by the community. Since the Death Metal Underground staff bow to no masters social or corporate, we are in the rare position give you the truth in its rawest form. So with absolute disregard for the powers that be in metal, let’s take an honest look inside this machine to see how it really works.
The hilarious leftist parody of metal will be celebrated in force this weekend as Maryland Deathfest completes its transformation into Coachilla-lite. While it’s been painfully obvious that all festival culture has gone fully mainstream as futureless millennials continue to spend money they don’t have on things they don’t need there are still many in the hipster sphere that can’t grasp the loss of counter culture to the mainstream. Maryland Deathfest continues this trend with praise from mainstream propaganda editorial Newsweek and lamentations from liberal snowflake blog Invisible Oranges occurring in the same week.
The three musicians from Entombed‘s classic Left Hand Path lineup, Nicke Anderssen, Alex Hellid, and Uffe Cederlund, won their trademark dispute against Left Hand Path vocalist Lars-Goran “L.G.” Petrov’s Entombed A. D. project in the Swedish Court of First Instance (Patent and Market Court [PMD] at Stockholm District Court). Petrov has used the Entombed A.D. moniker to release lame death ‘n’ roll to tour behind long after the rest of Entombed hung in the towel and admitted they would never be rock stars.
Metalucifer, the heavy metal loving parody side project of Gezol from Sabbat (Japan), released a new video to Youtube from their upcoming split 7″ with Sabbat. “We Are Still Metal Kids” is a disposable, haphazard parody of NWOBHM bands such as Iron Maiden and Judas Priest just like all other Metalucifer songs . It will also eventually appear on an upcoming album to be released on Iron Pegasus / R.I.P Records. Metalucifer’s previous albums (Heavy Metal Drill, Heavy Metal Chainsaw, and Heavy Metal Bulldozer) and all of their other cash grab releases are all pretty much disposable kitsch but still better than most of the war metal, metalcore, and crypto-indie rock the Funderground attempts to force down our throats.
Ancient‘s last hurrah, the Trolltaar EP, has been reissued by Sleaszy Rider Records with three bonus live tracks from 1993 according to the band’s Facebook page. Trolltaar saw Ancient develop cyclical simple Enslaved style riffs into extended black metal epics inspired by the virtuosity of longer 1970s popular progressive rock songs from Yes, Pink Floyd, Camel, and Led Zeppelin. Ancient were one of the few death or black metal bands inspired by popular rock music where the mass-market inspirations did not render them impotent as a metal band at least at first. Ancient, lacking a truly distinct riffing style of their own, eventually ran out of ideas and decided to play Hot Topic rock after Svartalvheim and Trolltaar but that is a topic for another time.
Barry McKay, one of the parties in the recent Beckett versus Iron Maiden “Hallowed by Thy Name” and “The Nomad” plagiarism lawsuit sent Death Metal Underground an email and statement to publish to clear up what he claimed were inaccuracies in George Psalmanazar’s initial article on the lawsuit.