BASED DESTROYER 666 BTFOS SOYBOY CALI VENUE

Watain and Destroyer 666 have moved their 3/16 show in California to a new venue after the cucked owner of the soy-filled DNA Lounge publicly menstruatedtarget=”_blank” rel=”nofollow external” over mean words said by Destroyer frontman K.K. Warslut last year.  After trying to kick the band off the bill, the tour’s promoter promptly fucked over the venue by moving the show to Social Hall on 1270 Sutter Street on just a few days’ notice.  Warslut proceeded to verbally emasculate the DNA lounge owners via the band’s Facebook page:target=”_blank” rel=”nofollow external”
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#Metalgate: Vince Neilstein Calls Out Varg Vikernes’ “White Privilege”, Reneges on Apology to Destroyer 666, and Attempts to Cover His Tracks

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Vince Neilstein (Ben Umanov) of scenester social justice warring metalcore blog MetalSucks called Varg Vikernes of Burzum racist for stating that the Western liberal media do not feature the heroism and cultural achievements of white men, specifically Alexandre Migues who helped stopped the Islamic fundamentalist terrorist truck driver in France last week, as it doesn’t their promote their multicultural agenda. Neilstein then reneged on his apology to K.K. Warslut from Destroyer 666:

But what else should we expect from Varg? Perhaps he should invite his buddy from a certain Australian black metal band for a weekend at his home in the French countryside so they can lament the struggles of white men everywhere as they drink their fine, white privilege wine and kiss and cuddle by the fireside.

Not only did Vince/Ben go back on his word to not call Destroyer 666 cock rock stage banter racist again, he made a gay joke which surely won’t endear him to his overly-sensitive social justice warrior hipster readers. Later, Vince tried to backpedal on the current version of the page:

Metalsucks Varg Destroyer 666 edited

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#Metalgate: Destroyer 666 Doxx MetalSucks

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Destroyer 666 expressed their displeasure with MetalSucks and Invisible Oranges’ social justice warring on their Facebook page:

Los Angeles,,a perfect storm to finish an amazing whirlwind tour.
Our sincere gratitude to all who came out and supported us.
We`d all like to extend a thanks to Paul Dunski for putting it altogether for us,Ares Kingdom for being so fkn great and upstanding men and Sharon of Derketa and Oath of Cruelty.
And to all those who took the time to speak to us in person and express their disbelief and contempt for the tirade of lies and bullshit spread by Matt Goldberg who hides behind the name of Axl Rosenberg and Ben Umanov the liar behind the name Vince Neilstein (His address is posted below folks)along with the little lying dishonest whore who calls herself Blair Hopkins and ‘writes’ for Invisible Oranges and seemed more intent on advertising her attractiveness to drunks than she was in writing an honest review. Clearly your insecure about your looks woman and felt a burning desire to advertise just how irresistible you are.To drunks.Sad desperate bitch.
Despite almost every comment on all their platforms callin them out for being lying cunts,they still have not removed,corrected or amended any of their ‘articles’.

We have considered making a statement to dispel the bullshit and clarify our position for those gullible enough to fall for this SJW virtue signalling garbage. But how does one argue with a fool with an axe to grind and clicks to collect for their advertising revenues?
By stating the obvious facts? These fkn clowns are fact resistant. And they could have got the fact themselves.Isnt that what journalists are meant to do?By goin through every one of their groundless claims and disproving them? Thereby validating their right to make accusations against anyone they see fit? By trotting out every non-white (Left approved) friend I have to show Im ‘cool’ and hip to the shit? That to me reeks of fkn racism.And God damn am I so fkn sick of that word. These vermin throw the word around so damned often its losing any meaning whatsoever and only serves to undermine any real and serious instances of it. And off course,the fact Ive never written a racist lyric in my life and Ive never used the band to denigrate another race…well that dont matter does it?,cos it dont fit their narrative.Theyll get round that any way they can.My view has always been the same,NO race should be made to feel ashamed of the colour of their skin.NOT ONE.
And it could well be asked what good would come of it?They clearly wont retract their articles even when fans from the show tell them its a lie,(because they exist from the clicks?).
These fk-knuckles insult myself,the band and our supporters alike with their complete disregard for the truth..And I cant help thinking it has helped to weed out the gullible and the spineless from our ranks.Not to mention increased shirt sales on our site.For anyone dumb enough to still have ‘doubts’,go read all the comments left by people on all thier sites.If that aint enough.Then just go Fk yaself.Sell our records,burn our shirts,dont come to the shows and dont come here to this page to looking for attention for yourself.Its really that fkn easy.It aint Nazi rocket science.
End of the day Im an old fashioned kinda fella and now that their real names are out there in the public domain,nature will take its course.
I aint no racist fool,BUT I am exceedingly, overtly prejudiced against fools and especially fools who make it their duty to make me their enemy.Make of that what you will.I call it instinct.
No Surrender.No forgiveness and No fkn Mercy!

Now to enjoy 4 weeks in NYC.

PS – If ya wanna show these scum where you stand and buy a shirt at www.destroyer666.uk

MetalSucks quickly issued an apology for their attempted pogrom, crawled into a corner, and curled themselves into a fetal position:

It has recently come to our attention that members of Australian black metal band Deströyer 666 have been receiving death threats related to articles we published on MetalSucks last week.

All of us at MetalSucks are appalled. Under no circumstances do we condone violence, or threats of violence, against anyone for any reason. We encourage open discourse on this website and in our comments section, but it should be relegated to just that — conversation.

Additionally, we spoke with K.K. Warslut directly, and he vehemently denies all of the accusations leveled against him.

We apologize to any members of Deströyer 666 who have felt threatened or whose names have been dragged into the mud on account of our actions. We have taken down the prior posts about the band to avoid drawing further attention to the situation and will refrain from posting anything further on the matter.

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#Metalgate: Invisible Oranges and MetalSucks Outraged Over Destroyer 666 NYC Show

metalsucks staff

Hipster metalcore websites Invisible Oranges and MetalSucks were outraged again over Destroyer 666‘s stage banter. Invisible Oranges was surprised that their hipster photographer was getting knocked around trying to take pictures from the middle of the mosh pit in a sold-out small club while Vince Neilstein MetalSucks whined about Destroyer 666 “fat shaming” Axl Rosenberg’s man tits. Cock rock and conservative politics represent a direct threat to their shtick selling social justice. Actual metal’s refusal to be deluded by their leftist revolutionary narrative as gullible minorities and unskilled workers unwilling to uplift themselves were threatens their raison d’etre of peddling corporate, lowest common denominator commodities. The underground‘s elitism is inherently conservative and leads to the eventual rejection of the bland and incompetent by the forgetful mainstream. Scapegoating to prop up metalcore and urban lumberjack atmospheric noise is another feeble attempt at a scenester Cultural Revolution.

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#Metalgate: Axl Rosenberg of MetalSucks Calls for Pogroms Against Destroyer 666 and Nails

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Axl Rosenberg, the founder of social justice warrior metalcore website MetalSucks, called blackened glam metal band Destroyer 666 racist over frontman K.K. Warslut’s altercation with masked antifacist thugs at a Danish festival. Earlier Rosenberg called Todd Jones from sludgecore band Nails a “scene bully” for titling their new album You Will Never Be One of Us, which he took as directed against social justice warrior internet agitators like himself.

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Deströyer 666 premieres “Live And Burn” off Wildfire

It sounds like K. K. Warslut has achieved his humble goals for Wildfire if “Live and Burn” is anything to go by. This promotional single sounds like a fairly by-the-numbers bit of 1st wave black metal worship. The aesthetics are modernized, the songwriting is intentionally basic, and so forth. Wildfire seems to still be on the schedule we mentioned when we first wrote about its upcoming release a few weeks ago. I don’t know how long this is going to stay in anyone’s rotation, but it sounds like reasonably good party metal and a safe bet at live shows, including their upcoming tour in Europe.

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Destroyer 666 unveils new album

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The guy who went to Black Flames of Blasphemy VI seems to have liked them – Destroyer 666 is returning with a new studio album after 7 years of inactivity on that front. They’ll presumably continue to be a partial throwback to ’80s first-wave black metal on Wildfire, which is currently set for release on February 26th. The band’s frontman, K.K Warslut commented on the artwork his band has procured for this album, saying that he “…was after something very simple and very metal, being sick to death as I am with pseudo-occultniks dressing everything up in the garb of mysticism.” It’s probably not just him, although the local occultists here at DMU might take issue with that. After this album’s release, the band has a few tour dates lined up in Europe for 2016.

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Concert Review: Metalmania 2018

On  7th  April, another edition of a long standing Polish festival Metalmania took place. One day, two stages, twenty four bands. It was the second one organized after a recent reactivation. The original Metalmania was an early big metal event in that part of the Europe – quite a feat given Polish Communist and post-Communist realities. Then, due to various reasons, the festival was gradually losing its relevance, dwindling and finally went into hiatus for 8 years. There is no sense, however, to cling to its bygone local importance or whatever glorious past. So how does it look now? 

While too much reliance on more mainstream gothic and heavy contributed to a collapse of previous incarnation of the festival, and now it was death and black oriented, the music on the big scene is rather consistently aimed at straight metal through all of its generations and styles, ending with bands like Dead Congregation or Blaze of Perdition and with some of the more modern sounds on a small scene. On a downside, the fest resurfacing mainly as a stage for classic bands may be reflecting the actual state of metal, indicating that the newer bands are unable to fill the void with something equally strong to their predecessors. 

The festival was obviously rough around the edges (and surprisingly violent – I almost got caught into two different fights just from where I was standing) and the sound was uneven and average overall. It was organized better than in the past, but still perceptibly within Polish standards, that is crudely and with lack of imagination or simply negligence in some areas (although Martin van Drunen said on stage that the organization was great!). Perhaps a very fortunate by-product of these characteristics, which may contribute to the positive reception of this festival, is how – I dare to say – conservative it is, both in terms of lineup and general spirit. With Napalm Death and (I suppose) liberal speed metallers on one side and sort of crypto-nazis on the other, who always find a way to show up in some form, the fest also covered broadest ideological spectrum that is possible for a mainstream event. 

As of 2018 this festival is yet to experience types of modern degeneracy, often coming from outside, which can be seen on festivals elsewhere. There were some obligatory side attractions, like exhibition of works of Christophe Szpajdel (who actually speaks Polish fluently), meet-up with the bands and lots of merch, but nothing delving too much into a fan idiocy or really not related to metal. Very few freaks, zero exotic people, no random participants, just fairly traditional metalheads, mostly in the 90s style, as it should be, world without end. However, those spoiled by abundance of propositions and by big festivals in Germany or Czech Republic will probably miss out on some of these modest qualities. 

And then there’s the surreal, sci-fi sight at the arrival – a monumental, Communistic “The Saucer” occupied by nothing but a tribe of long haired, black clad drunks… 

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