Immortal Pure Holocaust is 20 today

immortal-pure_holocaustIf you bought Immortal’s Pure Holocaust the day it was released, and conceived a child in the ensuing fury, that child would be entering college age today.

Our review, written in the year of this CD’s release, captures much of what makes this album great. There are two levels to its greatness, stylistic and content, and while related they cannot be made equivalent.

Stylistically, Immortal on their second album saw the ambient and atmospheric tendencies of black metal and developed them. First, they used lightning fast chaotic drumming that quickly reduced the drums to a background timekeeper, allowing riffs to change phrase freely without being trapped by a specific rhythmic pattern. Second, they upgraded the speed of their guitars and level of reverbed distortion to create a sonic tunnel of sound that from a distance, sounds more like a synthesizer with heavy sustain than a guitar.

In content, Immortal focused what it was to be black metal: naturalism. Like the creatures of nature, or its mercurial winds and storms, black metal is not “rational” and “moral” in the human way, but practical in a way that humans — even non-Christian ones — are often afraid to understand. However, it is a method that a forest creature or great tree would understand, a cross between Zen buddhism and the feral antagonism of a wandering predator. Incorporating previous themes of occultism, tribalism, cosmicism and warfare, Immortal fused the ideas of black metal into a singular concept. As such, this album defies all categories of logic or music, at least the human ones. To a wolf or jaguar, it would make perfect sense.

The result was a blaze of noise and musical terror that swept black metal into its second age. Pure Holocaust, along with Transilvanian Hunger (Darkthrone) the following year, moved black metal beyond the framework established by its 1980s origins in Bathory and Celtic Frost. Now it was something new, something emotional without being self-pitying, some cold and element floating above the clouds. Something that could not be tamed.

While most popular entertainment fades away after only a few years, and with good reason, Pure Holocaust remains strong two decades later. Without having heard it, or any black metal, a music listener can take this off the rack and throw it on the player — even if that means double-clicking — and be lost in an entirely different world, and inspired to try to create that here on modern earth.

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Immortal Release Title Track of New Album “Northern Chaos Gods”

Cash grab alert!  After giving the classic board room “fuck you” to cornerstone musician Abbath, the corporate conglomerate of Demonaz and Horgh have secured the legal rights to the band name “Immortal” and are now positioned to promptly squeeze their fans to blindly buy music and merch advertised as that of a Norwegian black metal legend.  Although the pair have only played together on one album out of 12, they’re billing this as “the comeback of Immortal!” and have already gotten the infamously money-hungry Nuclear Blast records to set up the most overused rock n’ roll ponzi scheme.

Together, the pair have released a new song “Northern Chaos Gods,” the title/intro track of their first foray into commercialized rehash.  So how did the miraculous (fake?) recovery of Demonaz’s tendonitis work out?  Exactly how far into the waters of retro-rehash did the band wonder?  Have they evolved even the slightest as musicians or do they remain forever trapped in the 90’s? As trust fund life-dropouts living in the woods at the expense of their family might say:

“Let’s find out!”

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Immolation, Azarath, Melechesh Live In Poland On September 27, 2017

Immolation fiercely maintains its reputation as both innovator and creator of a long run of relevant albums in the death metal genre. The band appeared in Poland on September 27, supported (besides opening bands Sincarnate and In Twilight’s Embrace) by Melechesh and Azarath. In every case the sound was at least good and with their performances they all have made great impression.

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Thirty Years of Morbid Visions

Sepultura‘s Morbid Visions is my favorite thirty year old album. Released in Brazil on November 10th, 1986, Morbid Visions saw Sepultura slither past the primitive Hellhammer, Celtic Frost, and Sodom worship of their initial Bestial Devastation extended play (included as a bonus on almost all CD versions of Morbid Visions) and into ultraviolent, progressive but still primitive, death and black metal.

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Sadistic Metal Reviews: Flush ‘Em All

Blood must be shed to atone for the sins of these mostly horrific recordings. Every single person who thought releasing these was a great idea should attempt to give themselves a self-swirlie while under the influence. Banging their head on the porcelain toilet tank lid will knock some sense into them or crack their skulls open. Hopefully the latter.

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Sadistic Metal Reviews: 3-9-2017

The Death Metal Underground staff subjects themselves to countless nights of toilet diving in order to bring you gems crapped out by the dessicated undead corpse of the music industry. These are what we left in the latrine.

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Metal Festers Eternal

Right now, above the metal underground there is what was coined, I believe originally by Pogrom from Arghoslent, the “Funderground”. The funderground consists of independent labels, sometimes mainstream distributed, releasing thousands of albums each year full of rehashed material or rebranded three-chord hardcore with different superficial aesthetics to fuel a bar show audience’s drunken moshing or make hipsters feel smart for liking an indie rock release with a dirty production. One can see this divide in most of the popular “underground” web forums such as those of Nuclear War Now! and Full Moon Productions. The most popular “underground” “metal” releases of each year are all older metal rehashed into pop-rock structures or rebranded hardcore. This divide is similar to what is felt in mainstream Western culture with the leftist “elites”‘ constant Marxist virtue signaling and branding freethinkers with various epithets for refusing to chant the praises of socialism mandated by the vanguard party.

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Reissue Radar: Immortal albums

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While the sundered remnants of Immortal are trying to go their own ways (Abbath released a solo album, the rest of Immortal promises one later in 2016), Nuclear Blast Records is taking advantage of their rights to the Immortal back catalog by reissuing Pure Holocaust and At The Heart of Winter on vinyl. We’ve written about the strengths of Immortal’s early work in the past, and even the more streamlined and accessible At the Heart of Winter has its charms, so it should go without saying that the content of these reissues is valuable. Currently, the vinyl records are only available through Nuclear Blast’s German-language storefront, and not officially available until March 18th. German speakers might want to get in on this opportunity early.

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