Villiger Cigars – Newminster No. 400 Superior Navy Flake

newminster_number_400_superior_navy_flake

The first question any smoker should ask when approaching this tobacco is whether or not Navy Flake is a style that they enjoy. The name conveys both the form, which is dense slices from a pressed brick, and the flavor which is provided by Virginia tobacco with very minor casing or additions to the mix. The result is a thick sheaf of tobacco that can either be rubbed out into shreds or stacked in the bowl.

Its flavor will appeal to those who like straight Virginias: a combination of harvest hay smells and clover honey, lightly touched with warm molasses and perhaps the scent of leaves in fall. It tastes like it smells, and brings a warmth of flavor into the bowl. This tobacco competes with other Navy Flakes like those from Dunhill, Escudo and Gawaith, but aims for a more middle-of-the-road appeal for those who want something flavorful to smoke all day. Its nicotine dosage registers at the lower half of the middle of the scale, not as light as the drugstore aromatics but not as hard hitting as the flakes which appeal to the battle-scared pipe smoker, aloft in his mountain retreat or on the prow of a ship, pausing only briefly to inhale before firing back at some unseen enemy. Newminster flake burns gracefully and leaves behind a fine white-grey ash, coating the room in a gentle note that often appeals to non-smokers as well.

Navy Flake appeals to a certain type of smoker in a certain situation. It is a light smoke not as in taste reduced, but in that all of its flavors strike gently rather than hard; the smoke from this, while somewhat harsh with some bite, floats gently and rewards slower smoking. The disadvantage to this blend frankly is that it is lighter in nicotine and flavor, which makes it better for smoking all day when distracted than sitting down for a good solid smoke when working or relaxing. While it ranks higher in gentle flavor than some of the other flakes, it lingers behind them in power and interest; a good Virginia brown, better than many but not configured to be a favorite.

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40 Candles upon the Altar of Heavy Metal

If we say that the average life-expectancy age in the western world is 80 and simplify things a little further by positing that half of those years are spent asleep during the night, then we’ve only got about 40 years to do some real, serious living. It’s been that many years to this day since Black Sabbath released their debut album, as good a day as you’re going to get to hail the 40th anniversary of Heavy Metal, and every single one of those years has been spent wide awake through procession of the daily sun and the darkness of the night. Heavy Metal arrived at a time to sentence a generation of delusion to death and confront the rest of modernity with the weight of reality and the power of the occult. A lot of newer generation listeners entered the Metallic planes of hell through bands that were breaking away from Heavy Metal’s Rock formalities and Blues atavisms, giving an impression that the older music was in most cases obsolete. From the moment that Sabbath had arrived and Satan unveiled his majestic black wings, the spirit of Metal was unlocked like a Pandora’s box that held all the secrets from the past and future, and the subversion of the present ensued, encoded in the language of the riff! Let us mark this unholy day with the truest celebration of Heavy Metal imagineable, as Devamitra introduces his epic compilation chronicling this wise and powerful art-culture:

History has become obscured, for few are interested to learn and explore the dawn of the barbaric and romantic sounds of metal music. All sorts of glam and joke bands are mistaken for Heavy Metal, which they aren’t, and many even believe there was never any serious merit, dark insight or focused direction to Heavy Metal in the past. The “Anvil of Thor” compilation was created to aid discourse on death metal and black metal with a friend of mine, as our musical learnings were composed in entirely different moulds and I wanted him to see the language of heavy metal with its forms, symbols and motion at least partially from my perspective. “If you don´t know the past, it´s impossible to understand the present.” Listening to these tracks in the preferred order as they appear in the playlist file, it should be easy, for example, to see how the tritone blues of Black Sabbath and the poetic narrative of Judas Priest contained the suggestion of high energy riffs as they appeared in occult bands Mercyful Fate, Death SS and Angel Witch, consequently mutating into Doom Metal in Trouble and Candlemass, Speed Metal in Slayer and Metallica and Epic Metal in Manilla Road and Manowar. This isn’t quite a “best of Heavy Metal” but one of the possible paths of seeing through core visions, techniques and moods of Heavy Metal music. For old heavy metal fans, it will hopefully revive fond memories of these sinister and majestic LP’s and for others, broaden the perception and hopefully bestow surprises.

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The Most Popular Death Metal Bands- Who is #1?

Who is the most popular death metal band?

It’s one of those esoteric questions that wanders in and out of the mind without a quick Google search to offer a definite solution.  But today it dawned on me that if I don’t try to find an answer, it’s unlikely any one else will do a decent job at doing so.  And given the fact that deathmetal.org is the number one site that comes up when you Google “death metal news,” I believe we have a journalistic duty to present the world with this information.

Since where to draw the line on what’s “true” death metal or not is a matter of opinion moreso than concrete fact, I determined that anything labeled “death metal” would be fair game whether it truly was a pure death metal band or not.  Therefore I’d consider melodic death metal, black metal, and even deathcore in an effort to find who had conquered the greater sphere of death metal.

Unfortunately, the Nielsen record sale tracking data is not public and often does not identify how well an album has sold for many years after its release.  Thus, I determined that the most accurate metric for mining this data would be to measure by Facebook likes.  Yes, I know it’s not an exact science- many fans aren’t on Facebook, and many people click a band’s like button without really listening to them.  But still, it was as good as I would ever get to finding who the most popular band in the greater bounds of “death metal” truly was.

I expected to see the favorites of the 90’s metal press and MTVX dominate- Cannibal Corpse, Morbid Angel, Decide, Death, and probably In Flames take the number 1 spot.  Imagine my shock, that only one of these bands even cracked the top 5!  I had always heard about Morbid Angel and Deicide had the highest album sales, but it appears neither band has been able to conquer the internet age.

So again, this list was populated within very forgiving boundaries (bands loosely considered death metal, whether or not I believed them to be), and the best metric I could come up with.  Also, DO NOT FUCKING EVEN THINK OF CONFUSING THIS AS BEING A LIST OF THE BEST DEATH METAL- IT IS QUITE THE OPPOSITE!!!  And finally, if there are any bands you think I missed please let me know in the comments below and I will gladly do a live update and give you credit- maybe.

Without further ado, here is – for the first time in history – a list of the most popular bands that people considered to be death metal, and an explanation to why I would endure the immense visceral hatred for even considering them:

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Twilight of the Guitarist?

It is a harsh truth that all things in our finite world will end at some point or another.  I was fortunate enough to learn this lesson at young age, with friends moving out of state and death claiming some of those closest to me. But there are many who are not so lucky to experience the cruelty of life during their youth and are now struggling to adapt to the harsh political and cultural upheaval that is sweeping the world at large.

This failure mainly stems from a cultural and educational system that leads us to to believe none of the beloved things in our safe American bubble will ever see massive change and upheaval- that our world and lives probably won’t be much different than that of our parents and teachers. But already, we are witnessing the death of malls, the value of college degrees, major retail chains, cable television, Hollywood movies, mainstream media, atheism, and an the age of idealism.

And sadly for fans of rock and metal music, the final hour may be at hand for a beacon of our pride and culture: the guitar hero.  With the impending bankruptcy of Gibson and now the imminent bankruptcy of Guitar Center, it would be foolish for anyone to still proclaim the immortality of the “guitar god.” For all things of this world must one day end, and dare I must ask… could the twilight of the guitarist truly be at hand?

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Analysis of Demilich’s “When the Sun Drank the Weight of Water”

[Sections of this article by Jerry Hauppa].

The Finnish scene has spawned an impressive number of death metal giants, possibly the strongest overall scene with no band searching for shallow fame or popularity and each band exploring their own sound in complete artistic integrity and more often than not achieving powerful results. Though all these bands have captured the hearts and the imaginations of Hessians everywhere, one four-piece has managed to completely change the face of death metal. Releasing one album that elevated metal into being recognized as an intellectual genre in the eyes of the mainstream, so much so that the mainstream metal media fled from this album as no one could commercialize and democratize what was being played here, Demilich were unfairly pushed back into the underground when they deserved adoration from the masses.

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Le berceau de Satan – Porteur de lumiere (2017)

Ahhh, Canada, America’s hat. And then there is Quebec, Canada’s ass-neck. Today’s band, Le berceau de Satan (Cradle of Satan) hails from the beautiful town of Sanguenay, Quebec. Looking at some pictures of the town and area, one would think that there is ample natural inspiration for an atmospheric black metal band. However, in the case of Porteur de lumiere (Bringer of Light), released this March, this is clearly not the case.

In honour of the confused, mish-mash presentation of the album, I will now present my review in the form of stream of consciousness.

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Hipsters Discover That Black Metal Musicians Are Bad

Another scandal!  Yes folks, for the fourth time in the past two or three weeks, hipster journalists and fake metal fans are shocked and appalled that a black metal musician has done something immoral.  Despite black metal being a music genre for 30 years, smelly neckbeard losers and dreadlocked trust fund crusties are figuratively (though literally in some cases) throwing their own feces every time they catch a mid-tier black metal musician doing something not socially acceptable.  This time, the horrific act came from Marduk, whose purchasing of German World War II merchandise from a sketchy online retailer made them too evil for a fest called Stockholm Slaughter (who apparently think slaughter is cool, but just not when it pertains to 1940s Europe).

Because millennials are too dumb to learn any history that doesn’t involve student loans, let’s quickly look back and see if any criminal or immoral things were done by the original black metal bands.  Maybe there’s something that we can learn from  that fateful 1990s Norwegian scene:

Band                   Criminal/Immoral Act

Burzum                Murder, violating parole with a shitload of explosives, arson, Nazism, white supremacy

Dimmu Borgir    Using the N word in an interview/proclaiming the desire to genocide Africans

Emperor              Hate crime murder of a homosexual, arson

Gorgoroth           Rape, battery and torture, violation of Poland’s animal rights laws, homosexuality

Immortal             Arson

Mayhem              Murder, 2nd degree murder, arson, public mutilation, trashing hotels

Satyricon            Rape, arson, rape

Thorns                2nd degree murder

I’m sorry to break this to everyone living in a liberal bubble, but a painfully obvious truth exists:  black metal musicians are bad men.

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Atlantean Kodex Live Album is Bad

At first glance, this album boasts a cool cover and impressively long song lengths, making a strong first impression. Then I hit play. It didn’t take long to realize this is really, really bad live album. It is not tightly played at all. The two guitars are not in sync and neither are the drums. You have to suffer through really bad lyrics like: “Onward to the sun” and “Destiny is calling!”. Everything is really bad waltzy Sabbath imitation but really boring. I can fairly say that this album qualifies as epic German cheese. So of course it will be popular. The singer sounds like the guy who sang those Budweiser ads Real Men of Genius.
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Violent Opposition – Utopia Dystopia

This is the awesome grindcore band from Berkeley that predicted sport rioting would totally take off after the election. They are the post nuclear hippie van version of early Napalm Death. The new album opens with a totally awesome grindcore song called Controlled Opposition, which has a series of jagged hammer-on type riffs, followed by a brief rock riff at the end. Everything is crypto now, so let’s get paranoid!

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