Dirty deeds, but not dirt cheap. AC/DC’s Phil Rudd pleads guilty to threat to kill

AC/DC drummer Phill Rudd at trial. Photo (c) BBC

AC/DC drummer Phill Rudd at trial. Photo (c) BBC

We knew the band carefully cultivated a bad boy reputation, but now it may have gone too far. AC/DC drummer Phil Rudd has pleaded to attempting to hire someone to kill a former business associate, in addition to possession of methamphetamine and cannabis. Here’s the BBC with the report:

Mr Rudd was concerned that security at the launch party at his restaurant Phil’s Place was not tight enough, according to the court summary.

A month later, the court heard, he telephoned an associate saying he wanted one of the people he had fired “taken out”.

He later offered the associate NZ$200,000 ($153,000; £100,000) as well as “a motorbike, one of his cars or a house”, which the person assumed was payment “for carrying out his earlier request”.

This most unfortunate development looks more like self-destruction than a realized plan. Rudd apparently also threatened the person in question via phone, which makes us wonder if he was trying to avoid prosecution at all.

1 Comment

Tags: , ,

Kerry King’s Favorite Metal Albums

Slayer‘s Kerry King dished out his top ten favorite metal albums to Rolling Stone as part of the geriatric soft rock magazine’s imbecilic Top 100 Metal Albums list.

(more…)

9 Comments

Tags: , , , , , , , , , , , , , , , , , , ,

Folk Duo Launches Belzebubbles Site To Promote Censored Right-Wing Music

We all know the score in entertainment: 90% of the people are full-tilt Left-leaning, and the remaining 10% have to hide their views until they are too big and too old to fear repercussions. A Swedish folk-rock duo named Lilou & John have launched a website, Belzebubbles, to feature Right-leaning bands who have been censored or ignored by the entertainment establishment.

(more…)

59 Comments

Tags: , , , ,

Revisiting The Days When Black Metal Died

“Nothing gold can stay,” reminds us the poet Robert Frost, and this applies to black metal. Its gold occurred between 1991 and 1994, when its progenitors innovated a new style and took it to great heights, but after Burzum – Hvis Lyset Tar Oss, it became clear that black metal was not content to be a normal, rock-style music genre.

(more…)

13 Comments

Tags: , , , , , , , , ,

N.W.O.B.H.M. Survivors

The New Wave of British Heavy Metal was the simultaneous, sudden emergence of hundreds of heavy metal bands in the United Kingdom in the late 1970s and early eighties. The NWOBHM was prompted by the collapse en masse of earlier hard rock bands and heavy metal originators. Led Zeppelin and other blues-based riff rock bands had collapsed into meandering stadium rock with only a couple listenable songs per record at best (“Achilles Last Stand” on Presence). Black Sabbath fell flat on their faces after Sabotage, making the meandering duo of Technical Ecstasy and Never Say Die. Punk declined from almost-progressive works as the The Stooges’ Fun House to boy bands such as the Sex Pistols playing radio pop. Deep Purple regressed to playing what their former guitarist Ritchie Blackmore termed “Shoeshine music.”

(more…)

21 Comments

Tags: , , , , , , , ,

Martire – Martire (1991)

martire-martire

As the continent was before Britannic penal colonization, Australian black and death metal scene was and is still mostly an undeveloped desert of unexceptional crossover thrash posturing as “war metal”, blackened cheeseball beer metal, AC/DC clones with unclean vocals, and experimental technical deaf metal/post-hardcore/jazz fusion hybrids. Martire rode forth from obscurity to restore fruit and flower to the wasteland, fertilizing the barren bush wielding fire and sword.

(more…)

9 Comments

Tags: , , , , , , , , ,

Sadistic Metal Review: Chalice – Chalice (2014)

chalice ep

Article by Corey M.

Chalice is a real shit show. From a purely musical perspective, the self-titled EP Chalice is transparent hard rock with some metal-ish riffing that never gets quite as aggressive as Deep Purple. Now indeed, aggression is not the only or even most crucial element that goes into making good rock or metal, but Chalice fall fa(aaaaaaaa)r short in every other facet of songwriting and performance.

(more…)

6 Comments

Tags: , , , , , , , , , , , ,

Dismember – Indecent and Obscene (1993)

Dismember Indecent And Obscene

Almost all metal bands eventually run out of ideas and revert to imitating their influences or repeating themselves. The former usually results in songs that are Frankenstein’s monster mashups of old ideas hoping to hop across the finish line without their sutures bursting leading to loss of limbs. The latter have no raison d’être beyond releasing the expected new record every eighteen months or so to put a product on the shelves that the label can push and the band can tour to support on a James Bond series type release schedule. Even a teenager saying “I want to kill everyone, drink beer, masturbate, and be as fucking metal as possible” shows more purpose than such aimlessness.

Indecent and Obscene was Dismember proving that in 1993 they had became at least as proficient musicians as their seventies and eighties idols. Dave Blomqvist took over the leader guitar duties from Nicke Andersson and added Mercyful Fate-like sweep-picked leads to the bluesy, Ritchie Blackmore-influenced solos. The songs continued in the vein of filthy Pieces EP with verse chorus verse bashers. The problem was they were slowed down, less distorted, and more lazily constructed: Beneath the Remains Sepultura minus a standard deviation or two in IQ. Every time Dismember play an interesting riff on this album, they allow it to wear out its welcome through repetition in brain-dead pop song structures. That is only when they have a good, counterpointed Carnage/Dismember riff. Most of the rhythm riffs are generic Autopsy riffs; riffs Autopsy stole from Celtic Frost, who stole it from Metallica, who stole it from some NWOBHM band who took it from AC/DC or The Stooges. These riffs were used just so Dismember could construct a basic d-beat song and sweep pick Guitar World readers’ faces off.

Matti Karki sounded just as rabid as ever but in every song sprouted off the title of the song in the chorus of the song as a vocal hook. This is the same as an awful Hollywood action film script containing dialogue saying the name of the movie in the movie, eg: “This is Con Air!” or “You Only Live Twice Mr. Bond!” Idiotic bridges kill off any tension too. “Why don’t you just kill yourself?” followed by breakdown of the main rhythm riff so all the hardcore kids for whom Suffocation was too heavy could slamdance before the air guitarable solo.

Dismember on Indecent and Obscene was Nuclear-Blasted into Cannibal Corpse before Nuclear Blast mandated all their bands sellout into death/black ‘n’ roll for the Bic-flicking festival crowd. While superior to most of the later work out of Sweden, Indecent and Obscene never approaches the transcendent Dark Recollections and Like an Ever Flowing Stream. The only praiseworthy aspects beyond the superficial icing are Fred Estby’s creative tom fills on songs such as “Sorrowfilled”. His underrated percussion is the only part building and resolving tension in these mediocre songs. That’s simply not enough to hold hessian attention. Decent material must still be composed and Dismember didn’t bother writing any worthy of repeated listening here.

 

14 Comments

Tags: , , , , , , , , , , , , , ,

Interview: Brian Tatler of Diamond Head

Diamond Head new band shot 2016

A few weeks ago I conducted a short interview with Brian Tatler (center), the guitarist and primary songwriter of Diamond Head. Their new self-titled album was released on April 7th and will be reviewed on Death Metal Underground shortly. Marred by technical difficulties, here is an edited transcript:

Hi Brian, I’m Daniel from Death Metal Underground. I understand Diamond Head has a new album coming out this spring?
Yes we do. Diamond Head comes out April 7th.

Did you try to hearken back to your early work or go in a more commercial direction?
In a way. We took a look at everything we’ve done over the years. This album should sound like Diamond Head. We took a very Diamond Head approach.

Did you modernize your music? Use digital production and all that?
Well it’s still the old Diamond Head sound. I used a Diesel amp and we recorded into Pro-Tools too. We wouldn’t have been able to get that sound back in 1982. Writing is the main thing. We try to capture the magic in the rehearsal room.

Songwriting is the most important thing.
I agree.

So much modern metal is just one cool guitar riff and then chugging along until the next part that has no relation to the first.
You still need to write a song.

Who are your songwriting inspirations?
Well, Led Zepplin, Black Sabbath, those sorts of bands. I don’t listen to that modern sort of stuff that much. Some say we write the same songs over and over. That’s the way that stuff is. Diamond Head sounds like Diamond Head. The most influential records were the first few Led Zeppelin, Sad Wings of Destiny, Machine Head.

How do you feel about your influence on the metal and the more extreme sub-genres? Inspiring bands like Metallica, Celtic Frost, and Darkthrone who sometimes copied directly from you?
It’s easy to get deep into the stuff from your youth. You watch these bands play, get a tape from across the ocean a thousand miles a way, and after a few months of playing and writing your own material, what do you know? You have the same riff that’s on the tape! It’s nice to be influential. It makes the band feel important; justifies what we were doing. It’s been said Diamond Head were a musicians’ band: a band that other bands liked. We never sold that many records.

Even things like “Search and Destroy” having the same riff as “Sucking My Love” in a different key?
“Dead Reckoning”. It’s not the same; it’s slightly different. It’s flattering. I’ve got my own stuff from somewhere. Bits of Black Sabbath and AC/DC. Diamond Head were a stepping stone between thrash and them.

I noticed on songs like “The Prince”, you have tempo and rhythm changes in the drums uncommon for metal of the time.
Well we moved the drums around to get more out of each section. We had to get it as good as it had to be. No nudging through

“Am I Evil?” is perfect.
“Am I Evil?” took a while. It took a while to do it. The intro, lots of verses, the last section to the ending, and then going back to the main riff, and testing it out live.

So many bands never have the opportunity to play live now. How important was that?
We tested out everything live to see what songs and verses did work. What would work up a crowd. Some songs didn’t work. This one worked.

Did you start playing live early on?
We formed in ’76 and played our first show in February of ’77.

In local venues like pubs?
Lots of venues. Some not local. One in Birmingham. We started playing in pubs. No clubs. We would put on our own gigs.

Sabbath were from Birmingham. Was that a big deal?
We felt we were following in their footsteps: Black Sabbath and Judas Priest. It’s the second biggest city in the UK. Birmingham had so many bands. Always did too…

How much pressure did Diamond Head feel to become more mainstream and commercial rock?
A bit of pressure. We signed to MCA in 1982. Iron Maiden, Motorhead, and all UK bands appeared on Top of the Pops with their singles. Our long songs prevented that: “Sucking My Love” is 9 minutes long; “Am I Evil?” is 7:40 even. Not a comfortable fit. MCA wanted us to be more like Led Zeppelin except we had no PR, no real touring support with good lineups , nor a huge studio budget. Being managed by our singer Sean Harris’s mother didn’t help. We were dropped from MCA as she wouldn’t agree to a change in management.

Was it a Manowar type situation where he lived with his parents?
He lived with her then. I believe he still lives in the same place but on his own.

The Manowar singer still lives in his parents’ basement in upstate New York.
Ha

Any upcoming touring plans?
Lots of dates across Europe. We’re playing Hard Rock Hell and some dates in Germany, the UK, and Ireland.

Good luck!
Thank you!

5 Comments

Tags: , , , , , ,