Phil Anselmo’s Newest Solo Endevour Bombs

On a recent episode of “The Classic Metal Show” burnt out Pantera vocalist and famed roman-saluter Phil Anselmo admitted that his newest album Choosing Mental Illness as a Virtue was “only going to appeal to X amount of people, and that’s going to be a small amount of people.”  By X amount, Phil was likely referring to the roman numeral for the number 10 as that is about the number of fans his band of soon-to-be deported illegal immigrants has.  The album currently has a 46% score on Metal-Archives (already a low medium of standards) and virtually no one has professed a fondness for the album outside of the journalists who were paid to.



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Metalgate news – Phil Anselmo wavers on racist statements

Phil Anselmo put a sour taste into the mouth of Dimebag Darrell and Pantera worshipers worldwide by making some white supremacist signs at the end of Dimebash 2016. Much to my amusement, he immediately backpedaled and insisted that these remarks were his idea of a joke. Like most of these incidents, the importance is not so much in what Phil Anselmo actually believes, but in how the people around him react. As a general rule, you people have overreacted. For instance, the good folk at MetalSucks (always a bastion of… well… something) struggled to reconcile their simple belief that racism is bad with their other simple belief that Phil Anselmo’s musical efforts are worthy of their time and attention.

Here at DMU, we’ve learned to deal with the fallout of our idols’ actual, provable crimes, such as the arson and murder of the Norwegian black metal scene to the point that we’re perhaps desensitized to thoughtcrimes, especially since we can’t yet peer into Anselmo’s head and accurately determine whether he’s a racist, or trawling for attention, or some combination of both. What matters is that we don’t jump to conclusions based on the unknowable. Besides, we have enough evidence of Anselmo contributing to Pantera.


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Phil Anselmo Forms New Extreme Metal “Supergroup”

Phil Anselmo being the lovable goofball he is.
Article by Daniel Maarat

Tough guy empowerment activist and former heroin addict Phil Anselmo has formed a new extreme metal “supergroup.” Scour features members of metalcore and post-hardcore bands Pig Destroyer, Cattle Decapitation, Decrepity Birth, and Animostiy. Anselmo claims they play “predominantly, in my ear, modern-ish black metal sounding, thrashy black metal type stuff.” All underground metal fans can do is wait and hear if former Pantera frontman is describing randomized first wave black metal with breakdowns, the Britney Spears black metal exemplified by Aura Noir slowed down, or Gothenburg melodeaf influenced metalcore with nu-metal vocals.


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One of death metal’s pioneering vocalists has passed away today.  Frank “Killjoy” Pucci of Necrophagia died this morning as revealed on the band’s Facebook page. One of the original tape traders of death metal, Killjoy’s legendary vocals on the phenomenal  Season of the Dead album (which predated Death’s Scream Bloody Gore by several months) paved the wave for the death/black metal technique and inspired some of the greatest artists in metal.


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Analysis of Death Metal Vocalists

Guttural vocals are the only true vocal innovation in metal as other singing styles are derived from other genres. The growed vocal technique is a combination of multiple frequencies and is harmonically too rich to be treated in the same way as more tonal styles.  Since they are different to all that came before them they must be analyzed differently.  And as metal continues to be penetrated by the mainstream it is important to understand what should be expected from a vocalist and what each one brings to the table since as humans we are inclined to judge vocals first.

In the spirit of understanding the wide variety that the technique has to offer, take a look at some of the more interesting and/or well known vocalists that death metal has given us throughout the years:


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Entombed Win Entombed Trademark Case

The three musicians from Entombed‘s classic Left Hand Path lineup, Nicke Anderssen, Alex Hellid, and Uffe Cederlund, won their trademark dispute against Left Hand Path vocalist Lars-Goran “L.G.” Petrov’s Entombed A. D. project in the Swedish Court of First Instance (Patent and Market Court [PMD] at Stockholm District Court). Petrov has used the Entombed A.D. moniker to release lame death ‘n’ roll to tour behind long after the rest of Entombed hung in the towel and admitted they would never be rock stars.


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#MetalGate: The MetalSucks Manifesto


Nu-metal and metalcore website MetalSucks posted the “The MetalSucks Manifesto” today, reaffirming their stance as communist social justice warriors. Donald Trump’s triumph in the 2016 United States presidential election apparently did not dishearten their leftist delusions. A neighbor to the MetalSucks headquarters in Axl Rosenberg’s Brooklyn tenement apartment has revealed exclusive insider information to Death Metal Underground about the activities of the MetalSucks politburo of Axl Rosenberg, Vince Neilstein, and Emperor Rhombus during the week following Trump’s victory.



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