Guitarist Takafumi Matsubara of Mortalized and Gridlink wrote a new track earlier this month for Australian distortion pedal manufacturer Unknown Pedal Australia.1 Comment
Slayer, performing with Jon Dette as Dave Lombardo and Gary Holt as Jeff Hanneman, has launched its new tour in Australia. This fan-filmed video shows how the new ‘Frankenslayer’ performs.
‘Frankenslayer’ refers to the two original members plus two hired hands that now forms the ‘Slayer’ you see on tour. Some have a problem with this, and rumors and doubt circle around the Slayer camp.
This is a complex issue. We are the biggest Slayer fans on earth around here, and some of the few people who have given them credit for their contributions to death metal (we’re also huge fans of Hellhammer and Bathory, the other .666 of the Unholy Triad of the origins of black and death metal).
However, we’d never want them to keep carrying on for the sake of carrying on. It doesn’t take a genius to figure out that Slayer’s output has been uncertain since South of Heaven, with some real dips in there as the band have tried to adapt to the new nu-metal landscape. If their hearts aren’t in it, we’d want them to do something they enjoyed more instead. It might not be appropriate to do it under the Slayer name, but having Slayer members in the band carries a great weight.
In addition, we know that the record industry burns out bands. Musicians should spend most of their time goofing off and playing their instruments. Instead, they’re spending most of their time on media relations, business, office-type stuff and negotiating with suits. In addition, most have families now so it’s an additional burden since they have less time. The result means that band practice is like a 4-hr-per-week job and whatever comes out of it gets chopped up like sausage into the “next album.” Concept, deliberation, inspiration and imagination take a back seat to the raw demands of the trade.
We’re hoping (of course) that Jeff Hanneman recovers, but that’s for the reason that he’s Jeff Hanneman and we hope he recovers. His choice about being in Slayer after that is his choice. Similarly, we hope that Dave Lombardo can work out his contract with Slayer to be part of the band again, but that’s because he’s Dave Lombardo. We don’t make any requests on Slayer itself. It will decide, as a group or as the singular identity that is more than the sum of its parts, to carry on.
In the meantime, ‘Frankenslayer’ is obviously putting on a heck of a performance. However, there is something about Lombardo’s accusations that rankles:
Last year, I discovered 90% of Slayer’s tour income was being deducted as expenses including the professional fees paid to management, costing the band millions of dollars and leaving 10% or less to split amongst the four of us. In my opinion, this is not the way a band’s business should operate. I tried rectifying it by letting my band mates know, and Tom and I hired auditors to figure out what happened, but I was denied access to detailed information and the necessary back up documents. – Dave Lombardo/Facebook
As others have pointed out, Lombardo has been out of the band for some time, and he’s now a hired gun. He doesn’t receive his split of the band’s profits for the tour because he’s not technically a member of the band. Instead, he gets paid like any hired drummer, although we hope perhaps gets paid a bit more for being Dave Lombardo.
The problem with this arrangement is that it’s the antithesis of what a band is. Fans are showing up to see Slayer as Slayer, meaning the guys who originally created this music in the first place. Instead, we get two members and a hired troupe of musicians who are basically putting money into the Slayer bank account without being Slayer.
It’s difficult for great music to emerge from a job-style relationship. Adequate, sure, but these guys can do “adequate” in their sleep. If something positive can come out of this debacle and the ‘Frankenslayer’ Australia tour, it’s that Slayer may need to recalibrate and if they’re going to continue, try doing it as a band in love with their own music instead of a band as a day job.2 Comments
Google posted the above image to their homepage as the winner of their annual Doodle 4 Google contest. The picture was drawn by a high-school student who wanted to show that diversity and multiculturalism will let everyone live in peace together. Google endorses such preposterous delusions by selecting such social realism as the winner of their annual contest. Google wants the lazy, the crazy, and the insolent are allowed to loot the first world as they hope, like other multinational corporations that sell cheap crap (text ads), that more potential customers will equal more potential profits.28 Comments
As the continent was before Britannic penal colonization, Australian black and death metal scene was and is still mostly an undeveloped desert of unexceptional crossover thrash posturing as “war metal”, blackened cheeseball beer metal, AC/DC clones with unclean vocals, and experimental technical deaf metal/post-hardcore/jazz fusion hybrids. Martire rode forth from obscurity to restore fruit and flower to the wasteland, fertilizing the barren bush wielding fire and sword.9 Comments
The leftists, reds, hipsters, social justice warriors, sexual deviants, and the mentally ill are engaged in a war to suppress all speech not conforming to or validating their political ideology. Anything contrary to their visions of mandated social realism is shouted down by angry mobs. This totalitarianism is affecting all areas of western society including the arts, business, science, and popular culture.37 Comments
Australian speed metal band Hobb’s Angel of Death announced the tracklist and release date for their comeback album on Hells Headbangers,Heaven Bled. The album is out October 14th and tracklist is as follows:
- Il Mostro Di Firenze
- Walk My Path
- Final Feast
- Drawn & Quartered
- Heaven Bled
- Sadistic Domination
- Son Of God
Article by Lance Viggiano.
Sacriphyx present a bog standard take on Hellenic black metal through the rollicking pulse native to Australia. The strength of the Greek strategy is in its ability to capture a variety of moods leading to a diverse heavy metal experience. The Western Front is a discontinuous concept album based upon World War I wherein its songs do not function as parts of whole; rather, they are self-contained units acting with autonomy in pursuit of the greater conceptual goal that is realized only through individual skirmishes. These compositional deployments reinforce stylistic choices by maximizing an array of emotive impact while minimizing any diminished efficacy of individual motifs as their power is not derived from their position in a greater narrative arc from song to song. Despite proficient execution, Sacriphyx fail to build upon the Mediterranean tactic in any meaningful sense and thus the movements of its elements will be predictable to those familiar.22 Comments
Vince Neilstein (Ben Umanov) of scenester social justice warring metalcore blog MetalSucks called Varg Vikernes of Burzum racist for stating that the Western liberal media do not feature the heroism and cultural achievements of white men, specifically Alexandre Migues who helped stopped the Islamic fundamentalist terrorist truck driver in France last week, as it doesn’t their promote their multicultural agenda. Neilstein then reneged on his apology to K.K. Warslut from Destroyer 666:
But what else should we expect from Varg? Perhaps he should invite his buddy from a certain Australian black metal band for a weekend at his home in the French countryside so they can lament the struggles of white men everywhere as they drink their fine, white privilege wine and kiss and cuddle by the fireside.
Not only did Vince/Ben go back on his word to not call Destroyer 666 cock rock stage banter racist again, he made a gay joke which surely won’t endear him to his overly-sensitive social justice warrior hipster readers. Later, Vince tried to backpedal on the current version of the page:33 Comments