As America’s conservative renaissance thrives through its flourishing Alt Right movement, the time is ripe for a full fledged rebirth of its black metal identity.
With the genre having reached rock bottom in recent years due to pop punk and screamo influences, beta male journalism, communist ideologies, and a faux transcendentalist philosophy, we can begin to right the ship by exhuming and examining the cadaver of its formative age.
Continue reading Deconstructing USBM’s Deviation from the Golden Path
He tightened a napkin roll.
Continue reading Deathfeast
As part of our Retro Reviews series, DMU looks into one of those classic bands that was on every Gen X death metal fan’s shelf, but probably never made it out for repeated playing after the early 1990s. Some bands just seem to fade… into the background.
Continue reading Retro Review: Morgoth (DE)
Article by David Rosales.
The following is a short list of black metal releases (with a commentary on each) that would general fall off the edge of the usual stylistic lines that Death Metal Underground follows when looking at genre releases. These are all exceptional and form part of what could, in hindsight, be described as the lone wolves of an established and matured black metal genre — generally unnoticed or passed by without receiving substantial attention among the waves of excess of the 21st century; treasures hidden in plain sight for those with a developed sense beyond mere form.
Continue reading Other Black Metal Recommendations
Rob Darken of Graveland and Lord Wind most graciously agreed to answer our staff’s questions:
Continue reading Interview: Rob Darken of Graveland
I. Degrees of an Allegory in Black Metal
Black metal, as any art, spans not only the musical, but the ideological as well as some kind of social component. Those who claim its flag range from popular musicians dressing up, to occult panderers playing at magickians, to extremists, to individuals that society would consider degenerates. There are more groups that could be mentioned but that we do not need to mention explicitly. Needless to say, all of these groups have a very different understanding of what black metal is, and what their seminal exponents such as Quorthon intended or what his work represents, or should represent, once it was out of his hands.
Continue reading Black Metal, Nihilism, and Heresy
Obituary announced an upcoming self-titled album out May 17th on Relapse Records. Prepare for boring mediocrity and probable Sadistic Metal Review fodder. The preview sounds terrible.
Continue reading Obituary Announce Obituary
Our world has submerged itself in functionalism because it fears the inequality involved when some people enjoy themselves and others have to work or suffer the consequences of their abilities or decisions. This has created a kind of totalitarian worker’s commune where pleasure is demonized, except for certain forms which help people go back to work, and work is praised as a type of new religion. As part of this ascetic dogmatism, pipes and cigars have been hunted to near-extinction by regulators, complainers, private businesses and whiny NGOs. A London woman named Shorty, one of the rare breed of independent tobacconists still extant as an endangered species in the modern world, agreed to answer some of our questions about her world of pipes, tobacco and Brexit…
Continue reading Interview With A Tobacconist
Jarno Nurmi was interviewed by black metal blog Raw War to promote his one man band Serpent Ascending‘s new album, Ananku. Jarno reveals he has left Desecresy and discusses the Finnish black and death metal scenes along with the mythological, occult, and esoteric motivations behind his latest work, Ananku.
Aṇaṅku is a different concept from ancient Tamil language and the word was chosen because it is widely unused and unknown, in many senses, but also because of it’s meanings of course. This is a nod to my earlier interests towards Indian and Asian esoteric traditions from where the process began though it ended up in something quite different.
The album turned out to have emphasis mostly on Northern European culture and identity from which it seeks to find the hidden sacred force that the word Aṇaṅku symbolises in the context. The album is adoration to Earth’s and Nature’s holiness, soil, blood and death.
Continue reading Jarno Nurmi Interviewed by Raw War
History is full of paradoxes. Twentieth century Germany provides one of the major mysteries of the modern era: Why haven’t the Germans produced more high-quality black metal?
The country has been a heavy metal-stronghold since Neolithic times with a significantly high metalhead-per-capita rate. Furthermore, Germany has spawned more metal bands than any other country in Europe with abundant native labels, zines and distros supporting them. Yet, when it comes to black metal, there’s not much to write home about. Continue reading Ungod: The German War Machine That Flies Under Metalhead Radar