By the mid-1990s, it was clear that death metal and black metal were winding down if not over as far as their creative impetus was concerned. The great sell-out albums were yet to come, and bands explored the time-honored method of being “new” by mixing in established genres and calling the hybrid a new path. Where hybridization works, it brings something different to a genre and makes it work within the style of that genre; when it fails, it reverts to an ancestor.
Cultus Sanguine jumped in through a mixture of doom metal, suicidal black metal and shoegaze with influences from bands like Joy Division who worked through atmosphere. This early form of post-metal emphasized theatrical vocals and melodic simple guitar lines that emphasized a trudging rhythm, making it a lot like the post-metal explosion to come but with a more forceful approach.
Unlike many of the more recent bands, Cultus Sanguine attempted a narrative approach. This became absorbed within the need of vocals and atmosphere to predominate, creating a sense of interrupted mood with heavy emphasis on its return, but ultimately the simpler, rock-style riffs and their underlying progressions did not give the band enough to work with. Now a historical curiosity, this album was lauded for its “creativity” at the time and then rapidly faded into obscurity.