Blood Stained Dusk – Dirge of Death’s Silence (2001)

Upon listening to this album, the listener familiar with the classic Norwegian black metal albums from the first half of the ninetiess will undoubtedly be reminded of Emperor In the Nightside Eclipse (1994). But apart from the way in which the keyboards are used for effect, the first Blood Stained Dusk is quite distinct in songwriting approach and in the crafting of individual sections. And while less clear and profficient in expression than Emperor, relegating the present release to a lower tier, Dirge of Death’s Silence is still a highly suggestive and imaginative work of black metal.
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A Case for Weakling’s – Dead as Dreams (2000)

Article Contributed by Salustiano Ferdinand

tl;dr: Despite controversy surrounding the indie pedigree of Weakling’s musicians and their musical descendants, Dead as Dreams remains, as described by none other than Fenriz, an “odd masterpiece” on its musical merits and should be a part of any serious underground metal fan’s collection.  The album, for a number of reasons, is currently something of a locus of blame for whatever particular sins people ascribe to west coast black metal. Some people point to Weakling as the origin point of indie creep into US black metal due to the supposed indie credibility of its members in particular as well as to a lesser extent the trend of questionable publicity stunts engaged in by mediocre bands from Velvet Cocoon to Ghost Bath (although in Weakling’s case this should be blamed on the label, not the band). As a result of these complaints, Dead As Dreams has over time become something of an Emmanuel Goldstein for black metal fans, and the album some people are critiquing when they say “Dead as Dreams” (such as the time DMU’s most alpha editor described it as “shoegaze black metal”) bears little resemblance to the actual album Dead As Dreams.

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SJW Panic Causes Label To Drop Retro-70s Heavy Rock Band Dream Machine

According to The Daily Dot, 1970s heavy dark rock with metal influences band Dream Machine has been dropped by its label, Castle Face Records, for “controversial” statements regarding feminism and immigration.

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Corporate Metal Labels Caught in a Death Spiral

Earlier this week the publishing catalog of metal mega-label Century Media has been pawned off for an undisclosed sum to Reservoir Media, a publishing boutique holding the royalty rights to songs by a variety of pop artists ranging from Drake to Lady Gaga. In investment terms, a boutique is defined as a financial firm that deals with a specific market, so picture Reservoir as a wealthy Wolf of Wall Street-like conglomerate recklessly gambling with the royalties of musicians. This is common in the modern music market, where suits are making bets on the evolving payout methods streaming services, but the surrender of Century Media’s entire catalog of albums (Death, Paradise Lost, In Flames) to a finance firm playing with house money goes to show how desperate the corporate metal labels of yesteryear have become.

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Dream Theater Are Pop, Not Progressive

Dream Theater are commonly mistaken to be a “progressive” metal band. Their fans love to brag about how “progressive” the band is as it makes them feel smarter than the typical rock and mainstream Maiden and Metallica metal fans. This is the same sort of intellectual smugness that pretentious urban leftists and the communist-infiltrated ivory tower have about the working class, those who do not shout whatever their currently favored political slogans in the street are like Mao’s Red Guards, or whoever openly dislikes the latest pretentious socialist realist film awarded a trophy by the liberal media shills to promote their Marxist agenda.

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Dream Theater to play in Belo Horizonte

dreamtheater-retard

Article by Jon Faugustus.

Dream Theater will be presenting themselves in Belo Horizonte, Brazil, at the Teatro Minascentro. This event adds to one more high-grade theater venue being defiled by the conformist pop this bands sells out to insecure young adults, and ex-Motley Crue fans going through middle life crisis.

Brazil, like Japan, is one of the go-to countries for any mainstream band seeking international recognition. The metal fandom there is as unoriginal and undescerning in their tastes as in the metal the artists produce. This is why it is not surprising to find 1/10000 bands worth listening to occasionally arising from such geographic locations.

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Manilla Road – Dreams of Eschaton Released

MANILLA-ROAD-Dreams-of-Eschaton

Manilla Road‘s unreleased “Mark of the Beast” album, recorded between Invasion and Metal, has been pressed to CD and LP by High Roller Records as Dreams of Eschaton. This is the highest fidelity version yet, pressed from a collector’s tape that originated from Mark Shelton himself as detailed on the Nuclear War Now! forum:

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