Polarized Metal Genres Must Unite Against The Funderground

Metal is facing a decisive moment in time. As a genre and an entire sub culture, it’s threatened with a massive flux of outsider interest into what was once an isolated community forged in passion. Metal was a cause for tight bonds among like minded disillusioned youth that wanted nothing to do with the status quo, a lawless free for all where no ideology or point of view was too extreme. Thus grew a voice to rally against the farce of mainstream politics, social acceptability, resolute contentment with mundane lifestyles and herd mentality. Though acts like Black Sabbath and Iron Maiden were to find great success within the public large, they laid the groundwork for that rebel yell that gave the disgruntled youth the foundations for connecting with others so disconnected. And with such a ground roots movement that metal was, true artists and musicians who may have never have been given an opportunity to rise otherwise were now rising and exponentially so. Quickly NWOBHM became speed metal became death metal became black metal. Then, as with all great explosive cultural movements, metal began losing its traction and sight of its original goals of fighting against the mainstream culture of quantity over quality. But it is now that we see its greatest threat in its acceptance by the masses. Now it is being taken for a boutique exotic exploration into what most really don’t want to explore: cold unforgiving reality.

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Brett Stevens Nihilism: The First Lecture

In Brett Stevens Nihilism, the author introduces an article consisting of a series of twelve lessons which he describes as an awakening to the reality of life.  A tinge of morality seemingly colors the lessons, but upon closer look, the prescriptions given are described in a way that one can see them arising from causal, qualitative observations.

In all this, there is, of course, the singular opinion of the author.  In approaching a discussion and description of said ideas, the latter will be kept in mind, opting to expand, interpret and focus.  Also, in order to respect the integrity of the book wherein these appear, they will not be spelled out either in their titles nor in their original exposition.
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Roots of Evil: The Origins of Metal

With the fiftieth anniversary of metal music around the corner, forthcoming years will witness an increase of publications dealing with the history, legacy and defining characteristics of the genre. This could finally resolve the lack of consensus that still exists regarding the definition and origins of heavy metal.

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Rest In Peace: Mark “Blaash” Michaelson


Clockwise: David Herrera, Mark “Blaash” Michelson, “Jenoside”

Mark “Blaash” Michaelson, known for Where’s My Skin zine and playing drums in Bahimiron, has died. A lively spirit imbued with a fatalistic sense of self-destruction, Michaelson was nonetheless an affirming personality who enjoyed life to the fullest and never let anyone tell him what to do. Our condolences to his family, friends, bandmates and all who were touched by his life.

I met Mark back in the early 2000s when Bahimiron was just starting up and was immediately impressed by his grasp of the spirit of metal. While for him it took a suicidal black metal type of path, he nonetheless understood the more triumphant aspects of metal and affirmed them with vicious but elegant music. He was always a good person to query about the relevance of anything going on in the community.

Celebrate his life through music:

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Watain – Reaping Death (2016)

Article by David Rosales.

I. Where is the music?

It is very rare to find a general fan of black metal today who has not at least heard of the name of Watain. The kind of fame it has attained, however, is the kind that is mostly based on peripheral affairs rather than the art which Watain is supposed to dedicate itself to. Watain is the kind of ‘entity’ (as most of these bands are now given to call themselves) that is surrounded by a nebulous aura which may at first, if one is inclined to be generous in providing the benefit of the doubt, seem like an hint of something truly profound going on. Now, whether that is the case in regards to the real, transcendent or philosophical knowledge or experience of the people behind Watain is not for the writer to say. On the other hand, the music itself does not seem to display any of the more-than-human qualities it should if one is to believe all the hype. In fact, it reveals itself as a very mundane affair when one is given to delve into a holistic examination of the music in itself, and even more so when seen in relation to the extra-musical portions of the ‘entity’.

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This Ain’t No Fantasy: A History Of Punk’s Most Iconic Band, The Misfits

cliff_burton_-_metallica_-_misfits_shirt

Metalheads tend to be wary of punk, recognizing it only for its role as an influence on metal. This attitude obscures the fact that the best of punk is worth exploring on its own terms and merits, starting with perhaps the greatest influence of punk technique and heightened aesthetics in that genre, hardcore punk‘s The Misfits.

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The Difficulties of Folk Metal

Anders_Zorn_-_Hins_Anders_(1904)

Article by Johan P.

I’ve never been overly impressed by the folk metal phenomenon, which emerged in the middle of the 1990s and began to gain popularity some years later. I do not mean to imply that there isn’t any good folk music out there. On the contrary, there’s a lot of rewarding traditional music to discover. Many musicians – metallers included – have realized that their respective countries’ folk music reservoir is a gold mine for potential ideas to integrate into more modern forms of music. It was on these premises that folk metal was born. However, if the source material is to be successfully re-animated and be brought into metal or any other genre, it requires some serious work from the composer and performer. Most folk metal bands fail at this point for a variety of reasons, with the end-result often sounding like bad heavy metal adorned with folk-melodies that have been stripped of all subtlety to fit into a rock-based harmonic and structural environment.

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Sadistic Metal Review: Blliigghhtted – Into the Cunt of the Witch (2016)

into the cunt of the witch

Article by Lance Viggiano.

Into the Cunt of the Witch is grainy fatalistic pap embellished with agonizing atonal voids where music should exist. When the haze clears just enough for a melody to become audible it possesses a character of passivity and reception but is always intensely grating in its pointlessness. The tired corpse of speed metal and heavy metal drags lethargically through chromatic sections that form the locus of this work. Lightly struck syncopated rhythms are relied too heavily upon and flatten into a sterile ticking that results in a pure time keeping effect not unlike a distraught prisoner tallying his cell wall; tracking his sentence until his song merely ends – a fair metaphor for the experience of this record. Individual songs are parts of four whole works and do not stand well on their own; ending abruptly without proper conclusions before jumping into the next section in a greater cycle. Vocals operate in two essential modes: an apathetic crooning within artificial caverns as well as a faux-distraught occult street preacher reminiscent of contemporary orthodox/occult black metal.

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Response to “Time to do away with Manhood”

A still from "The Obsolete Man"
Article by Daniel McCormick; read the original article at The Guardian

A tenet of Christian faith is the idiotic concept of original sin, whereby it is understood we are all born with sin and must be faithful servants as punishment, in order to then be made well. This is a core belief of potentially billions of credulous people all over the world who claim fellowship with Christian death cults. These untold billions demonstrate the power of an illusion, and specifically the ability of a carefully crafted lie to take root and flourish through disinformation, misrepresentation, and argumentum ad passiones. In like manner, the modern feminist recognizes the power of a seductive lie and has taken this titillating concept of original sin and hammer forged their own bastard child. Original victimhood they bemoan, whereby it is observed that man is created sick and must faithfully serve woman in order to be made well. A predictable move for a supremacist, politico-pseudo-religious, ideology, as the claim carries with it the corollary that unless prostrating in servitude man won’t merely become but literally is a nemesis and bane to social order and progress. What is worrisome then, is in considering the absolutist, fatalistic, authoritarian will from which they seek privilege, and the credulous nature of the majority they which to use to attain this privilege.
 
For a considerable length of time feminism has been generally obsolete in the US, functional but directionless. To keep the menstrual machine relevant over the last few decades, during the modern dearth of social injustice, seeds of its ideological untruths have been sown in the popular consciousness by exploiting politeness. An obvious avenue because intelligent humans tolerate free speech regardless of how it makes them feel, and this tolerance comes at a price. For behind these soft campaigns of Stalinist censorship lay a many headed beast of manufactured victimhood gnashing its teeth in hunger for the credulous. As awareness raising becomes pleas for special privilege, as misrepresented social problems become calls for political action, the beast becomes less obscured behind the crumbling facade of benevolence. Because they are not vying to improve society, nor are they battling institutional injustice. No, today they are pushing for the legislation of morality and opinion and seek to censor, slander, and demonize all that would disagree. Because what Caucasian, alpha, manly men like myself are alleged to be guilty of is not actually anything we’ve done but, as we are told, we are guilty of thought crimes, of language crimes, and guilty of simply being the gender and skin tone we happened to be. This is part of a perverted guilt complex feminists have incorporated from the religious by which feminism proclaims to be able to reeducate and save males through their revealed wisdom (e.g. Catholic flimflam). From which I can only conclude that when a person’s standard for evidence is tantamount to Inquisition grade hearsay there is little to differentiate fanatical absolutists from each other.

I realize the female gender still has some legitimate first world grievances even today: women aren’t funny, cosmetics are expensive, beauty is temporary, but these problems are not institutional. Likewise whatever problem feminism has with masculinity is also not covered by government statutes. That’s because the problems as perceived by feminist theory have become so irrational and illusory and based on perpetuated biases that they shovel their own graves. I’m reminded of an old Twilight Zone episode (06/02/1961 – “The Obsolete Man”), which is a philosophical dialogue on absolutist fanaticism, and authoritarian ruthlessness. This episode ends with the antagonist facing the same sentence he’d inflicted on others, and closing with Rod Serling addressing the viewer.
“Any state, any entity, any ideology that fails to recognize the worth, the dignity, the rights of man, that state is obsolete.”
Thus, I maintain feminism is obsolete.
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