The Lurking Fear – Out of the Voiceless Grave (2017)

The Lurking Fear ludicrously claim that:

The Lurking Fear is bringing sheer, natural weirdness and horror back to the scene, as we want our death metal ugly, twisted and possessed.

Riffs should stir up real feelings of repulsion, and disgust deep down in your soul, and vocals should sounds like hounds of hell howling at the moon.



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The Lurking Fear – Out of the Voiceless Grave Out August 11th

The Lurking Fear, the H.P. Lovecraft themed Swedish death metal band featuring At the Gates members Tomas Lindberg on the mic and Adrian Erlandsson behind the kit and Jonas Stålhammar from God Macabre on guitar, is releasing their debut album Out of the Voiceless Grave August 11th on Century Media. Hopefully the rest of the record will be better than the preview track, which sounded like a simplified, phoned-in and more boring Lucky Charms version of Grotesque. Will Tomas Lindberg take off the trucker hat and put the black leather trench coat back on?



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The Lurking Fear Preview “Winged Death”

The Lurking Fear, a side project of At the Gates members including Tomas Lindberg, preview a new track, “Winged Death” from their upcoming self-titled EP that is coming out soon. The band also has an album, Out Of The Voiceless Grave, coming out August 11th on Century Media. Death Metal Underground’s staff are not giddy with anticipation but rather unsurprisingly disappointed.


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At the Gates Members Form The Lurking Fear

Various members of the At the Gates have formed a side project known as The Lurking Fear. Former guitarist and primary songwriter of Gardens of Grief and The Red in the Sky is Ours Alf Svensson is disappointingly not among them. With At the Gates regressing to commercial speed metal after half of With Fear I Kiss the Burning Darkness, The Lurking Fear promise to play weird, evil, and twisted death metal again. We’ll see about that.



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Deceased –Fearless Undead Machines Reissue

deceased - fearless undead machines reissue cover

Death/speed metal hybrid band Deceased‘s Fearless Undead Machines has been reissued on CD by Transcending Obscurity Records.


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Metal has nothing to fear from Tiny Doo arrest


A rapper in LA gets indicted on murder charges just for the cover of his rap album. That is what the headlines scream, and among the metal community and its media some are comparing this even to previous onslaughts of music-related censorship like the PMRC days.

That is not the case. The metal media likes to think it is, because it gives them something to write about in the midst of a dearth of events of actual import (versus paid promotions disguised as reporting) and it lets all metalheads feel self-righteous about being warriors for the truth and martyrs for free speech, or something like that.

Even more, the case of Tiny Doo and his album is more complex than a first glance reveals. The album cover was one piece of evidence but the bigger and more important piece was that he was in the gang that did the shooting.

[Tiny Doo] is a documented gang member with a “gang moniker” of TD, according to the San Diego police.

…The evidence against Duncan, Watkins said, consists of his rap album and pictures on a social media page of him and several other defendants.

So now we’ve got three data points: (1) known gang membership, (2) photos of himself with the killers, and (3) an album which promises “no safety” for snitches.

Is there an analogy to this in metal? Certainly: when Burzum named his first EP Aske, put a burned church on the cover, and sold it with a lighter with a burnt church on it, that too could have been considered evidence against him. If he had been in the Crips and had Facebook postings of himself standing among them throwing gang signs, his conviction might have been easier as well.

The point is that the prosecutor is using this album to tie it all together. And really, it fits in well: known gang member hangs out with killers and then puts out an album suggesting that he would hunt down his enemies and shoot them, at least from the cover. (We can hope that he has in fact pulled the ol switcheroo and instead released an album of ambient black metal about the Viking war against Christianity but this is unlikely to be the case).

For these reason, cool your jets about censorship. The case is more complex than the headlines allow, as usual. As our media devolves further into clickbait, rational and thoughtful headlines fly out the window, but even more, good luck expressing anything complex in 72 characters. It is the people who followed up on this with hysteria who should be embarrassed.

No, they are not coming for your metal. They do not need to. Your metal was always at best a tiny movement, a fraction of the sales and activity that big hard rock bands like AC/DC generated. It is not even on their radar for social trends. Further, they have something better than censorship: the genre has been taken over by indie rock. Now all songs are going to be about feelings, disguised in the usual blood ‘n guts material.

Not only that, but if authorities wanted to censor rap music, they would have done so long ago. Rap in the 2010s is like Madonna in the 1980s: everybody listens to it. While many of us consider rap and hip-hop the artistic equivalent of deathcore, and suggest a nice Coltrane live set instead, it is a huge moneymaker that now occupies the most respected position in pop music.

We wish Tiny Doo the best in his upcoming case. He is after all innocent until proven guilty. But metalheads need to chill out and stop seeing this case as the censors versus artistic expression, or a backdoor attempt to take your progressive grindcore with lyrics from ancient Olmec sorcery away from you. Only your Mom can do that.


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Sammath debuts “Fear Upon Them” from Godless Arrogance

sammath-godless_arroganceDutch-German furious black/death metal band Sammath unveil their most promising material to date with a new song “Fear Upon Them” which reveals the many influences of this underground metal band. While some of its works sound like Morbid Angel or Perdition Temple with an underlying melody line, other songs are wholly melodic and go more into black metal ambiance.

“Fear Upon Them,” which is the latest single released from Godless Arrogance, shows Sammath going back to their roots. Specifically, the most furious melodic black metal bands to walk the earth, namely Immortal and Bathory. By slowing down the drum tempo but speeding up the strum tempo, Sammath create an unearthly sound like a dream in fog.

On top of this, the band add riff development and a sense of the unexpected yet not obviously quirky and contrarian, which means that songs slide into their own personalities and transcend their influences. In this case, “Fear Upon Them” wears its influences on its sleeve, more as a tribute than a blueprint for emulation.

The album Godless Arrogance will come out on Hammerheart Records later this year.


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