Roots of Evil: The Origins of Metal

With the fiftieth anniversary of metal music around the corner, forthcoming years will witness an increase of publications dealing with the history, legacy and defining characteristics of the genre. This could finally resolve the lack of consensus that still exists regarding the definition and origins of heavy metal.

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Dawning – Mount Um + 1997 Demo (2016)


Another previously unreviewed record judged some of The Best Underground Metal of 2016.

Mount Um + 1997 Demo is a digital anthology collecting what Steve Cefala judged to be Dawning‘s strongest material. Half the run-time (“Side A”) is one new, extended track entitled Mount Um in three parts: “Pilgrimage to Umunhum”, “The Albino Bridge Sacrement”, and a melodic bass outro. Mount Um sounds like Summoning worshiping Emperor‘s In the Nightside Eclipse in a lengthy composition reminiscent of Celtic Frost‘s album work. Ambient fantasy keyboards are perverted into pandemonium as if on an arduous journey of great hardship and loss culminating in a bittersweet victory over the uncaring, vicious forces of nature. Mount Um‘s composition is progressive and profound.

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Saltiness Over Sadistic Metal Reviews of Sentimental Albums

Old Disgruntled Bastard, one of the few quality metal blogs around, accused Death Metal Underground of writing clickbait on Facebook for our recent Sadistic Metal Reviews of older albums our staff had noticed to be inferior to the best of the past:

To Death Metal Underground: Certain albums have endured – for musical and extra-musical reasons – across decades and among generations of metalheads of diverse backgrounds, and the least they warrant is treatment with the respect they’ve earned. There is no revelation to be made and there is no current of general perception to be reversed by “raping sacred favorites”. Clickbait is distinctly unelitist and pissing in the wind for the fuck of it isn’t terribly smart either.

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A Blaze in the Northern Sky Turns Twenty-Five

Darkthrone‘s second album, A Blaze in the Northern Sky, turns twenty-five today. For much of the mid 90s, Darkthrone constantly referred to A Blaze in the Northern Sky as their first album as it was the first commercially released record to adopt the quick and dirty “necro” production style and to have been part of the Norwegian black metal second wave initiated by Mayhem. However most of the individual musical inspirations were audible on their prior Soulside Journey album recorded at Sunlight Studio; the compositions on A Blaze in the Northern Sky were just much more sparse and droning due to different overall compositional goals reflecting the shift from progressive death metal riff mazes to minimalistic Hellhammerism.

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Metal Will Never Die

Online music magazine Perfect Sound Forever (nice job stealing the 1980s advertising slogan for the then new CD format) recently posted a piece entitled “Metal For the New Millennium” by an idiotic hipster named Cam Netland who said that metal was a limited music genre as result of being a “as an offset of rock music”. Netland claims that metal became “more hardcore” as a result of the “radicalization” of other genres in this period citing staid examples such as Bad Brains (softened hardcore punk for idiotic affirmative action multi-culturalists) and Public Enemy (rap made into pop music with tough street gang lyrics to make suburban white jocks feel good about their short penises). He goes onto claim that metal is divided into many “micro-genres” and that the new millennium has seen the rise of many new ones such as what Neton terms Babymetal‘s grass-eater Japanese pop music, djent (random post-hardcore jazz fusion) Deafheaven‘s “blackgaze” (screamo pretending to be tough that is neither black metal nor shoegaze), and Vektor‘s random techno speed metal idiocy. Netland cites such turd non-metal albums as MastodonLeviathan (alternative rock), Converge – Jane Doe (post-hardcore math rock), and System of a Down – Toxicity (nu-“metal” which is in actuality of course rap rock).

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