In an age where the culture war has reached all corners of American life it is essential to understand the immense significance of the extreme metal frontier. As a liberal movement on the brink of extinction adapts a full blown communist agenda and wages totalitarian warfare against all beneficiaries of natural selection and individual freedom it is mandatory for the iron willed men and women of metal to defend the most liberated of all musical genres. By defeating these dystopian LARPers on the battlefield of metal culture we will accelerate their complete evisceration and ultimately emancipate the underground metal genre from it’s stagnant state. Therefore we must understand the enemy to swiftly and decisively destroy it.
The mostly wealthy, leftist audience of Broadway’s modern day minstrel show Hamilton booed United States Vice President elect Mike Pence as his family took his seats. Afterwards the cast read him message calling for him to respect the rights of all diverse Americans stating:
Swedish modern metal band Hypocrisy will re-issue their classic first two albums, Penetralia and Osculum Obscenum, as a CD box set for maniacs who remember when this blasphemous band were death metal.
In particular, Penetralia set the standard for aggressive riffing and an album format that many would follow, in which a series of intensely brutal songs peaked in a more epic song, and then resumed in order to fade out into a more intricate and melodic instrumental.
Hypocrisy also innovated the production of Swedish-style melodic metal, giving it an approach to texture and dynamics that is imitated to this day. In addition, the Hypocrisy band members created a black metal band called The Abyss whose album The Other Side became the template for melodic black metal after the second wave.
While it is great to see these two classics get re-issued, die hard fans are wondering if these CDs will remain in print in some form, and when or whether the material from the Inferior Devoties and Pleasures of Molestation EPs will be reissued, as this is some of the band’s strongest material.
Each CD contains bonus material in the form of live recordings of some of the classic tracks featured earlier on the album. As part of the classic death metal revival that started in 2009, this re-issue continues a postmodern habit of honoring the past when our lesser replacements burn out on us.
The box set will be released on July 12, 2013 on Nuclear Blast.
CD 1 – Penetralia (remastered + live bonus)
1 Impotent God
2 Suffering Souls
4 Jesus Fall
5 God Is A Lie
6 Left To Rot
7 Burn By The Cross
8 To Escape Is To Die
9 Take The Throne
11 Left To Rot (live)
12 God Is A Lie (live)
CD 2 – Osculum Obscenum (remastered + live bonus)
1 Pleasure of Molestation
2 Exclamation of a Necrofag
3 Osculum Obscenum
5 Black Metal (Venom cover song)
6 Inferior Devoties
7 Infant Sacrifices
8 Attachment to the Ancestor
10 Pleasure Of Molestation (live)
11 Osculum Obscenum (live)
12 Necronomicon (live)
Like the previous Hail of Bullets, Pestilence and Seance albums, the new Hypocrisy is an attempt to retain old-school death metal cred while putting out an “updated” and “contemporary” style. If you cut through all the marketing and bloviation by inexperienced fans, you’ll see this for what it is: Behemoth-style metalcore.
A Taste of Extreme Divinity, like most things that rank appearance over content, uses a formula which is designed to wow you with its slick style so that you fail to notice it’s a collection of random riffs that sound good if you’re not paying attention to the rest of the song. Fast melodic riff, then a doubletime stomp, then a breakdown with a Gothenburg riff, than nu-hardcore style rant and blast; repeat in random order.
Add rattletrap triggered drumming that overplays its technique every time, and wrap the whole thing in semi-synthesized “digital whisper” vocals. If you look at how this music is composed, you’ll see that it is “embellished” verse/chorus constructions where the band designs two riffs of radically different types to serve as verse and chorus, then adds in slight rhythmic variations and purely random diversions. This style of composition is the basis of rock and punk, but not death metal. In fact, it’s the opposite of death metal, which tries to make a series of riffs express an expanding similarity even though they appear radically disparate.
The oldest con in the world is mixing some even older stuff into the old, repackaging it and calling it new. With this album, Hypocrisy are trying stuff that was old even in the days of extreme death metal, but people figured the audience was too savvy for tricks that didn’t even work with the hardcore kids. But now, few remember that old spirit, and those that do get shouted down by a new audience that’s delighted with anything new and easily digestible.
This CD is easily digestible. It is easily listened to. Nothing requires more commitment than putting your brain on hold, and paying attention to only one riff at a time. That way, each riff sounds kind of interesting. It’s only when you try to put them together into songs you realize this CD is like computer-generated text: it makes sense grammatically, but says nothing.
They finally found a way to assimilate metal into rock music. Get rid of the structure, dress up the production and really hammer out the violent riffs that just scream “metal!” even if they’re more closely related to Destruction and Exodus than death metal. Then convince everyone this carnival music is extreme because it’s random, fast and loud.
But we the discerning listeners — who value our time, and know that we get only one life so we take our music like every other aspect of our lives quite seriously — find ourselves nodding off. This is like Britney Spears on meth, repeating the same few lines over and over again until we all rush to escape the room from sheer existential boredom.
In other words, it’s metalcore.
Ever since the rise of leftist politicization of metal, there has been rising hysteria over a secret Nazi fifth column lurking within the metal community, ready to spring out of the shadows and attempt a world takeover. This is due to the effects of the corrupt mainstream media portraying everyone opposed to their Marxist agenda such as President Donald Trump, reincarnation of Hitler with the majority of America seeing through their psychotic imagined orange Fuhrer. But for the millions of citizens that will buy into whatever the mainstream sells them, including the scenesters of indie rock, this narrative maddens them to the point of belief that the entire Republican/Libertarian/Conservative movement is the spiritual sequel to the Axis Powers. This is immaculately articulated in a review buried deep within scenester shill blog No Clean Singing’s attempt to set the world record for “most metal bands reviewed ever.”
He tightened a napkin roll.
Memoriam posted the first track and track list for their upcoming death ‘n’ roll album For the Fallen. Hear Karl Willets sound tired and rip off himself on “Reduced to Zero” over riffs that make Benediction‘s The Grand Leveller sound like a peak of death metal in comparison. I’m so excited! Let’s find out what this single sounds like!
Vince Neilstein and Axl Rosenberg of metalcore and nu-metal web site MetalSucks are counting down who they deluded themselves into believing are “The twenty five most important people in metal”. So far only two of their picks have had anything to do with heavy metal at all: Fenriz, who as true communists they chose for his working class background and refusal to leave his job in the Norwegian postal service rather than his music accomplishments in Darkthrone and Rob Halford of Judas Priest for being gay so MetalSucks can push the liberal social narrative to twelve year olds and urban hipsters with the critical thinking skills of twelve year old girls.
The most controversial choice of the two MetalSucks commissars-in-chief was crustfund false journalist Kim Kelly for being a female scenester and selective social justice warrior Neilstein and Rosenberg personally know. The communists appreciated her exposing “vitriol, hate and misogyny” and “nazi black metal bands” mostly in line with their political and social agendas for the leftist new world order that has hopefully just been vanquished democratically.
Social justice warrior metalcore (formerly comedy techno grind) band Agoraphobic Nosebleed offered ass-printed yoga pants for sale at recent festival performances such as the social justice warrior and communist run California Deathfest. Yes, this is the same Agoraphobic Nosebleed whose menstruating, undergrown screamo vocalist Kat Katz slammed Death Metal Underground as “If Fox News and Lambgoat had a baby.” and claimed “this dude totally has it out for women in metal… and women in general. Yup.” What hypocrisy and exploitation of their own idiotic fanbase from the leftist z-list deathcore band unable to promote themselves on the musical strength of their terrible recorded material.
The leading representative of Swedish industry around the world, Ikea, sells furniture of styles from a dozen nations. It has a housewares section, a full-service cafeteria, a donut shop and a grocery store. You can pick up electric lights, tools, houseplants and home decor there.
But conspicuously absent are the most important items from Sweden in recent memory: Swedish death metal and black metal.