Incantation – Mortal Throne of Nazarene

incantation-mortal_throne_of_nazarene

When people mention death metal bands, they cite a short canon of Morbid Angel and Deicide. If this album had been of higher quality, Incantation would be the third on that list. Following the immensely powerful Onward to Golgotha, Incantation stood poised to take over American death metal with their unique sound and quality songwriting. On Mortal Throne of Nazarene, the band took a huge dive into a lesser category and were as a result bypassed by many fans.

Many factors may have influenced this decision. Relapse Records was at the time trying to grow large enough to be on par with bigger labels like Earache and Roadrunner. Incantation despite having a stable line-up benefited from the contributions of past members such as Paul Ledney and influences from other East Coast bands. Immense pressure was brought to bear on the band to make another Onward to Golgotha two years after their first album, during a time when rumored internal friction caused lineup changes and the semi-permanent departure of drummer Jim Roe and loss of bassist Ronnie Deo. As a result, those two years may not have represented the length of time the band had to write, incubate and revise this album.

Immediately noticeable is the primal flaw of this album: chord progressions and melodies used in fills are more obvious, or cut more exactly from scale patterns, which gives it an almost sing-song vibe at times. Rhythms are less fully integrated which causes the band to attempt ambitious forms but then fall back on relatively brown-wrapper metal tropes. The band incorporated many of these tracks with rhythm re-written on their followup EP The Forsaken Mourning of Angelic Anguish where changes in pacing and arrangement made them far more effective. This confirms much of what listeners felt, which was that Mortal Throne of Nazarene may have been completely written but it did not undergo the revision, editing and incubation process that mellowed Onward to Golgotha into a finely honed shape where no detail was extraneous and all parts worked together toward the impression conveyed by each song. Relapse promoted this album as more “technical,” back when that buzzword was new, meaning that there are additional chord shapes used and some difficult tempo changes, but it was not as well-integrated nor as purposeful.

Mortal Throne of Nazarene overflows with good ideas but they do not work together toward an end, and parts of it like the last half of Suffocation’s Breeding the Spawn sound like chromatic fills in regular rhythms that the band intended to revise later into full riffs with unique modality and rhythms more carefully enwrapped in the need of each song. Vocals are stunning as usual, production is much clearer, and individual performances show musical maturation and the type of learning that comes from having influences among historically important metal bands. Some songs remain standouts even in their partial form like “The Ibex Moon” and “Abolishment of Immaculate Serenity,” which shows the band perhaps coming together at the end of their song process, or having intended those since the beginning to be the bedrock of this album but having been lacking time to make the rest. But unlike Schubert’s Unfinished Symphony, this album is not just unfinished but incomplete, and the result shows in the mixture of random and predictable that obscures otherwise powerful songs.

Incantation – Mortal Throne of Nazarene LP re-issue

incantation-mortal_throne_of_nazarene_lp_reissueThe good thing about the transition to two decades of operation is that a genre may benefit from advances in technology and funding to re-release its classics in restored or originally-intended form. Through this channel a burst of classics on vinyl has emerged over the past five years.

Mortal Throne of Nazarene is Incantation‘s most controversial album. People either love it or hate it, and a huge part of this is the simple fact that it’s impossible to follow up to Onward to Golgotha. That album walks the earth like an ice giant or Norse god, crushing all in its path. How to top that?

Part of what makes this album so controversial was its original production which captured a searing guitar tone but also managed to blend the vocals and guitars to create a stream of noise that often made it impossible to discern chord changes. It wasn’t terrible, for the time, but it made it harder to listen to the music under the vocals.

The LP re-issue of Mortal Throne of Nazarene fixes these problems. Not only are instruments clear, but the vocals are also present with great force. Not only that but the warmth of vinyl is put to good use preserving the color of distorted guitar, bass and drums, which fleshes out this album. It does it all without losing volume, making this an intense compacted flow of sound.

As far as the album itself, my supposition is that the controversy will never die. It has its inspired parts and flashes of genius, but large portions of the rest feel incomplete, like they got sketched out but never fully adjusted and shaped to serve at optimal power. Much of those are lengthy chromatic connective passages that seem to repeat where they would have branched on earlier releases.

It’s reminiscent of Suffocation’s Breeding the Spawn in that way. For confirmation, listen to the Forsaken Mourning of Angelic Anguish EP which follows this album and adjusts details of many songs such that they work together instead of divergently. Several LP songs are on that shorter release at greater effect.

What this re-issue of Mortal Throne of Nazarene will do is to fan those flames of controversy by letting us hear this album with a production on par to that of Onward to Golgotha. This means that with this LP re-issue, the band separate controversy over production from controversy over composition, and let the underground see this album in a new light.

Immortal Pure Holocaust is 20 today

immortal-pure_holocaustIf you bought Immortal’s Pure Holocaust the day it was released, and conceived a child in the ensuing fury, that child would be entering college age today.

Our review, written in the year of this CD’s release, captures much of what makes this album great. There are two levels to its greatness, stylistic and content, and while related they cannot be made equivalent.

Stylistically, Immortal on their second album saw the ambient and atmospheric tendencies of black metal and developed them. First, they used lightning fast chaotic drumming that quickly reduced the drums to a background timekeeper, allowing riffs to change phrase freely without being trapped by a specific rhythmic pattern. Second, they upgraded the speed of their guitars and level of reverbed distortion to create a sonic tunnel of sound that from a distance, sounds more like a synthesizer with heavy sustain than a guitar.

In content, Immortal focused what it was to be black metal: naturalism. Like the creatures of nature, or its mercurial winds and storms, black metal is not “rational” and “moral” in the human way, but practical in a way that humans — even non-Christian ones — are often afraid to understand. However, it is a method that a forest creature or great tree would understand, a cross between Zen buddhism and the feral antagonism of a wandering predator. Incorporating previous themes of occultism, tribalism, cosmicism and warfare, Immortal fused the ideas of black metal into a singular concept. As such, this album defies all categories of logic or music, at least the human ones. To a wolf or jaguar, it would make perfect sense.

The result was a blaze of noise and musical terror that swept black metal into its second age. Pure Holocaust, along with Transilvanian Hunger (Darkthrone) the following year, moved black metal beyond the framework established by its 1980s origins in Bathory and Celtic Frost. Now it was something new, something emotional without being self-pitying, some cold and element floating above the clouds. Something that could not be tamed.

While most popular entertainment fades away after only a few years, and with good reason, Pure Holocaust remains strong two decades later. Without having heard it, or any black metal, a music listener can take this off the rack and throw it on the player — even if that means double-clicking — and be lost in an entirely different world, and inspired to try to create that here on modern earth.

Kaeck – Stormkult Coming to Vinyl

Kaeck‘s Stormkult, The Best Underground Metal Album of 2015, is coming to vinyl courtesy of Heathen Tribes. The vinyl LP will feature remastered sound with a little less mud and a tad more room overhead. The LP will come in gatefold packaging befitting the lyrical and compositional themes. It will be strictly limited to 200 copies. If you are a black metal analog fanatic and miss out, you will be sorry for sure.

Continue reading Kaeck – Stormkult Coming to Vinyl

Disma Premiers The Graveless Remains Title Track

Craig Pillard‘s (Incantation) controversial death metal band Disma premiered the title track from their upcoming EP, The Graveless Remains on Soundcloud today. “The Graveless Remains” is nothing special despite featuring the drumming of once and probably still amazing original Immolation drummer Craig Smilowski. Preorder The Graveless Remains from Profound Lore Records here if you wish the the will to enact your own inner-desires to own every C-grade death metal release ever published if the record is of the same caliber as the title track which I surely hope it won’t be. I know some of our readers out there will feel compelled to buy this even if that is the case. though. The Graveless Remains probably won’t as good as the Disma LP and certainly not even Mortal Throne of Nazarene. Where there’s a will, there’s a way but more of the Craigs is always welcome.

Continue reading Disma Premiers The Graveless Remains Title Track

Dead Congregation – Sombre Doom (2016)

dead-congregation-sombre-doom

Sombre Doom is the new EP from Dead Congregation. The riffing is in the same Immolation and Incantation style with simple but effective variations as on their past releases while the production is a less compresssed version of Dead Congregation’s prior album, Promulgation of the Fall, some of The Best Underground Metal of 2014. Thankfully gone are the cheesy Kerry King style leads and guitarists AV and TK have markedly improved the song structure.

Continue reading Dead Congregation – Sombre Doom (2016)

Chronological death metal

From “Cambyses” over at Ultimate-Metal, here’s a list of death metal releases by year during the glory days of 1988-1995:

’87:

Sarcófago – INRI
Massacra – Legion Of Torture
Nocturnus – Nocturnus
Death – Scream Bloody Gore
Napalm Death – Scum

’88:
Rigor Mortis (US) – Rigor Mortis
Pestilence – Malleus Maleficarum
Incubus (US) – Serpent Temptation
Death – Leprosy
Nihilist – Premature Autopsy

’89:

Morbid Angel – Altars Of Madness
Dead Horse – Horsecore: An Unrelated Story That’s Time Consuming
Obituary – Slowly We Rot
Rigor Mortis (US) – Freaks
Repulsion – Horrifed
Autopsy – Severed Survival
Carcass – Symphonies Of Sickness
Pestilence – Consuming Impulse
Dr. Shrinker – Wedding The Grotesque
Nihilist – Only Shreds Remain
Terrorizer – World Downfall
Morgoth – Resurrection Absurd

’90:

Incubus (US) – Beyond The Unknown
Carnage – Dark Recollections
Disharmonic Orchestra – Expositionsprophylaxe
Massacra – Final Holocaust
Cadaver – Hallucinating Anxiety
Tiamat – Sumerian Cry
Baphomet – Inheritors Of The Dead
Entombed – Left Hand Path
Deicide – Deicide
Master – Master
Atheist – Piece Of Time
Merciless – The Awakening
Death – Spiritual Healing
Benediction – Subconscious Terror
Nocturnus – The Key
Cancer – To The Gory End
Impetigo – Ultimo Mondo Cannibale

’91:

Blasphereion – Rest In Peace
Megaslaughter – Calls From The Beyond
Atheist – Unquestionable Presence
Death – Human
Demigod – Unholy Domain
Master – On The Seventh Day God Created… Master
Revenant – Prophecies Of A Dying World
Unleashed – Where No Life Dwells
Gorguts – Considered Dead
Entombed – Clandestine
Death Strike – ****in’ Death
Edge Of Sanity – Nothing But Death Remains
Carcass – Necroticism – Descanting The Insalubrious
Therion – Of Darkness…
Suffocation – Effigy Of The Forgotten
Benediction – The Grand Leveller
Pungent Stench – Been Caught Buttering
Morbid Angel – Blessed Are The Sick
Broken Hope – Swamped In Gore
Corpus Rottus – Rituals Of Silence
Dismember – Like An Ever Flowing Stream
Autopsy – Mental Funeral
Asphyx – The Rack
Immolation – Dawn Of Possession
Authorize – The Source Of Dominion
Massacre – From Beyond
Massacra – Enjoy The Violence
Ripping Corpse – Dreaming With The Dead
Grave – Into The Grave
Demilich – The Four Instructive Tales …Of Decomposition
Suffocation – Human Waste
Lemming Project – Extinction
Cancer – Death Shall Rise
Immortalis – Indicium De Mortuis
Gorefest – Mindloss
Cartilage – In Godly Flesh
Pestilence – Testimony Of The Ancients

’92:

Incubator – McGillroy The Housefly
Morpheus Descends – Ritual Of Infinity
Mordicus – Three Way Dissection
Incantation – Onward To Golgotha
Seance – Fornever Laid To Rest
Baphomet – The Dead Shall Inherit
Cianide – The Dying Truth
Mortuary – Blackened Images
Atrocity – Todessehnsucht
Demilich – The Echo
Torchure – Beyond The Veil
Rippikoulu – Mutaation Aiheuttama Sisäinen Mätäneminen
Altar/Cartilage – Split
Disharmonic Orchestra – Not To Be Undimensional Conscious
Edge Of Sanity – Unorthodox
Epitaph – Seeming Salvation
Therion – Beyond Sanctorum
Asphyx – Crush The Cenotaph
Adramelech – Grip Of Darkness
Cenotaph (Mex) – The Gloomy Reflections Of Our Hidden Sorrows
Lemming Project – Hate And Despise
Torturer – Oppressed By The Force
Cadaver – …In Pains
Solstice – Solstice
Eisenvater – I
Unleashed – Shadows In The Deep
Grave – You’ll Never See
Necrosanct – Incarnate
Transgressor – Ether For Scapegoat
Monstrosity – Imperial Doom
Impetigo – Horror Of The Zombies
Necrophiliac – Chaopula – Citadel Of Mirrors
Sinister – Cross The Styx
Amorphis – The Karelian Isthmus
Demigod – Slumber Of Sullen Eyes
Vital Remains – Let Us Pray
Deicide – Legion
Disastrous Murmur – Rhapsodies In Red
Miasma – Changes
Depravity – Remasquerade
Malevolent Creation – Retribution
Fleshcrawl – Descend Into The Absurd
Pathologist – Putrefactive And Cadaverous Odes About Necroticism
Brutal Truth – Extreme Conditions Demand Extreme Responses
Merciless – The Treasures Within
Phlebotomized – In Search Of Tranquility
Totten Korps – Our Almighty Lords
Asphyx – Last One On Earth
Infester – Darkness Unveiled
Liers In Wait – Spiritually Uncontrolled Art
Adramelech – Spring Of Recovery

’93:

Brutality – Screams Of Anguish
Mordicus – Dances From Left
Utumno – Across The Horizon
Rottrevore – Iniquitous
Wombbath – Internal Caustic Torments
Disincarnate – Dreams Of The Carrion Kind
Demilich – Nespithe
Depravity – Silence Of The Centuries
Necrophobic – The Nocturnal Silence
Torchure – The Essence
God Macabre – The Winterlong
Depravity – Phantasmagoria
Benediction – Transcend The Rubicon
Broken Hope – The Bowels Of Repugnance
Ceremony – Tyranny From Above
Seance – Saltrubbed Eyes
Supuration – The Cube
Pestilence – Spheres
Misery – A Necessary Evil
Gorguts – The Erosion Of Sanity
Kataklysm – The Mystical Gate Of Reincarnation
Phlebotomized – Preach Eternal Gospels
Cancer – The Sins Of Mankind
Carbonized – Disharmonization
Grave – ..And Here I Die… Satisfied
Amorphis – Privilege Of Evil
Cynic – Focus – Remastered
Electrocution – Inside The Unreal
Unleashed – Across The Open Sea
Death – Individual Thought Patterns
Rippikoulu – Musta Seremonia
Sadist – Above The Light
Resurrection – Embalmed Existence
Suffocation – Breeding The Spawn
Morbid Angel – Covenant
Atheist – Elements

’94:

Morpheus Descends – Chronicals Of The Shadowed Ones
Brutality – When The Sky Turns Black
Cianide – A Descent Into Hell
Phlebotomized – Immense, Intense, Suspense
Banished – Deliver Me Unto Pain
Fleshcrawl – Impurity
Gutted (US) – Bleed For Us To Live
Incantation – Mortal Throne Of Nazarene
Pavor – A Pale Debilitating Autumn
Brutal Truth – Need To Control
The Chasm – Procreation of the Inner Temple
Oppressor – Solstice Of Oppression
Uncanny – Splenium For Nyktophobia
Cenotaph (Mex) – Riding Our Black Oceans
Abramelin – Transgression From Acheron
Hetsheads – We Hail The Possessed
Infester – To The Depths… In Degradation

’95:

The Chasm – From The Lost Years…
Sepsism – Severe Carnal Butchery
Suffocation – Pierced From Within
Agony – Apocalyptic Dawning
Solstice – Pray
Vital Remains – Into Cold Darkness
Adramelech – The Fall
Incantation – Upon The Throne Of Apocalypse

I wouldn’t say all of these are worth getting, but most of them are, and it’s fun to track the development of the genre.

Tom Warrior Censored on Upcoming Celtic Frost Reissues

In a recent blog post, Celtic Frost vocalist/guitarist Tom G. Warrior has publicly disowned BMG’s upcoming double CD reissues of his band’s best output, Morbid Tales and To Mega Therion, and the more pandering and spotty Into the Pandemonium and Vanity / Nemesis. The embarrassing Cold Lake was omitted at Warrior’s request. While initially on board with the reissues and involved with the creative process, Tom Warrior has abandoned ship because the commercial mega-label BMG refused to print his linear notes as he intended. This blatant censorship was a means of preserving the integrity of the Noise Records liquid assets purchased by the label but had inadvertently overwhelmed the Cold Laker with a plethora of painful flashbacks of the corporate influence that plagued Celtic Frost throughout its existence.

Continue reading Tom Warrior Censored on Upcoming Celtic Frost Reissues

Cirith Gorgor – Bi Den Dode Hant (2017)

Cirith Gorgor try to apply the technical musicianship of the best death metal to black metal as Demonaz did on Immortal‘s heavily Morbid Angel influenced last gasp, Blizzard Beasts. However Cirith Gorgor’s songwriting on Bi Den Dode Hant cannot even hope to approach the level of the Norwegian greats and best death metal bands of the early nineties; Cirith Gorgor sound more like Hate Eternal or any other generic rock band recorded by Erik Rutan‘s Klingon forehead trying to be Mayhem as black metal is cool with the kiddies now due to them reading on Facebook that Varg stabbed Euronymous in the face over twenty years ago.

Continue reading Cirith Gorgor – Bi Den Dode Hant (2017)