Revenge posts “Wolf Slave Protocol (Choose Your Side)” from Behold.Total.Rejection

revenge_-_behold_total_rejection

War metal band Revenge have posted a peek into their upcoming Behold.Total.Rejection, which will be released November 13, 2015 on Season of Mist Records. The new track “Wolf Slave Protocol (Choose Your Side)” shows this band going further into its Blasphemy-inspired noise-fueled attack that uses almost linear evolution of a central theme to create a texture of grindcore-style riffs.

Like most of metal, this band navigates between the extremes of fru-fru technical rock which is essentially warmed over 1970s music, and the droning three-chord “authenticity” that finally ushered punk into entropy. Metal fans should ask whether they will be able to listen to this song repeatedly over the years and still get a sense of energy and purpose from it. Many of the best metal bands use some melody and more structure to spice up the otherwise raw aural attack in order to avoid lapsing into intense similarity between tracks and albums.

The band also released a tracklist for Behold.Total.Rejection:

  1. Scum Defection (Outsider Neutralized)
  2. Shock Attrition (Control In Decline)
  3. Wolf Slave Protocol (Choose Your Side)
  4. Mass Death Mass
  5. Mobilization Rites
  6. Silent Enemy
  7. Desolation Insignia
  8. Hate Nomad
  9. ETHR (Failure Erased)
  10. Nihilist Militant (Total Rejection)

Season of Mist released the following statement:

Founded in 2000 by J. Read (BLOOD REVOLT, ex-CONQUEROR), REVENGE has since delivered some of the most severe and violent music the metal underground has ever produced. Using militant imagery, and behind the force of savage live shows, the band has built a die-hard following amongst the extreme factions of the black and death metal scenes. Simply put: they are one of the most extreme bands in existence. ‘Behold.Total.Rejection’ is arguably the most fervent release and a manifesto of rejection – rejection of the groundswell of mediocrity within the scene, rejection of compromise as a means of embracing of a wider audience, rejection of the dogma and strictures of religion and the trappings of the feeble social slave. ‘Behold.Total.Rejection’ is a torrential barrage of relentless animosity. No scene. No brotherhood. No remorse.

Cliff Burton, the prototypical hessian

Yes, I know this news bit is one month late, but for someone who so perfectly filled the classic hessian profile as Burton, it is well worth posting:

Castro Valley rock legend Cliff Burton was posthumously inducted into the Rock and Roll Hall of Fame with the Bay Area band Metallica this month.

Burton’s father, Ray, accepted his son’s honorary induction during ceremonies in Cleveland, Ohio on April 4.

(…)

Brackett recalled Burton as a quiet and cheerful musician who appreciated classical pieces by Bach as much as he loved the songs of punk pioneers the Misfits.

(…)

No matter how busy he during rehearsal and recording sessions with Metallica, Burton always found time for one of his main loves—going out and fishing on Lake Chabot, according to Brackett.

– Robert Souza, CV Rock Musician Cliff Burton Inducted in R&R Hall of Fame, Castro Valley Forum

Cliff Burton was not just an easy going, long haired maniac with a superior compositional talent and one hell of a bass player, he was also fond of nature and of centuries-old european music, sported bell-bottomed trousers long since it stopped being fashionable to do so (usually justifying his taste in clothing with “this is what I wear, fuck you”) and was the true creative leader of the world’s most known speed metal band, Metallica.

To remember this exceptional musician, here are some Cliff-related videos for you to enjoy.

Metallica’s classically influenced track “Orion”:

A rare 1984 interview with Cliff (not so rare now since it’s on YouTube):

Playing with Metallica, “For Whom the Bells Tolls” in 1985:

 

Metal In An Age Of Insincerity

Over at Clrvynt, filmographer David Hall finally notices what DMU has been saying for 22 years: that heavy metal died in 1995 or so through lack of new ideas, and has been assimilated by rock music because metal is a better product as a flavoring than a separate entity. Continue reading Metal In An Age Of Insincerity

Revisiting The Days When Black Metal Died

“Nothing gold can stay,” reminds us the poet Robert Frost, and this applies to black metal. Its gold occurred between 1991 and 1994, when its progenitors innovated a new style and took it to great heights, but after Burzum – Hvis Lyset Tar Oss, it became clear that black metal was not content to be a normal, rock-style music genre.

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Nuclear Blast Signs Possessed

Article by Cullen Toner.

In an attempt to swiftly cash in on both the trend of retro 80’s rehash and the trend to sell the world’s most fragile human beings as the new face of metal, Nuclear Blast has signed the crippled remains of the once titanic death metal band Possessed. Despite the band being active since 2007, the timing was appropriate now due to the liberal media’s executed agenda of celebrating and overcompensating for society’s weakest members. The hipster metal community’s plastic face of acceptance will be tested mightily as the urge to cringe upon viewing the sorry state of the band’s handicapped turf leader will be difficult to resist.

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Essentials: Killing Joke

Before the hybridization of different genres such as metal and industrial became something of a holy grail for underground musicians, an intermediate genre known as post-punk turned toward an eclectic and more contemplative mode of expression.

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Sadistic Metal Reviews: Inquisition of the Unworthy

Burn them all!

Continue reading Sadistic Metal Reviews: Inquisition of the Unworthy

Thirty Years of Morbid Visions

Sepultura‘s Morbid Visions is my favorite thirty year old album. Released in Brazil on November 10th, 1986, Morbid Visions saw Sepultura slither past the primitive Hellhammer, Celtic Frost, and Sodom worship of their initial Bestial Devastation extended play (included as a bonus on almost all CD versions of Morbid Visions) and into ultraviolent, progressive but still primitive, death and black metal.

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Judas Priest – Unleashed in the East (1979)

Article contributed to Death Metal Underground by George Psalmanazer.

Judas Priest started life as just another Led Zeppelin influenced band in the early 1970s. Quickly they became massively influenced by Black Sabbath and especially Thin Lizzy. Priest adapting the counterpointed riffing and harmonzied melodic guitar leads of Thin Lizzy into a mixture of progressive rock and the then new heavy metal of Black Sabbath but with operatic vocals instead of Ozzy “singing” the riff through his nose kicked off the New Wave of British Heavy Metal in the late 1970s.

Continue reading Judas Priest – Unleashed in the East (1979)