Extending further into the past, and lying in deeper recesses of mystery, are the cults and legends of the ancient Pelasgians. Their symbols, gods and myths included precede, and in a way bring forth the Hellenic , while remaining in a relative obscurity even when the cults were known to be active . Among these obscure cults was that of the Kábeiroi (a.k.a. Cabiri), a group of unknown but powerful beings tracing lineage to Rhea —The feminine Titan of Saturn — and to the vast Sea .
Tags: carl jung, kabeiroi, pelasgians, richard moult, robert graves, serpent ov old, the realms: early piano works, whithering hope
The most technically and musically gifted band of the Norwegian black metal scene, the legendary Emperor are also the most well known outside of the documentary-level engagement that plagues most who know of Burzum and Mayhem. Formed in the small rural town of Telemark Norway as a side project to a soon-forgotten death metal band, the group overcame the imprisonment of 75% of it’s lineup to deliver the most grandiose album of early 90s black metal. Though Emperor’s career was far from perfect, it made a profound impact on the young genre and ultimately proved it’s limitless developmental possibility.
Tags: Anthems to Welkin at Dusk, band catalog, Black Metal, discography, emperor, ihsahn, in the nightside eclipse, IX Equilibrium, progressive metal, Prometheus: The Discipline of Fire and Demise, samoth, Thorns
Emperor announced on their Mark Zuckerbook page that they are playing their second album, Anthems to the Welkin at Dusk, at the 2018 Inferno Metal Festival in Oslo, Norway.
Tags: anthems to the welkin at dusk, Black Metal, cash grab, emperor, festivals, ihsahn, inferno metal festival, news, norway, Norwegian Black Metal, oslo, samoth, upcoming shows
Ihsahn is recording his upcoming solo album right now in Norway according to Blabbermouth. Furthermore Ihsahn believes that black metal is not a specific type of heavy metal music but rather a mind set and that the random progressive rock and jazzy instrumental masturbation Ihsahn performs now is still actually “black metal” despite not even being metal music to begin with, yet alone black metal.
Tags: AIDS, Bathory, christianity, diamanda galas, emperor, homosexuality, idiocy, ihsahn, metalcore, norway, progressive rock, recording, sell-out, selling out, upcoming album, wanking
Sammath and Standvast have been booked to play the Diabolical Echoes PT 2 mini-festival with Norwegian black metal band Isvind in Groesbeek in the Netherlands on February 24th, 2018. Sammath is one of Death Metal Underground’s most highly praised modern bands while Standvast is an Ildjarn-like project from Nortfalke from Tarnkappe, Kjeld, and Kaeck. Sammath has long been a mainstay of our staff’s list of the The Best Underground Metal of the year so live shows from them should be a furious storm of riffs and whiplash.
Tags: Black Metal, festivals, isvind, nortfalke, sammath, standvast, swerc, the netherlands, upcoming shows
Emperor are currently preparing to tour in celebration of the twentieth anniversary their second album, the third rate Anthems to the Welkin at Dusk. While Emperor kept on wearing armor, Anthems to the Welkin at Dusk saw Emperor simplify their trademark complex, almost symphonic Norwegian black metal sound down to two to three note speed metal influenced riffs with neo-classical wank leads in conventional verse-chorus-verse heavy metal songs to appeal to a wider, Wacken-going audience.
Tags: anniversary, anthems to the welkin at dusk, cash grab, emperor, festivals, lame metal, power metal, pseudo-prog, pseudo-progressive, sell-out, upcoming tours
Another previously unreviewed record judged some of The Best Underground Metal of 2016.
Mount Um + 1997 Demo is a digital anthology collecting what Steve Cefala judged to be Dawning‘s strongest material. Half the run-time (“Side A”) is one new, extended track entitled Mount Um in three parts: “Pilgrimage to Umunhum”, “The Albino Bridge Sacrement”, and a melodic bass outro. Mount Um sounds like Summoning worshiping Emperor‘s In the Nightside Eclipse in a lengthy composition reminiscent of Celtic Frost‘s album work. Ambient fantasy keyboards are perverted into pandemonium as if on an arduous journey of great hardship and loss culminating in a bittersweet victory over the uncaring, vicious forces of nature. Mount Um‘s composition is progressive and profound.
Tags: anthology, Black Metal, dawning, demo, hate your guts records, mount um + 1997 demo, review, steve cefala
Right now, above the metal underground there is what was coined, I believe originally by Pogrom from Arghoslent, the “Funderground”. The funderground consists of independent labels, sometimes mainstream distributed, releasing thousands of albums each year full of rehashed material or rebranded three-chord hardcore with different superficial aesthetics to fuel a bar show audience’s drunken moshing or make hipsters feel smart for liking an indie rock release with a dirty production. One can see this divide in most of the popular “underground” web forums such as those of Nuclear War Now! and Full Moon Productions. The most popular “underground” “metal” releases of each year are all older metal rehashed into pop-rock structures or rebranded hardcore. This divide is similar to what is felt in mainstream Western culture with the leftist “elites”‘ constant Marxist virtue signaling and branding freethinkers with various epithets for refusing to chant the praises of socialism mandated by the vanguard party.
Tags: ananku, best of, Black Metal, death metal, elitism, funderground, Godless Arrogance, Heavy Metal, hipster invasion, james hetfield, kaeck, metallica, sammath, Serpent Ascending, Stormkult, underground, underground metal, underground music
The music of Emperor is commonly misconceived by the mainstream metal media and certain YouTube clowns to be merely an atmospheric wall of sound or symphonic black metal orchestration engineered for superficial, surface level aesthetic appeal to an audience atypical for black metal. This is in fact not the case. In the Nightside Eclipse is just as perplexing to typical headbangers on first encounter as it was upon release in 1994. Mainstream audiences are even more flabbergasted and regard the record as a mere curiosity produced by those murderous church burners, preferring Emperor’s more rock-structured later work such as Anthems to the Welkin at Dusk, which abandoned the band’s signature riffing style and method in exchange for ones influenced by more stereotypical Norwegian B-listers such as Enslaved and Kvist. Emperor did eventually sell out, becoming technical guitar wank, rock-structured heavy metal after their rhythm guitarist Samoth and drummer Faust were imprisoned in 1994 and their songwriting influence subsequently waned. Yet In the Nightside Eclipse‘s hymns to Satan and Sauron remain as natural mutations of their metallic predecessors’ attempts to imitate horror scores and classical music’s overwhelming power of sublimity.
Tags: bard faust, Black Metal, emperor, ihsahn, in the nightside eclipse, j.r.r. tolkien, music analysis, norway, Norwegian Black Metal, samoth, tolkien, tolkien metal