Metal-Archives’ Marxist Mania

Article contributed to Death Metal Underground by Richard Sullivan.

Western civilization is currently gripped in a culture war unlike any that preceded this one. You may ask what makes it so different than the others, considering the West witnessed a similar one of its kind back in the late 1950s with the emergence of the New Left. Arguably, there’s never been a real difference in the left’s rhetoric. For as long as anyone cares to remember, white, heterosexual, “cisgender” men, who maintain the “capitalistic, racialized, cisnormative patriarchy” have always been at the center of their ideological attacks. The only thing that has changed has been their ability to have said rhetoric heard beyond the confines of university lecture halls. It was rare to encounter an enlightened™ human™ bombarding you with vitriol and threats of violence – because you failed to recognize the intersectionality between race™, gender™, and sexuality™ – outside a gender studies class. Of course, these things still occur, but with greater frequency, and to the point where a flash mob of overweight, hipster beta males twerking in tutus in a school’s atrium is viewed as them just “expressing themselves”, but, more boldly, as an act of defiance against conventional norms of masculinity.

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Nuclear Blast Signs Possessed

Article by Cullen Toner.

In an attempt to swiftly cash in on both the trend of retro 80’s rehash and the trend to sell the world’s most fragile human beings as the new face of metal, Nuclear Blast has signed the crippled remains of the once titanic death metal band Possessed. Despite the band being active since 2007, the timing was appropriate now due to the liberal media’s executed agenda of celebrating and overcompensating for society’s weakest members. The hipster metal community’s plastic face of acceptance will be tested mightily as the urge to cringe upon viewing the sorry state of the band’s handicapped turf leader will be difficult to resist.

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Metal Blast Points Out Ridiculousness of David Anthony and The AV Club

Youtube vlogger Metal Blast pointed out the ridiculous of David Anthony’s preposterous claim that “Metal Has Unaddressed Nazi Problem” on hipster socialist realism media website The A.V. Club. Metal Blast notes that while Craig Pillard of Disma made anti-Semitic statements in the past himself, David Anthony preposterous slamming Disma and every other metal band he holds politically incorrect to the socialist creed as Nazis is just as preposterous as Tipper Gore’s Parents Music Resource Center in the 80s and Jack Thompson claiming that the violence of Doom and Grand Theft Auto in the 90s led to school shootings.

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#MetalGate: The MetalSucks Manifesto

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Nu-metal and metalcore website MetalSucks posted the “The MetalSucks Manifesto” today, reaffirming their stance as communist social justice warriors. Donald Trump’s triumph in the 2016 United States presidential election apparently did not dishearten their leftist delusions. A neighbor to the MetalSucks headquarters in Axl Rosenberg’s Brooklyn tenement apartment has revealed exclusive insider information to Death Metal Underground about the activities of the MetalSucks politburo of Axl Rosenberg, Vince Neilstein, and Emperor Rhombus during the week following Trump’s victory.

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Horna Withdraws From Blastfest in Support of Peste Noire

horna-blastfest

Finnish black metal band Horna withdrew from the Blastfest 2017 festival after the festival’s SJW-pandering organizers canned Peste Noire‘s scheduled performance due to anonymous antifa nags threatening the hotel and venue. On their Funbook page, Horna said “It’s time more bands should do something instead of looking the other way.”

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Memoriam Announce New Record Out Early 2017 on Nuclear Blast

Memoriam nuclear blast

Memoriam, the new project of Karl Willets and Andy Whale from Bolt Thrower with former Benediction members Frank Healy and Scott Fairfax, have signed to Nuclear Blast Records and announced an upcoming album for early next year. Since they’re on Nuclear Blast, fans should expect a sterile production even though Andy Whale doesn’t use triggers. From Nuclear Blast’s press release:

Nuclear Blast proudly announces the signing of MEMORIAM, the death metal band founded by Karl Willetts (BOLT THROWER) and Frank Healy (BENEDICTION)!

MEMORIAM was primarily developed to fill the void that was left following the tragic death of Martin ‘Kiddie’ Kearns, the drummer from BOLT THROWER, back in September 2015. BOLT THROWER subsequently placed all activity on hold for the foreseeable future, which gave vocalist Karl Willetts an opportunity to develop a new project with friends, that had expressed interest in forming a band for some time.

Comments the band:
“The war rages on… It is with great pleasure that MEMORIAM announces that we have signed a recording contract with Nuclear Blast Records.

“Throughout our long careers, 30 years to be precise, within the music industry and specifically within the death metal scene we have witnessed the growth of Nuclear Blast Records to become the number one record company within our genre.

“When we started MEMORIAM back in January 2016 we intended just to form a band to go into the rehearsal rooms to jam out some cover versions of old classic songs that had influenced us in the past along with some cover versions from the bands we had played with over the years, and maybe eventually do a few low key gigs.

“With the introduction of Scott Fairfax into the line up all this changed, Scott has brought with him a wealth of killer riffs and new ideas which has totally changed things around from our original intentions. Very soon we decided to scrap the idea of being a covers band and to formulate our own songs using these riffs and ideas that Scott introduced to us, and from this we developed a whole load of new crushing brutal old school death metal songs which we are very proud of and can’t wait to unleash upon the world!

“When we started developing the songs we talked about the possibility of signing to a label and releasing an album, at that point we all decided that if Nuclear Blast approached us we would sign to them. This is because amongst all the labels out there none have a better relationship with the bands on their roster, none communicate better with both the bands and the fans of the music. None care as much about the music and the scene as Nuclear Blast Records.

“Nuclear Blast currently boasts the best artist roster of all the labels within the death metal genre, we are proud and honored amongst this list! 2016 is the year of MEMORIAM. Let the resistance begin…”

Markus Staiger, CEO of Nuclear Blast, adds:
“Being a lifetime fan of both BENEDICTION and BOLT THROWER, it is with great pride that I announce that the new band of Frank Healy and Karl Willets has now joined the Nuclear Blast family! Following the first news regarding the band, I have been keeping a close eye on them and was very curious to hear their material.

“Besides me, a lot of metal magazines have been in touch with the band even before they had heard a single note of music, while the band has also received many invitations to play several summer festivals. After hearing their first demo songs I was completely sold and knew that I had to get in contact with Frank and Karl to seal the deal. MEMORIAM will please all the fans of old school death metal and especially the worldwide fan base of BOLT THROWER and BENEDICTION! With bands like MEMORIAM, Nuclear Blast remains the no # 1 in extreme metal!!”

MEMORIAM maintains the standards set by their previous bands, focusing on the themes of death, loss and war. Initially, the band members got together to play covers of songs that had influenced them throughout their careers within the death metal scene. However, it soon became apparent that the new songs they had created were of a superior quality and that they needed to be heard. Currently the band is tentatively scheduled to release their debut album in early 2017 via Nuclear Blast Records.

MEMORIAM is:
Karl Willetts (BOLT THROWER) – vocals
Frank Healy (BENEDICTION, SACRILEGE) – bass
Andy Whale (ex-BOLT THROWER) – drums
Scott Fairfax (ex-LIFE DENIED, BENEDICTION) – guitars

The upcoming record probably won’t be as good as the prime period of Bolt Thrower’s career so enjoy For Victory!

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Zealotry – The Last Witness (2016)

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Article by David Rosales.

On their tantalizing debut album, Zealotry showed charm that often characterizes first releases. Debuting bands earnestly try to capture the aura of the music as they juggle with the technical aspects of playing it. First albums often come off as awkward or even flawed but there still containing endearing and thoroughly captivating elements. Many groups lose this enchantment in their sophomore album only to recover it with the third. This happened to Sepultura, who reached the pinnacle of their transcendental contributions on their only death metal album, Morbid Visions. They followed it with a boring mass of riffs with no heads or tails. Their much superior 1989 speed metal album, Beneath the Remainsfortunately corrected this.  Hopefully, this will be the case with Zealotry as well.

The Last Witness plays like an extension of The Charnel Expanse‘s final track, “The Unmaking”, the least structured song on the album. The band tangentially explored the technical ramifications found by playing their particular style. From the creators’ perspective, this seemed like a clear path. In taking this choice to focus on a narrower voice, the evocative deficiencies of that streamlined, tremolo-picked, sequence-of-riffs approach had to be compensated for. This was completely ignored and instead there is a heavier emphasis on playing the technical parts of the songs correctly.

Musically, there is a lot of worthwhile content here; It just doesn’t tell a story as much as give scattered visions that are not arranged properly, do not have clear beginnings, and even less conclusions. The painstaking composition in a self-conscious style with a corrective attitude is extremely promising. This is admittedly the hard route as it requires extreme discipline; it is the classical composer’s way for reaching to perfection on all fronts. However, composers need many, many errors before turning trial into triumph.

As it stands, The Last Witness is a collection of exquisite details into which a very attentive reader can dive. He will discover many forms but nothing solid enough to materialize a clear vision. In part, this is due to the tendency towards extreme variation and superficial indulgence of musicianship, and too much escapism in the codas. Follow the title track attentively to hear what I am referring to. The problems here mirror those of Monsieur Tougas on his side project except that Zealotry has a much more individualized voice.

Zealotry would also do well to stay away from the death and war metal influences with atmospheric pretensions seen in the empty music of Phobocosm. Instead, they should work on their motific death metal,  develop the themes to establish long-range links, and fully utilize their proper sense of breathing space. Zealotry should play to their strengths instead of diverging horribly and incoherently as in the final track, “Silence”. I am sure with practice and discipline, the time will come when this band will dominate a wider range of expressions. For now, shaping up this very narrow music into that which breathes, lives, and envisions a story is still a goal.

Readers may listen to The Last Witness on Zealotry’s Bandcamp page.

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