Last Sacrament – Enantiodromia (2013)

Florida’s Last Sacrament are one of the rare contemporary bands that successfully captures the essence of old school death metal while developing a voice of their own in the process. While initial full length Enantiodromia has a few juvenile kinks to work out — the members are shockingly young — the record as a whole is a striking, confident foray through classic metal.

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Trendkillers #2: Blast Beats Must Die!

The blast beat has had a very unlikely journey through its relatively young lifespan in music.  Rooted in a jazz technique of an alternating bass drum/hi-hat and snare 16th note pattern (though played at much slower tempo in jazz music), it found a unique identity in the early 1980s when underground hardcore punk bands like Siege and Asocial began using it at aggressive speeds to enhance their violent bursts of rebellion.  This made it a close friend of metal when the middle of the decade saw a fledgling death metal movement getting its hands dirty with hardcore punk speed and sound in an effort to push its own extremity.  Over the next 15 years, several drummers would rise to prominence with their clever use of the blast beat to either push these combinations to extreme speeds or to utilize them enduringly for an effect similar to trance music.  Suddenly, every metal band that wanted to play fast or play simplistically HAD to play blast beats, and we eventually reached a point where blast beats were the most dominant part of every death and black metal song’s drum composition.

For the future of death and black metal to establish themselves distinctively, they must abandon what has become routine and keep only what is necessary to preserve their underlying spirit.  And with this understanding comes an unfortunate truth- the beloved blast beat must be laid to rest, so that new life in metal can grow.
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Trend Remover: The Last Jedi Is The Last Film You Should Ever See


by Hentavirus Jefferson-Gonzales

In my small mid-western town, everyone but one guy went to the new Star Wars™ Disney film, The Last Jedi. That is, if “everyone” means all of the hipsters, SWPLs, corporate cucks, bro-hold-my-beer, 4chan neckbeards, backyard shed dwelling NEETs, goodguy white knight Mormons, and SJWs count as “everyone.” The one guy stayed home because he had power diarrhea but his friends kept texting him pictures and updates.

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Metal-Archives’ Marxist Mania

Article contributed to Death Metal Underground by Richard Sullivan.

Western civilization is currently gripped in a culture war unlike any that preceded this one. You may ask what makes it so different than the others, considering the West witnessed a similar one of its kind back in the late 1950s with the emergence of the New Left. Arguably, there’s never been a real difference in the left’s rhetoric. For as long as anyone cares to remember, white, heterosexual, “cisgender” men, who maintain the “capitalistic, racialized, cisnormative patriarchy” have always been at the center of their ideological attacks. The only thing that has changed has been their ability to have said rhetoric heard beyond the confines of university lecture halls. It was rare to encounter an enlightened™ human™ bombarding you with vitriol and threats of violence – because you failed to recognize the intersectionality between race™, gender™, and sexuality™ – outside a gender studies class. Of course, these things still occur, but with greater frequency, and to the point where a flash mob of overweight, hipster beta males twerking in tutus in a school’s atrium is viewed as them just “expressing themselves”, but, more boldly, as an act of defiance against conventional norms of masculinity.

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Metal Blast Points Out Ridiculousness of David Anthony and The AV Club

Youtube vlogger Metal Blast pointed out the ridiculous of David Anthony’s preposterous claim that “Metal Has Unaddressed Nazi Problem” on hipster socialist realism media website The A.V. Club. Metal Blast notes that while Craig Pillard of Disma made anti-Semitic statements in the past himself, David Anthony preposterous slamming Disma and every other metal band he holds politically incorrect to the socialist creed as Nazis is just as preposterous as Tipper Gore’s Parents Music Resource Center in the 80s and Jack Thompson claiming that the violence of Doom and Grand Theft Auto in the 90s led to school shootings.

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#MetalGate: The MetalSucks Manifesto

the-metalsucks-manifesto

Nu-metal and metalcore website MetalSucks posted the “The MetalSucks Manifesto” today, reaffirming their stance as communist social justice warriors. Donald Trump’s triumph in the 2016 United States presidential election apparently did not dishearten their leftist delusions. A neighbor to the MetalSucks headquarters in Axl Rosenberg’s Brooklyn tenement apartment has revealed exclusive insider information to Death Metal Underground about the activities of the MetalSucks politburo of Axl Rosenberg, Vince Neilstein, and Emperor Rhombus during the week following Trump’s victory.

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Horna Withdraws From Blastfest in Support of Peste Noire

horna-blastfest

Finnish black metal band Horna withdrew from the Blastfest 2017 festival after the festival’s SJW-pandering organizers canned Peste Noire‘s scheduled performance due to anonymous antifa nags threatening the hotel and venue. On their Funbook page, Horna said “It’s time more bands should do something instead of looking the other way.”

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