The phrase The Absence of Void (or in other words “not nothing”) basically means the same as “something”. If we indulge in its mystic inclination, the phrase is not about pointing out that there is or there isn’t something but emphasizing the importance of having something. It is almost a description of the emotionally needy and it describes the music in this album very well.
As is common with all the uppity and profound hipster black metallers, they care little for the right tone and color in the genre and will paint it with brushes from indie rock and any other happy-dumby expression. This would not matter if they went all the way and just made indie rock, but it is the discrepancy between black metal and their post-metal penchant for happy and light passages that furthermore are only indulgences in the moments that do not build on the song that show this music for what it is: emotional neediness that just wants something, that just wants to not have nothing.
Although some, including the band, will probably try to claim to be related to metal, this is nothing but post-metal dressed as black metal. Once you get to the middle of the album the song “Alma” will completely dispel any doubts (on a separate note, this completely NOT metal song is probably the best song in the album, also the only honest one). So we shall judge it “on its own grounds” as some superficialists would say. Post-metal fails even on its own grounds. Music that only stagnates in an “atmospheric” moment and then introduces another stasis. It’s a different kind of musical masturbation from technical wanking. This is emotional wanking with sounds.
Tags: 2015, Black Metal, Névoa, post-metal, The Absence of Void
Obsequiae, Minnesota’s organic, medieval metal outfit, is preparing for the release of their sophomore LP, Aria Of Vernal Tombs, through 20 Buck Spin later this month. While the anxiously awaited album is already reaping critical pre-release acclaim, the physical embodiments of the record has been very slightly delayed, so in response, the band and label have issued another new passage of glorious audio from the platter to the masses. American Aftermath has lent their assistance in issuing In The Absence Of Light through an exclusive premiere from Obsequiae’s Aria Of Vernal Tombs.
You can listen to In the Absence of Light on Soundcloud.
Obsequiae’s debut, Suspended in the Brume of Eos, was featured on DMU’s best of 2011 album selections.
Tags: 2015, Aria Of Vernal Tombs, Black Metal, In The Absence Of Light, Minnesota, Obsequiae, Suspended in the Brume of Eos
Dennis Emmental hated being late because it revealed to everyone how little he wanted to be there. Slipping past the creaky back door, he took his place in the line at OptiFood. Orders came from the digital kiosk at the drive-thru and Dennis had twenty-four seconds to assemble the ingredients for the OptiMeal:
- Chinese: steak|chicken|fish, Szechuan sauce, noodles, lettuce, pepper, peanuts, onion
- Mexican: beef|chicken, cheese 1, Picante sauce, lettuce, pepper, Guacamole sauce, sour cream
- Italian: beef|chicken, Diable sauce, noodles, pepper, lettuce, onion, cheese 2
- Thai: beef|chicken, cheese 1, noodles, Picante sauce, Szechuan sauce, pepper, onion
- Murican: beef|chicken, cheese 2, Diable sauce, bread 11, Gaucamole sauce, cheese 1, lettuce
- European: steak|chicken|fish, lettuce, pepper, sour cream, cheese 2, onion, bread 11
He and his cohorts were dumping ingredients in the short, stout, beaker-shaped commemorative plastic buckets used to serve the twenty-four ounce meals. The store was open twenty-four hours a day, and had a thirty-eight percent turnover rate at a six month interval. The owners were unconcerned; they had reached the point where it took a million bucks just to think about suing them, and everyone knew that most of their employees were retards and flakes and so just laughed off their complaints.
Tags: cheese, evil, god, immortality, Satan, sodomy
Known around these parts as a blackened heavy rock n’ roll band, Inquisition’s brand of black metal is produced by a high-energy application of black metal riffing with a heavy rock rhythmic sense, but within the riff salad paradigm. The result are relatively varied and outstretched songs that tend to tire the ear even though their duration is not very long. The variety of these riffs is also more apparent than effective, since they are all heavily anchored around a sense of rhythmic hooks and black metal tremolo technique, never really straying away from it.
Despite these serious technical deficiencies, we hear a band marching against wind and tide towards their evil, propaganda. Producing a music that is, to those used to bask in the consumate musical glory of Immortal, somewhat of a quaint laughing matter. Despite all of this, if even these listeners lie back and allow the music to well-up, Inquisition manage to be one of the most strongly evocative black metal acts out there today, even if exclussively by dint of the effects of their croak n’ roll black riff train without heads or tails.
Tags: Black Metal, discography, Inquisition, metal
With the fiftieth anniversary of metal music around the corner, forthcoming years will witness an increase of publications dealing with the history, legacy and defining characteristics of the genre. This could finally resolve the lack of consensus that still exists regarding the definition and origins of heavy metal.
Tags: Ambient, article, black sabbath, cream, electronic, Genesis, hard rock, Heavy Metal, heavy metal history, heavy rock, metal history, origins of heavy metal, progressive electronic music, progressive rock, proto-metal, psychedelic rock, punk, tangerine dream, the stooges
Review contributed to Death Metal Underground by Edward Colt.
Suffocation overreaches on this one. Favoring the pubescent Call Of Duty crowd, they have fully bent over and accepted that their last handful of albums are: video game music. With new artwork that looks like something out of Mass Effect, all …Of the Dark Light invokes is some strange ground between nerd-rage and ravehead drug bingers. The cover artwork could be the poster of some corn field sponsored outdoor rave event in your nearest rural area away from seemingly never-ending suburban sprawl.
Tags: ...of the dark light, cash grab, new track, nuclear blast records, review, shit, Speed Metal, suffocation, techdeaf
Article by Lance Viggiano.
Deathspell Omega return with another uninspired and uninspiring record entitled The Synarchy of Molten Bones. Their last record, Paracletus, was built on a foundation of Voivod-lite chords executed with the alt metal sensibilities of The Dillinger Escape Plan. In an effort to build ambience, additional guitar tracks would attempt to produce a microtonal effect without actual production of microtones; just more dissonance. These techniques were then deployed over pop-leaning melodies which become pronounced should one decide to hum the otherwise atonal morass.
Tags: 2016, deathspell omega, EP, france, metalcore, modern metal, post-hardcore, review, the synarchy of molten bones, wanking
Greetings, fellow metalheads,
Times seem grim. The orcs have taken Osgilliath and approach the gates of the white city. Western Civilization is still dying, accelerated by democracy and consumerism, but rotten to its core with a lack of hope. Metal once gave that hope by showing us an alternate morality comprised of effective realism and epic mythos. Many of us want to live in that time again, but it will not happen through democracy or consumerism. We must choose our leaders and then all of us participate in restoring and advancing the greatness we have known.
Tags: athame, destroyer 666, gevurahel, Grave Miasma, immolation, katharsis, Mythology, mythos, noire, order from chaos, path of samsara, profanatica, radio, restoration, The Curling Flame of Blasphemy
Death Metal Underground staffer Corey M reached out to the prolific French-Canadian black metal band Sorcier des Glaces for a written interview about their career. Our staff compiled a list of questions which Sébastien from Sorcier des Glaces thankfully and thoroughly answered:
Tags: Black Metal, canada, interview, quebec, sorcier des glaces