Ancient – Trolltaar Reissue

Ancient‘s last hurrah, the Trolltaar EP, has been reissued by Sleaszy Rider Records with three bonus live tracks from 1993 according to the band’s Facebook page. Trolltaar saw Ancient develop cyclical simple Enslaved style riffs into extended black metal epics inspired by the virtuosity of longer 1970s popular progressive rock songs from Yes, Pink Floyd, Camel, and Led Zeppelin. Ancient were one of the few death or black metal bands inspired by popular rock music where the mass-market inspirations did not render them impotent as a metal band at least at first. Ancient, lacking a truly distinct riffing style of their own, eventually ran out of ideas and decided to play Hot Topic rock after Svartalvheim and Trolltaar but that is a topic for another time.

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Traversing the Underground: Exploring Ancient Mythos

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Article by David Rosales.

Ancient myths are the remnants of an age when oral traditions were the main way by which humans preserved and passed on knowledge. This may be the reason why multi-layered symbols and complex relations in stories awkwardly designed to fit differing messages into a form that we may now consider silly. Differing schools of scholarship have developed distinct theories when compiling, reconstructing, and interpreting these messages. Many keep their own “updated” versions which have morphed on their own into the age of the text when the written word defined the transferring and preservation of human knowledge.

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Gravestone’s Ancient Spirits out now

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Gravestone is an old school death metal band that go back more than a decade but have only been able to crystallize their effort into an album publication until now, despite the material being written for a very long time already. The style approaches the more melodic expression of Mexican (or other Latin American) death metal bands who are more reluctant in the use atonal solos and maintain a controlled dosis of chromatism in their riffing.

 

The album can be purchased through Australis Records’ website.

 

Tracklist:

  1. Intro / Hidden Remains
  2. Evil Lures the Naives
  3. From tyhe Shadows
  4. Gravestone/Ancestral Decay
  5. Pain Overcomes the Tolerance
  6. Ancient Spirtis
  7. Satanic Rotten Tongues
  8. Waste of Death / Into the Fire of Hell

 

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Members of Demilich, Jess and the Ancient Ones, Winterwolf and Deathchain form The Exploding Eyes Orchestra

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Formed of five of seven Jess and the Ancient Ones members including Deathchain/Winterwolf guitarist Thomas Corpse as primary songwriter, The Exploding Eyes Orchestra explores a different side of garage rock which merges the nightclub chanteuse sound of the 1940s with the expansive atmospheric sound of 1970s heavy rock. The result has high emotional intensity, compelling vocals, and much of the darkness that keyboard-assisted bands like The Doors wrought from rock music.

The Exploding Eyes Orchestra launches its debut album, simply titled I, on June 12th via Svart Records. According to Thomas Corpse, the band channels material which was incompatible with the Jess and the Ancient Ones concept. Lengthy recording sessions in Kuopio, Finland during the winters of 2013 and 2014 produced two albums of material, the second half of which will be released as II in 2016, also via Svart Records.

The band prides itself on its “strong, carefully planned compositions” with classic rock influences and strong female vocals. The Exploding Eyes Orchestra has released a first track, “My Father the Wolf,” streaming below. For more information, seek out the band at the The Exploding Eyes Orchestra Facebook page.

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Toxemia – Ancient Demon

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Underneath the trappings of an underground death metal band, Toxemia create 1970s-style doom metal, formed mainly of heavy metal elements but incorporating stylistic influences from a variety of darker shades of underground metal, most notably Autopsy Mental Funeral.

In chord progressions, song structure and lead guitar, this album most closely resembles what might happen if old Saint Vitus crossed over with a primitive proto-death metal band like Master, albeit at the slower tempi necessary for doom metal. Each song features a riff loop for verse and chorus with discursive riffs and use of both freeform lead guitar and rhythmic lead guitar overlays to distinguish the song. Clear themes emerge and while tonally there are few surprises, the arrangement of these familiar elements in forms that fit the particular worldview of this band makes these tracks interesting. While the underground metal influence can be seen in tremolo technique and layering of drums and guitars around a tempo change in the death metal style, the essence of Ancient Demon remains in the hard rock/heavy metal roots of the first generation of doom metal bands.

Experienced listeners may find some kinship here with the first Varathron album which also took a theatrical approach to traditional heavy metal and created dark atmospheres which both fulfilled expectations of that genre and distorted them into outsider commentary on the conventions themselves. The use of doom-death technique accelerates this band past most of the bands heading backward in time in the doom metal genre, but its spirit remains in that ideal and its execution is both faithful and inventive.

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