In the past, this site — the Dark Legions Archive and its new extension in the Death Metal Underground — was once part of a larger site which we shall not name (which itself arose out of distant nerddom) and together, the users of those communities would come together to make change in the world.30 Comments
A long time ago, in a (mental) universe far far away, the Death Metal Underground was part of a collection of pages known as the American Nihilist Underground Society, which itself was a continuation of a series of dial-up bulletin boards from the previous decade and the hacker/trouble group that emerged from them.14 Comments
#metalgate is about something that politicians call freedom, but I think of instead through the hacker principle: information wants to be free.
Metalheads want to write and enjoy music about topics that don’t fit in the hugbox of modern society. In the 1960s it was “peace, love and freedom” and in the 2010s it is “social justice” and commercial rock pretending to be underground.
Back in the 1980s, a user on my BBS wrote the The Conscience of a Hacker:
But did you, in your three-piece psychology and 1950’s technobrain, ever take a look behind the eyes of the hacker? Did you ever wonder what made him tick, what forces shaped him, what may have molded him?
I am a hacker, enter my world…
Mine is a world that begins with school… I’m smarter than most of the other kids, this crap they teach us bores me…
Damn underachiever. They’re all alike.
I’m in junior high or high school. I’ve listened to teachers explain for the fifteenth time how to reduce a fraction. I understand it. “No, Ms. Smith, I didn’t show my work. I did it in my head…”
Damn kid. Probably copied it. They’re all alike.
I made a discovery today. I found a computer. Wait a second, this is cool. It does what I want it to. If it makes a mistake, it’s because I screwed it up. Not because it doesn’t like me…
Or feels threatened by me…
Or thinks I’m a smart ass…
Or doesn’t like teaching and shouldn’t be here…
Damn kid. All he does is play games. They’re all alike.
And then it happened… a door opened to a world… rushing through the phone line like heroin through an addict’s veins, an electronic pulse is sent out, a refuge from the day-to-day incompetencies is sought… a board is found.
“This is it… this is where I belong…”
I know everyone here… even if I’ve never met them, never talked to them, may never hear from them again… I know you all…
Damn kid. Tying up the phone line again. They’re all alike…
You bet your ass we’re all alike… we’ve been spoon-fed baby food at school when we hungered for steak… the bits of meat that you did let slip through were pre-chewed and tasteless. We’ve been dominated by sadists, or ignored by the apathetic. The few that had something to teach found us willing pupils, but those few are like drops of water in the desert.
This is what it means when we say information wants to be free. Society is interested in controlling information; those of us who want to escape society want to know how things actually work. That places us beyond their little plans and the positive-sounding terms they use as carrots and the scary-sounding terms they use as a stick. Their game is social coercion: be with the good people in the hugbox, or you’re not included. You’re bad.
All groups go out this way. Once they get established, their game becomes to maximize the power they have. This leads them to control people with language, which then causes outsiders to become the only tellers of the full truth. At this point, anyone alert becomes an outsider, and instead of working on its own internal problems, the group scapegoats them and tries to destroy them. Scapegoating provides that feeling of “unity” that witch-hunts and mob rule use to hold together a group.
Watch this in action:
In a press release praising the FBI and the NYPD for their work on the case, Senator Dianne Feinstein of California said the following:
I am particularly struck that the alleged bombers made use of online bombmaking guides like the Anarchist Cookbook and Inspire Magazine. These documents are not, in my view, protected by the First Amendment and should be removed from the Internet.
As the decline of Western civilization accelerates, our leaders are focused on their fear that we might have implements of power. Yes, these will also be used by bad people. But the thought of those in power is that if we edit out — censor — bad methods, we can remove awareness of our failure. Focus on the methods, not the reality.
Ms. Feinstein identifies two documents, Inspire magazine published by al-Qaeda, and The Anarchist Cookbook written by William Powell. These are inferior to the definitive hacker anarchy files resource compiled over the 1980s by people who actually did this stuff (and society did not fall apart). But now they are under fire for telling you how to do things which might allow you to defend yourself against this society and its crazy, rent-seeking elites.
To that end, Death Metal Underground presents these files in a handy “First Amendment Pack” for easy download, containing both the most recent issue of Inspire and The Anarchist Cookbook:
- First Amendment Pack (15mb)
Like life itself, these instructions can kill you. There are known errors in The Anarchist Cookbook and likely errors in the other files. You can also get almost all of this information from your local library if you research books on this topic, including chemistry texts and military manuals. But we are not here to control information. We are here to liberate it.3 Comments
According to UPI, the police in Manchester, UK have decided to extend hate crime protection to “subcultures such as punk rockers, Goths and heavy metal fans.”
This is the realization of one aspect of Hessian Studies, the concept dreamed up during the PC early 1990s to give the metal subculture the same respect, study and attention given to other cultures. Recent years have seen acceptance of metal as a religion, as a disability and as a topic for academic study.
Now, with recognition of metal as a sub-culture becoming formalized, metal faces both the greatest success and greatest risk of its 40-year lifespan. The success is that mainstream society has adopted it and legitimized its viewpoint; the danger is that modern society will project its own viewpoint onto metal as a pre-requisite to adopting it. As we all know, the easiest way to accept something strange is to make it into a version of the same old stuff we see everyday, like Chinese Take-Out and Italian Microwave Dinners.
“We are able to officially recognize that people who wish to express their alternative subculture identity freely should not have to tolerate hate crime — something that many people have to endure on a daily basis,” said Assistant Chief Constable Garry Shewan.
Apparently, this act was spurred by the assaults on Sophie Lancaster, a 20-year-old Goth who was attacked as she walked through a park and never regained consciousness. As a result, the courts and police are expanding the list of protected groups from “religion, ethnicity, disability and sexual orientation” to also include subculture status such as that experienced by metallers, punkers and Goths.
Hessian Studies, a movement begun in 1994 and thriving throughout the 1990s, hoped to achieve this kind of recognition for metal and acceptance of its validity as a subculture. Apparently, the dream is coming true.12 Comments
Demos offer what a band is capable of being. This demo, “Death Magick” (2012), presents a most favorable foundation, though leaves enough space to not exact a direct conclusion of how it’ll stem to the debut.
Seeing LaSanche perform live with new members promulgated a more solid line-up, which had drums pummel the audience into oblivion.
There appears to be a resurgence of the old school. It’s only fitting that those from the pioneering times throw their weight around.No Comments
Few people incite hilarity or rage like Bill Zebub of The Grimoire of Exalted Deeds, which is a magazine straddling the line between humor about death metal and information about death metal. We were lucky enough to catch Bill on his portable phone as he zoomed between appointments at West Hollywood coffeehouses.
What do you think separates a metal band from a mallcore band, in attitude, music and philosophy?
Mallcore? That is an absolutely hilarious word! I don’t actually know what mallcore is, but anything with “core” in it is guaranteed to be for blue collar mentalities and is generally a herd-type of music. Posermetal is for human cattle as well and it is just as fake. The worst sort of “core” music contains lyrics about society or government, yet the writer has no education.
Why should I care what an under-achiever thinks about a subject he knows nothing about? There is no philosophy in “core” music. Ridiculous opinionsshould never be confused with “philosophy”.
Do you think something needs to have value per se in order to be valuable? (Another way to ask: is context more important than construction to memes in a globally connected society)
It’s something I never really thought about. I suppose that forsome thing to be value-able it must have value, but does that imply an objective value, like “this gem has no flaw, therefore it has such-and-such market value”– or can value be subjective? If so, one man’s garbage is another man’s treasure. As for context being more important than construction, if I were to hide meaning in a simple sentence and then publish it on low-quality paper, does it have value because of my genius despite the cheap paper, and does the genius itself lose value if the reader cannot detect the meaning I have coded into the words?
The phrase sui generis is currently trendy among scenesters who like to describe why they like things which are at best trivially different from the other things around them. Do you think anything is sui generis (alone of its kind) or are all things influenced by what is around them in a continuous evolution? Do you think sui generis and the Christian concept of the soul are similar, or is sui generis something more natural only incidentally picked up by hipsters?
I have never heard that term,so I am removed from the scene a bit. William Blake said “There is nothing new under the sun” and there have been many times when I thought that I had an original idea, only to discover that my idea was formed long ago by someone else and that I just coincidentally dreamed up the same thing, or, if you believe in Jung’s collective unconscious, I just tuned into the data bank of the universe.
I don’t know what the Christian concept of the soul is. I think that Christians believe that you are on earth only once, but Christians are not aware that references to reincarnation were taken out of the gospels. Do you see a flaw in the belief of a soul only being incarnated once? How could a toddler who dies in acar crash possibly be judged worthy of entering the pearly gates when he/shehas not undergone the trials of adult life that could lead to indulging a sinful path and thereby meriting damnation, even though hell was really a codeword for an unclean area of Qumran which is very much on earth and not in the afterlife.
What do you like about video as opposed to radio?
You might also ask, if you were to lose a sense, would you rather lose hearing or sight? When I watch video it is usually to be entertained by a story, which I never use the radio for. Actually, I don’t ever listen to the radio. When I did listen to the radio a very long time ago it was because a local college station played underground music and that was my first taste of it. As I formed a particular taste, I found a lot of the metal programs to be composed mostly of fluff, and I noticed that most radio hosts tried to entertain the lowest common denominator, so they shyed away from playing long songs, doomy songs, or experimental songs. So an answer to your question can be that radio is far more superficial, and that with video I always have a choice and I am always in control. If you are asking which I would rather do, for I make videos and I am also a radio host, I don’t think I can choose one over the other because they both are outlets for me, and when I lose the chance to do one or the other I become very disappointed.
What got you into radio?
When I first heard that college radio show I actually planned to attend that college and get a show, which I accomplished. I don’t know anything about being a proper disc jockey — I never studied communication or broadcasting. The radio station was considered to be a club in the eyes of the college. But to me, it was my legacy.
What was the highest moment of realization that occurred to you while you were on the radio?
It may sound silly, but I realized that there is always a new listener every moment of the show. I just recently filled in for a talk show, and instead of playing music, I decided to play a joke on the usual host of that show and I pretended to be him, but without imitating his voice. I kept identifying myself as him, and I decided that I would be accepting calls if people had insults about Jesus, which the host would never do, and although there were callers who called me an impostor, many people were happy to call up and say that Jesus was a fag, and the following week all of the new listeners called up the real host and called HIM the impostor!
How often do you run afoul of the FCC?
I never break FCC rules. It would be foolish to irritate such a powerful organization.
What do you think of these radio personalities: Kasey Kasem, Howard Stern and Don Imus?
Of the three, I only heard Howard Stern, and there have been many times when I laughed out loud when I heard his show. But I never chose to listen to his show. I only heard it because someone else was playing it. If I am in my car I listen to cd’s. If I am at home relaxing, I listen to cd’s. I just think it’s funny that Howard Stern uses a pitch shifter to lower the pitch of his voice. I mean, everyone knows what he looks like, so the artificially deep voice isn’t fooling anyone.
If you could do an evangelical talk show, for which religion would you create it?
Ha! I once did such a show, but it was about Satan. I read things from the Satanic Bible, but in the enormously gay southern accent that I hate so much, and I irritated the hell out of everyone. Despite reading from the Satanic Bible, I talked about Satan as an actual being that exists, sort of like he is your best friend, which I am sure would piss of LaVeyans, but I was doing the show to be an asshole.
What do you think all religions have in common, if anything?
I saw a show in which some kid in Hawaii was really sick, and his mother was foolishly doing all of these silly religious things because Hawaii has some sort of silly primitive religion. But I have seen Christians do equally absurd things. I suppose the one thing that all religions that I know about have in common is that they provide a stupid way for a weak person to accept suffering. Just fuckin’ deal with it! What’s so hard about that? Or should I say, what’s so hard about realizing that you’re fucked? Why do you need to have grandiose delusions? Does it really make it easier?
Why do we call Christianity “western” religion if it originated in the Middle East?
Perhaps because Constantine stripped its origins and westernized it. By the way, he was never a believer. He remained a pagan until his death.
If you got a PSA for an Al-Qaeda recruitment drive, how would you embellish it?
You must have E.S.P. I made such a fake PSA, which did not go over very well. But if I ever had one that was real I probably wouldn’t need to embellish it because it would probably beloaded with enough juicy hot buttons. To take it one step further, I would honestly never read a real PSA like that because I would never want to be on an F.B.I. watch list. I don’t defy people who are in power.
Two wise men are sitting in a meadow. A leaf slowly falls from a tree. One says, “how appropriate.” The other says, “how natural.” Why are they both wrong?
If they are wise men, it is not for me to judge if they are wrong, for I am foolish.
What do you think is the ultimate solution to humanity’s wars and crises arising from religious, social, economic, racial, and intellectual inequalities?
Total death is the only way for us to be equal, for while we live there is no equality. There are retards and there are geniuses. Only an egalitarian would consider them equal. There are people who lack imagination, and there are people who are vastly creative. Which group has the advantage? There are intelligent people who have an emotional block — they can penetrate all other riddles yet they cannot see the idiocy of their beliefs. There will always be conflict as long as there is life.
do you think it is possible for christianity to have a secular component?
The only opinion that I really care to share about Christianity is that it is harmful to mankind.
If you were Osama Bin Laden and had to hide somewhere in NYC, where would you hide?
I am not very familiar with new york, but I would probably try out the idea that the bestplace to hide is in plain sight. I would probably pretend to be a homeless person and wash the windshields of cars and mutter incomprehensibly. No one wouldever suspect me even if I wore the usual bib-laden-actionwear.
Do you do any drugs?
No. I drink a lot of beer, and alcohol is a drug, but you probably meant illicit drugs, right?
Have you ever had sex with a non-human?
A non-lifeform, yes. I couldn’t help it. I had to try out a blow-up doll–and before you ask, yes, it was of a human girl.
Do you like any black metal bands? If so, which?
I’ve quite enjoyed Thy Primordial’s “Heresy of An Age of Reason” and I like certain songs by SadLegend, Immortal, Mayhem, Satyricon, and Darkthrone. I’m sure there are others. But that is not my usual fare. I only listen to that sort of stuff as a side dish.
Many say that goregrind – a fusion of simple death metal and violent grindcore – is overrated. What is your feeling on the subgenre?
I’m not sure if I ever heard such music. Maybe I have. I can’t see how anything with “grind” in it is over-rated because I have never seen or heard anyone raving about that stuff. My friends who are metal merchants stay clear of those albums, so it doesn’t seem to sell well, and if it doesn’t sell well then I can’t really think that it is over-rated. But then, it could very well be that I never actually heard a “goregrind” band. Did you make that up?
How many copies of The Grimoire do you distribute each month?
I don’t do it monthly. Quarterly I distribute 30,000 copies.
If you could be any metal musician for a day, who would you be? Would there be anything left of his or her career when you were done?
I would be Randy Rhoads and I would use all of my knowledge to record brutal songs and doomy songs, and then when I became Bill Zebub again I would add my vocals and become legendary.
Say nasty things about anus.com here.
The most nasty thing I can say is that I don’t know what anus.com is — you must be pretty popular, aye?
What languages do you speak besides English?
Czech, some Ukrainian, and some Slovak.
It is apparent you are educated enough to be cynical about “education.” Is this true? What experience brought on the cynicism?
Well, I have friends who are teachers who are forbidden to fail niggers because “it is traumatic for thechild to be held back” so there are sixth-graders who don’t know how to read. Wouldn’t that make you cynical? Also, for a point system for entry into a college, if you write a good essay on why you should be admitted, you get one point. If you are black, you get 20 points. I wonder if England is like that. I don’t think so, because the college students there can actually form a sentence.
Do you have a script for your radio shows, or are they improvisational?
They are always improvised. The only time there is any planning is when I have thought up an idea, like when I took over that talk show and decided to badmouth Jesus. But nothing about that was scripted. It’s fun to do things like that, but the danger in it is it could fail miserably. I suppose that a scripted show could fail too. Anyway, there have been numerous times when I ruined things. When I hear the tapes of those instances, I cringe. When I fail, I really go all the way.
What’s your favorite interview?
I don’t think that I have a favorite interview. But I do laugh every time I think about the last one I did with Malevolent Creation because Phil was trying to hint to me to stop making nigger jokes, and whenever I seemed to calm down I would always bring in a nigger joke out of nowhere and Phil was absolutely horrified. It was funny to hear his exasperatingly say “Here we go again” or “Dude, you need help!”
You recently crafted a movie. Do you see it as originating in the postmodern, idealist or modernist tradition?
I am not familiar with those terms. I never studied film. The only thing that I did study for this particular movie was the three-act structure of screenplays, and the reason that I studied that was because I have to learn the rules before I break them. I never did a full-length movie before. I had always just done 10-minute skits, or candid-camera stuff. So I read a book by Syd Field and I’m glad I did.
In this movie, do events move according to a script, or is it more of a cut-up format in the style of W.S. Burroughs’ Naked Lunch?
I don’t know what “Naked Lunch” is, but this movie was entirely scripted. I made some changes as we went along, but I did write and copyright a screenplay.
Do you have aspirations to direct “real” movies?
I have been reading a lot of tips from various internet sites and I found out that a lot of directors started out the way I am doing things. But I am doing this purely for personal enjoyment. I know that I have my own style. But I don’t know if it’s something that would merit anyone risking giving me a big budget. I am just now starting to learn about the financial and promotion side of the hobby, and I am sinking my own fortunes into these ventures. As I progress maybe I will have investors. But until then I’ll just keep shelling out cash and hoping that things take off. When I release a movie, I assume that it will flop and prepare myself for ruin. So any outcome is surely better than that, and that means that I am always happy with the results.
Do you see art as primarily reflective of the world around it, or as creating a force against that which exists so that a different or larger ideal can be pursued?
I am not a person who could comment on what art is. I am not an artist, I am a hobbyist. Humor is sometimes referred to as a social mirror. In my case, humor is a social circus-mirror. Does that answer your question?
Do you believe in good and evil?
No. I believe that thoughts and actions are sometimes positive and sometimes negative, and some good actions can have negative thoughts as the fuel. Most people experience metal illness at one point or another. That is the closest thing to evil. But evil, or good, are not very sophisticated concepts.
Do you like Mexican food?
Yes, I do. I find it to be very flavorful.
What’s your opinion of the average metal fan? Average black metal fan (fan of black metal)? Average metal lady? Average Grimoire reader?
This is a hard question to answer because I am not really connected to the metal scene, or to my readers. I only associate with a very select group of people, and I don’t think that they can be generalized to the whole metal scene. I guess you can say that I am acquainted with extremes, not the middle. I do know that ever since the Grimoire was no longer free, most of the idiotic mail has stopped. Yes, the web site is free, but I think that you have to be somewhat literate to navigate the internet and to deal with reading text on a screen. Then again, the most popular pages are the Grimoire Girl pages, but for some reason, the retards who picked up the printed version have not trickled over into the internet crowd. So the demographics are different now. The only people who own Grimoires now are people who understand the humor, or people who happened to like the girls in the issue. Anyway, to answer your question, I don’t really know the “average” kind of person from any group because I only care to deal with certain types of people, and they are not average by any means.
What are your intellectual and physical interests outside of metal?
I like psychoanalytical theory, lucid dreaming, out of body experiences, quantum reality, dark humor,dark poetry, dark opera, aiki jiu jutsu, and medieval fantasy.
The madman jumped into their midst and pierced them with his eyes. “Whither is God?” he cried; “I will tell you. We have killed him — you and I. All of us are his murderers. But how did we do this? How could we drink up the sea? Who gave us the sponge to wipe away the entire horizon? What were we doing when we unchained this earth from its sun? Whither is it moving now? Whither are we moving? Away from all suns? Are we not plunging continually? Backward, sideward, forward, in all directions? Is there still any up or down? Are we not straying as through an infinite nothing? Do we not feel the breath of empty space? Has it not become colder? Is not night continually closing in on us? Do we not need to light lanterns in the morning? Do we hear nothing as yet of the noise of the gravediggers who are burying God? Do we smell nothing as yet of the divine decomposition? Gods, too, decompose. God is dead. God remains dead. And we have killed him.
“How shall we comfort ourselves, the murderers of all murderers? What was the holiest and mightiest of all that the world has yet owned has bled to death under our knives: who will wipe this blood off us? What water is there for us to clean ourselves? What festivals of atonement, what sacred games shall we have to invent? Is not the greatness of this deed too great for us? Must we ourselves not become gods simply to appear worthy of it? There has never been a greater deed; and whoever is born after us — for the sake of this deed he will belong to a higher history than all history hitherto.”
Here the madman fell silent and looked again at his listeners; and they, too, were silent and stared at him in astonishment. At last he threw his lantern on the ground, and it broke into pieces and went out. “I have come too early,” he said then; “my time is not yet. This tremendous event is still on its way, still wandering; it has not yet reached the ears of men. Lightning and thunder require time; the light of the stars requires time; deeds, though done, still require time to be seen and heard. This deed is still more distant from them than the most distant stars — and yet they have done it themselves.”
– F.W. Nietsche, The Gay Science
Xasthur’s reclusive and asocial Malefic gave us a few moments of time to ask some esoterica and rewarded his listeners with the following interview, in which he gives some analysis of the interconnectivity of thoughts inside and outside of the black metal “scene.”
When you first started Xasthur, what factor of the project made you most uncomfortable?
Hmmm, that’s a real good question. There were two times when I ‘first started Xasthur’, the first time was a failure…constant losers,liars,trendies for bandmates; I was very upset. I felt that nobody believed in how serious I was in bringing forth a horrifing aura of blackness. The second time was just the same, but on the other hand better. I had totally given up on people, I admit I was uncomfortable when I decided to get a drum machine and do it all on my own, I didn’t know if it was possible,and still alot of poser fuckers didn’t believe in me, they thought their party heavy metal parking lot bands were more meaningful..well,the good news is that I’m planning on, and will have the last laugh!!! Another factor was the vocals, I had never done that before, but I knew that I would have to force myself to…it was never in my plans, but as a one person band, it had to be; other than that, everythng fell into place and I learned how to overcome certian difficulties such as drum programming, vocals, humans etc…
Had you been in any bands or musical apparati before Xasthur?
Yes, a couple death metal bands, back in 94-95 here in So.Cal..didn’t really work out. There was always some differences, they wanted to be unoriginal, and at the time I thought it would have been quite possible to mix death metal with darkness and doom. I can’t really get along with anyone in a band-like environment.
At the time, what bands inspired and/or motivated you? Writers? Visual artists? Movies?
Mütiilation and the black legions, Burzum, Graveland (Thousand Swords), Manes, Shining, Forgotten Woods, Funeral Winds and too many to mention. Hmmm, I don’t watch movies much…my favorite movie is Carrie (the old one from the 70s) as far as Visual Artists are concerned, whoever made the Aphex Twin video, what a perfect vision of the remains of an apocalypse, I always have that video in my head…but like I said ,I don’t watch TV really…
Where were you when you first thought the project had longterm potential for you?
In my house, as usual…looking out my window and there was nothing there, When I was finishing a song and it actually disturbed me. That was like looking into a mirror and not liking what I saw….when it refected a nightmare, I thought it had some potential…but for what?”
Does anyone else work with you? Why or why not?
The only other person that really helped in the past was a good friend of mine, Mike/Draconis, but that was in ’99, before I just did this band on my own. Maybe it’s where I live that I can’t rely on ANYONE to help out…I don’t need anyones input, people here want to be famous like Cradle of Filth and write safe-normal riffs to impress their friends, get girls etc…that is all I have EVER seen…I don’t need that kind of input.
There is an obvious Burzum-influence (this is something of which to be proud, but hopefully you’re not going to be annoyed by it) in Xasthur’s music; what did Burzum do that no other bands have done?
No, I’m not annoyed by that…actually, thanks. Burzum is darkness, or has that word lost its meaning? All I know is that Burzum can take you anywhere but where you are…and it’s usually somewhere cold. I don’t want to be where I am, or anywhere for that matter.
A soldier once remarked, “we had to destroy the town to save it.” F.W. Nietzsche once offhandedly said that if Christianity had not existed, it would have been necessary to invent it. Do you think all things on planet earth are bound up in their opposites?
Yes, that F.W. Nietzsche quote makes sense to me…just cause something doesn’t exist doesn’t mean it needs to be invented…we would still have a broom, if the streetcleaner or vaccum wasn’t invented, the broom cost only 4-5 dollars and the others several dollars more, plus they’re noisy and don’t save that much time…according to that quote, I’m not disagreeing with it, the quote to me is just based on human nature and what people will predictably do….or…maybe I have no clue?
Most black metal bands seem to aim for linear expansion, namely, riffs that stretch out of 2-3 notes across 3-5 frets within the same chord form. This produces a very clear pattern that requires a counterpoint. Burzum and others, including Xasthur, seem to structure counterpoint within a recursive phrase, more like a fugue. Is this true in your view?
I try to not have such few notes per song/riff. My instincts tell me when or when not to have such few notes, when to be this simple or not to be,there’s a time to be repetative. For example, something with a hardcore upbeat (like you mentioned somewhere else in this interview) shouldn’t be repeated 8-12-16 times ect…Across 3-5 frets? I’d say you’d better add a bunch of other ideas to accompany that kind of simplicity or its gonna get boring…but like I said else where, there are no rules. Slightly rehearsed, last minute improv can not only fool thyself, but the listener as well…or at least I’d like to think. Don’t wanna come across as someone trying to be an expert, ’cause these are just instincts talking here…there’s not much theory behind what it is that I do, ’cause I basically had to learn anything I know on my own…on my own, that’s what life really comes down to, and death as well.
How much of the black metal community do you feel is social time for wayward youth? How much of it is artistic?
Too much social time! To play this music and make it as dark as you can, one has to give up alot…like friends,sleep,money etc…Alot of people will be too busy being a part of “life” to take it further than bass,guitar,drums,vocals,pentagram and then they’re done! When this kind of work is done, I’ll be social with others who are into what I’m into..who the hell am I?
Negativity seems to me like a mental forest fire; with everything reduced to ashes, any new ideas seem fresh and hopeful. What have your experiences on this topic been?
Well, negativity is all around, weather you want it or not…how can one rebuild when only ashes remain? Whenever I look at my scars…I remember where I’ve been and where my state of mind always takes me.
Many view Varg as duplicitous in his representation of his own beliefs, but in the first interview I have with him, he refers to himself as a theosophist, and on his first album, he has a lyric making reference to his socially unacceptable political views. Do you fear the same thing with your own music and later, views? is there any way around being called “inconsistent” as one grows?
is there any way to summarize what you’ve learned about music since starting xasthur, or to find a few central points of change, and if so, can you list them here?
I have learned alot,I have learned things that I already knew and felt. I have learned that playing music is like solving puzzles that have no direction and are certianly not flat like puzzles usually are. I learned that many riffs of songs have infinite possibilities for harmonies/dis-harmonies with all instruments, having 4 or 5 different sounds in different octaves (yet all slightly similar) coming together finding a way to let out all the thousands of ideas in my head…painting a mix of sounds with the most bleak of colours, what to do, or what to add that will reflect the exact mood….I learned that being unpredictable with the changes in the song can work for me, instead of against me i.e, one of my friends used to tell me that 2 certian parts wouldn’t/didn’t go together, I say bullshit, I’ll find a way, and the best way i possibly can…there are no rules, no rules…its the one thing that can keep it interesting to me…I don’t know if this is the kind of answer you were looking for…
What do you think – if any – is the relationship between radical, terroristic environmentalism and black metal?
Hate!! Downfall of urban culture (or lack there of)..if I’m understanding the question properly.
Do you have a preference for type of equipment? In your mind, how important is equipment to the production of music?
I’ll tell you that it makes a difference. When getting a good guitar sound, that’s when just anything WON’T do. On some old recordings,I used a dist.pedal and all it picked up was alot of noise I didn’t even know I was hearing, plus it was very weak ad thin…then I switched to an effects processer rack mod. and that really helped take away all the noise and added some fullness…a way of mixing is important too. A 4track with mixing capabilities included, the effects processer and a cd-r burner for bouncing tracks…these are all the essentials and main ingredients.These things made a difference and made recording easier for me.
When you first conceive of a song, or a riff, is your starting point a boundary or a direction?
Neither. I don’t want a limit, and boundary makes me think of that…if there was a direction then it wouldn’t come from within,plus predictability in music makes it boring to play after a while.
What are your thoughts on Hegel’s theory of dialectics, namely that each thing (“thesis”) has an antithesis, and eventually a compromise between the two leads to the next thesis?
As in hypothesis, an educated guess? A part of being psychic? A mathematical algebra-like theory of prediction? If 2+ _ = 8 then what’s blank? If someone/something does 2, but is hiding the truth, that being blank, then why does their face have 8 written all over it…I don’t know,I’m so tired right now I don’t even know…
Many people are saying “black metal is dead” right now, and, while I understand their saying so, it seems to me like they mean “most of black metal is dead” when they declare its demise. What do you think is the difference between “living” and “dead” in this context?
Yes, I agree “most of black metal is dead” because if it was all dead,I would have one of the last significant reasons not to live. There are still some bands out there that can save at least the feeling or that bring back some nostalgia of the way it once was. I don’t think war metal does…war metal is just some kind of retro protest towards the norweigians?? This negativity of black metal is the only thing that brings me any pleasure or excitement anymore…ironic,or a contradiction?? It was “living” in the early 90’s when it was more of a threat to society, I suppose.
What were your earliest metal influences?
In the 1982-84 era, is when I first discovered metal, I was a bit young at the time…I liked Motley Crue,Iron Maiden,Quiet Riot,AC/DC ect…I rarley listen to those bands anymore..sometimes. Later on in the later 80’s I got into Mercyful Fate,Dark Angel,Megadeth,Slayer.. then death metal,black metal then…??
How much of metal do you think is derived from hardcore?
Hmmm, some of the drum beats are similar to hardcore. However, I think metal bands did alot more with hardcore beats than the hardcore bands did themselves..
The gentleman from Axis of Advance probably thinks I’m a fag because so much of this interview does not address metal itself, but abstract and possibly unrelated thoughts. Do you think there is a link between the sound that is produced and the thoughts that occurred to prompt the attitudes, values and ideas expressed?
Well, talking about real life is probably more grim than death itself….and metal too. Axis of Advance?? That link you talk about, yes I think there is…that is, if you’re talking about a persons mental state of mind, if you can hear a persons mental state of mind…I could probably hear where the guys in Axis of Advance are coming from when I hear their songs and I would hope that one would be able to hear where I’m coming from with mine, also these are from two different planes….
Do you believe it is necessary, as Keats did, to desire the end for its cessation of the activity of life, before one can see what is of value remaining?
Darkling I listen, and for many a time
I have been half in love with easeful death . . .
Now more than ever seems it reach to die,
To cease upon the midnight with no pain
If we could see the world through philosophical photonegative states of mind, what do you think would be the seat of evil? Would those who believe still conceive of “god” as an entity outside of this world?
Do you have any mystical belief?
Energy…hateful. Energy taken from souls. Believing in yourself,cause you can’t have faith in anything or anyone else
Many in black metal advocate a “fuck everything, do nothing” type political attitude that is more bitterness than ideology. Others overcorrect by becoming very-unliberal people with the liberal attitude that one “must” change the human situation. Where do you stand?
How about change the human situation for good by mass genocide since there’s no answer to everyone’s/anyone’s problems and everyone hates being alive, whether they can admit it or not. I’m sick of humans having so many rights…they just piss and shit on all that is given to them. To me, this is bitterness AND ideology.
What drugs do you think anus.com should explore as possible nutritional supplements for its writing staff?
“Explore the world of medication”
Please drop in here any additional comments, final words on this interview, or jokes about sodomy that you feel would fit.
Knock,knock. Who’s there? Clint. Clint who? Clint Torres….get it?! I am in the process of copyrightng this joke.
Thanks for the interview, Prozak…whether people know it or not you’re a pessimistic guy that goes back a long way…thanks to anyone that wastes their time reading this… suicide can be a relief.
Did we speak about “end” and “totality” in a way phenomenally apprporiate to Da-sein? Did the expression “death” have a biological significance or one that is existential and ontological, or indeed was it sufficiently and securely defined at all? And have we actually exhausted all the possibilities of making Da-sein accessible in its totality?
We have to answre these questions before the problem of the wholeness of Da-sein can be dismissed as nothing. The question of the wholeness of Da-sein, both the existentiell questiona bout a possible potentiality-for-being-a-whole, as well as the existential question about the constitution of being of “end” and “wholeness,” contain the task of a positive analysis of the phenomena of existence set aside up to now. In the center of these considerations we have the task of characterizing ontologically the being-toward-the-end of Da-sein and of achieving an existential concept of death.
– Martin Heidegger, Being and Time
the anus.com metal development team was lucky to catch lori bravo during a break from work with her new band, Raped. she was kind enough to consent to an off-the-cuff interview which had some remarkable results.
as those who are fans of early death metal know, lori and her band nuclear death were instrumental in developing the genre in its early days. still carrying touches of thrash from the previous generation, she and her bandmates forged forward with a unique and devastating style of music. read on to learn what inflames her passion and willpower toward the making of metal.
Nuclear Death sounded to me like it descended halfway from the progressive extremist speed metal (“thrash”) of the previous decade, mixing that with its fundamentally deathy influence. If you could name something that you’d heard in the time leading up to the creation of the nuclear death works, what influenced you the most?
I would say…Discharge,Venom,Mercyful Fate,Black Flag and Russian Classical.
What art do you enjoy outside of metal?
Actually…I do not listen to alot of ‘metal’…..I am into punk and hardcore, jazz and fusion, classical, indie-rock…..and of course the works of Goya, Picasso, Bosch, Giger, Mapelthorpe, Giger, Rimbaud, Smith, Morrison, Plath, Baudelaire, Whitman, Kerouac, Manson, Wilde, Cobain, Saffo……..etc.
Do you consider art to have relative grades of complexity?
Of course…but I also….believe the most simplest of lines can be most complex in nature.
Is your current band metal, or a metal fusion? i ask because many metal artists choose after an underground success to turn to the mainstream somewhat, mostly looking for new worlds to conquer.
I do not believe that I have even achieved what you dubbed as ‘successful’…..My new band is called RAPED…and it is a fusion of my anger,jealousy,hatred,hopefulness and liberation from boyfriends,bullshit and sexism!!!I call it arte-sexed-dark-edged-fuckyourface-off music….or GRRRLCORE!!
What do you think about drugs, group sex and fascism?
Drugs are how we as a society seem to cope…I mean EVERYBODY’S on SOMETHING!!!Group sex is great…do it SAFELY….I am in the sex business..I strip….SAFTEY..PEOPLE….I CAN’T STRESS THAT POINT ENOUGH!!!Fascism in shit…but it is a big part of life…..I don’t think it is going to go away…so we,as artists,need to address the issue and alert the public on how much it ruins us internally and externally as many times as we can write a song ,paint a canvas, make a film or make a statement!
If you saw a black spot on a purely white wall, would you consider the wall to have an entrance, or the spot to have a boundary?
Entrance…I don’t beleive in boundaries…that is limited to me…I don’t like limits!!!!
What in your mind are the usefulness of these states: caprice and serendipity?
I Love impulsiveness in all things!!!! Spur of the moment……A whim of change….some of the best things are built from this lovely little spurt!Beautiful ‘accidents’…..serendipity is how I have managed to write every fucking thing that is good and paint a canvas that is worth viewing!!!!! I am a creative FUCKUP!!!
If you were suspended in a reality where another Nuclear Death album might be made, what in your mind might it sound like?
If Steve and I did another…I think it would be an in your face muse….RAPED is the result of what ND spawned.
If you had four minutes to give advice to a young metal band, it might be…?
Don’t sign anything without a lawyer, never compromise your principles, be yourselves, listen to your inner voices and take NO shit!!!!
What do you think about commerce, morality and the holiday of Easter?
Trade and buy/sell rules the world…enjoy it…Sexually-speaking…let’s fuck!Even I have morals…..Have CLASS people! You can be Hardcore without losing your integrity….Easter…..I like the iconography aspects and rituals…..rising from death…aint it sweet…..Bunnies for everyone!!!!!
I like the shorter song format with some bands, offhandedly naming Carcass and DRI, as it allows a fragment of a consciousness to momentarily express itself and vanish, where a full song might have to artificially include other subject matter to flesh out the shit. Then again, if you write your lyrics when wasted or careless, what flows might be pure subconscious dialogue and therefore might be effective. It seemed to me some study went into the Nuclear Death lyrics, no matter how hasty their creation. What sorts of ideas and systems of thought were influencing you at the time?
Alcohol,drugs,reading,sex,fear and dreams.
What do you think of capitalism, Christianity and Zionism?
Good and bad….I hate corporate-owned anything…but what are you going to do….do it yourself and put it on the net……christianity has been so fucking twisted and raped of its origins and beliefs,honestly,I think Christ would want to kill those fuckers,I believe every people should be able to ‘go home’…we all deserve our place.
Are you a large fan of any mainstream media?
I am pop cultured,you know? I like anything that I find interesting!
Often relationships in bands are as stressed as two cops dating. Do you have any advice in the most general sense in this area?
Fuck….it’s a marriage,respect eachother.
Do you own guns or dogs, and what kind of vehicle do you drive? Do you see these questions as destructive to the persona of a metal artist and therefore not worth answering? I hope so, but if not let me know. I want one of the new glock .357s to take out that pesky streetlight.
I own a 45 and a single-shot….I am slave to 5 cats…I cycle..I never have driven.
The aura combined of artistic form and content that is metaphorically relevant in a wrenching evocation of the sickness and desires of the current time, if present intelligently, can form the basis for powerful metal. Do these ideas “strike a chord” with any of your own?
I think we are a highly intelligent form of music…..we present to the listener what one may or may not want to face.Look…if you have shit lyrics…I don’t care how great the music is…..I won’t give you a second thought.
Do you have plans to write a book?
Yes……I have poetry,as well as a tell-all in the worx
If i were a gangbanger, anytime I shot someone, I’d say “you’d better hope for reincarnation!” Do you think reincarnation is likely, or is it another for the “wishful thinking” file?
I think it is bullshit…..This is MY fucking unique soul..when I die that is it!
Have you heard Burzum, Dead Brain Cells or Absurd?
No….turn me on……
What do you think are the faults of www.anus.com/metal, and why do you think many people hate us?
Because you are too intelligent for most dumbfuck metal-heads…..fuck ’em…you RULE!!!!
Do you visit any bulletin boards, chat rooms or use an instant messenger?
Oh yes….My s/n is insectbride…..I am a member of Hole’s message board,Distillers,TSOL’s…oh yessssssssss!!!!
Is Saddam Hussein a CIA plant?
Could be…..dunno….I think he is an android.
If you had no limitations and could make any music you would choose, how would your music differ?
Listen to RAPED….I have no limitations!!!!I know what I like.
What makes Arizona for you an attractive place of residence? After I drove through I considered moving, as it had a laid backness to the city.
I hate it…..That is why I am moving to LA,permanently in May!!!!I love the filth,corruption,trashedout ways of big cities…I am from Chicago…for fuxsake!!!!
Many thanks for any answers you can do. Some of these questions will be unanswerable, but I have designed them based on your other interview so that you will have fun with them, I hope. I will send you finished copy and we’ll cut any that don’t succeed. Hails and vomits…
..Thanx…I had a great time with your interview…….one of the best I have gotten in a while…..actually, I found ALL answerable!!!! I can rap for hours,Love…….New Nuclear Death/RAPED contact is my Email!!!!
IN DEATH AND CRUELTY….VO/Lori
The Christian concept of a god—the god as the patron of the sick, the god as a spinner of cobwebs, the god as a spirit—is one of the most corrupt concepts that has ever been set up in the world: it probably touches low-water mark in the ebbing evolution of the god-type. God degenerated into the contradiction of life. Instead of being its transfiguration and eternal Yea! In him war is declared on life, on nature, on the will to live! God becomes the formula for every slander upon the “here and now,” and for every lie about the “beyond”! In him nothingness is deified, and the will to nothingness is made holy! . . .
– F.W. Nietzsche, The Antichrist
Written by Devamitra
Midsummer’s sylvan possession will claim many lives tonight by drowning, stabbing, hanging and other morbid rituals that cloud the light of the greatest Finnish celebration. It can be said that the spiritual conflict between the barrenness of the Finnish urban life and the sudden plunge into the freshness of nature undertaken by most at this time of the year, combined with the gargantuan intake of alcohol, causes a temporary collapse of the veil of the civilization, when festivals end as festivals must. Under the deceptive tolerance of the society, dark depths boil and murderous impulses become sublimated thoughts. Some of these undercurrents were illuminated and analyzed almost as topics of transcendental philosophy in the dark contemplative statements of Finnish Death Metal, one of the strongest musical movements that ever arose from Finnish soil and also unarguably one of the strongest Death Metal scenes of the period. It is a testament to creativity that it’s still very hard to pin down a certain easily recognizable ‘Finnish sound’, but this does not mean a lack of mental images connecting them.
Among the first were the playful Death Metal / Grindcore crossover Xysma, the brutal Disgrace and the dreamier but less eloquent Funebre from the historic capital of Turku. In nearby Loimaa the discipline of Demigod and Adramelech formulated occult and mythological visions from these roots. The true monument of the early scene was created by Abhorrence from the modern capital of Helsinki, in their devastating demos that displayed the ferocity of old school black metal alongside articulate influences from British and Swedish Death Metal movements. Later the heritage of Abhorrence spawned into the more ‘professional’ folk influenced narratives of Amorphis des
pite the fact that the earlier band was far from amateurish itself. Besides Xysma, also bands from the wooded Birkaland county were heavily influenced by punk and thrash especially in anti-authoritarian spirit: Rippikoulu, Convulse, Purtenance and Lubricant. A counterpart were the quasi-Byronian melancholic poets of Ostrobothnia, heirs of the strict religious sects of the Bothnian coast: Sentenced, Cartilage and Wings. The same mystical traits combined with grindcore, Sarcofago and lots of booze in Beherit, Belial (“Wisdom of Darkness”) and Impaled Nazarene, who composed the classics of Finnish Black Metal contemporaneously (not successively as in the world at large) to the Death Metal movement. The promising Necropsy from Lahti released a strong split album ‘Unholy Domain’ with Demigod but never managed to release a full-length album back in the day, while the cryptic and absolutely unique one album wonder Demilich from thrash capital Kuopio set the bar for Finnish ‘progressive’ Death Metal extremely high on ‘Nespithe’; only Unholy from Imatra or Paraxism from Jyväskylä (who did not release an album) could compete in sublime weirdness. Mordicus from North Karelia also left a legacy of one quality album, ‘Dances from Left’, while fellow Joensuu mystics Phlegethon only released demos and one EP before some of the same individuals surfaced in the Doomdeath tribute band Hooded Menace. The quest to bring back moments of old school Death Metal majesty brought about by later bands such as Devilry, Slugathor, Deathspawned Destroyer, Ascended and Lie in Ruins is discussed in more detail in our article “Ascension of Sepulchral Echoes: A Finnish Death Metal Revival”.
We are proud to present a sequence of tracks collected by Fenno-American Death Metal connoisseur Benjamin Tianen in tribute to Finland and its strain of artists and conjurers. This compilation of obscure quality Finnish Death Metal is recommended for listening in the twilit hours of day, preferably in rather uninhabited locations as most of Finland is. If there is one teaching one must bring home from Finnish artists and Finnish school of mental exploration, it is that one must not love happiness as much as one loves truth.
Visitors remembers the Western shores of Finland mostly from their warm summer days, windstorms and chilly nights of Autumn. The dunes of the shore of Yyteriare unique in the whole Scandinavian region while most of the towns carry relics of past industries but have failed to establish themselves in modern or digital age, remaining secluded communities with little vital attractions to the youngsters. Thus it is not surprising that towns such as the historic Uusikaupunki, a weird silent nature-surrounded industrial port that has always baffled my spirit, gave birth to multiple demo level death metal insanities in the early 90′s.
Coprophilia described the twisted and tangled nature of woods, human remains and animal entrails on the four songs of their one and only demo, playing distinctive and intricate heavy metal influenced straightforward melodies to lend catchiness to songs that in their spontaneous clarity bring into focus the main influences for old Finnish death metal: heavy metal, Bay Area speed metal, horror music and UK bands in the vein of Napalm Death.
More sarcastic, irritant and grinding, Necrobiosis pummeled a simplistic punk-o-rama riffspace almost like Blasphemy or Archgoat would have done it except using the concluding expectancy common to dual vocal grindcore so that the grunts and screams echo exactly the phrases played by the rhythm guitar. Lead guitars often recall metal guitarists’ introductory practice pieces in the vein of Iron Maiden and Rainbow, as was the case with not only Coprophilia, but also Amorphis, Sentenced and many other greats. Curiously for a word I had never heard before, Necrobiosis was also picked as the band name around the same time by guys a couple of hundred kilometers away in Riihimäki. You might know this band better by a name they thought of later: Skepticism.
In an era when Finnish death metal was a freaky force of nature, punishing everything in its path, Necropsy from Lahti, Finland, was doomed to obscurity as many of their peers, the likes of Mordicus, Convulse, Funebre and Abhorrence. In five years (1989-1993) they created 7 demo tapes and appeared on one 7″EP and a split LP with Demigod on the infamous Seraphic Decay label. Thrashing and grinding, organic and brutalous death metal of this kind would freshen up the scene of today immensely and thus we welcome the rumours that Necropsy is staging a comeback in true old school spirit to show the weakened versions of Carcasses and Pestilences who still holds the true spirit of unholy death.
What force in the inner core of man gives birth to death metal impulse? Is it fear, hatred, obstinence, passion, paranoia, vision or celebration of power? “Rippikoulu” is Finnish for “confirmation school”, which is an institution partaken by Finnish teenagers in order to be educated in the rituals and tenets of the Lutheran church. Celebrated usually in a camp away from the city and the participants’ homes, it ironically has a habit of devolving into a minor orgy of sin while the sole motivation of attendance for most is the hope of the meager sums of money elderly relatives usually bestow upon one, after the confirmation. When small town death metal cults produced their blasphemic demo output, it’s not far-fetched to say that it was this kind of absurd experiences with organized religion that led them to deny and spontaneously analyze the hypocritical, indoctrinating social customs that lead a child or a man to accept Christ for the sake of community and convenience, while at the same time materialistically mocking the values of the spiritual tradition.
Valkeakoski was another boring town even by Finnish standards which used to smell like feces because of the paper industry, an example of climate perfect for original death metal. At surface, the most notable characteristic of Rippikoulu was their use of Finnish language for invocation, which has often been abused but at the right hands and in the right mouth withholds the tremendous syllabic power feared by Nordic warriors since the Bronze Age, as recounted in Kalevalan mythos. The stupendous music of Rippikoulu’s two demos, “Mutaation Aiheuttama Sisäinen Mätäneminen” (“internal rotting by mutation”) and “Musta Seremonia” (“black ceremony”), bridge the grindcore influenced ecstatic physicality of Xysma with earthen, suffocated sludge in contorted, space-and-time stretching rhythmic dynamicism reminiscent of Winter‘s and diSEMBOWELMENT‘s most psychedelic lapses. It gives the impression of a blind, tormented prophet shouting fragmented glimpses of pure vision to the darkened, apocalyptic world with barely any ears left to listen to human voice amidst the collapse of industrial infrastructure. In the slow, emotional leads one could hear Paradise Lost, but in its warlike sparseness and logic, even nihilism, it’s something closer to the most doomed moments of Bolt Thrower’s “War Master” while the almost ridiculously disembodied parody of gloomy gothic organ in “Musta Seremonia” brings to mind Unholy‘s drugged haze; Faustian sorrow and blasphemous sense of humor united in one single strangely reverent and innocent package which is without question another forgotten jewel of the olden Finnish death metal scene.1 Comment
Yes, the mighty french legend SUPURATION (aka SUP) are back from the crematory in form of a retrospective collection CD which includes all the earliest and most brutal stuff of the band from ’89 /’90 when they were in their most Death Metal shape right before they started to experiment with clean vocals and more varied sounds.
“Back from the Crematory” is the generic title of this cult release which is planned for an imminent release on September 16th. The CD includes the awesome band’s debut self-financed mini CD “Sultry Obsession” (’90), their only demo “Official Rehearsal” (’90) as well as the impossible-to-find demo of the band’s very 1st studio recording “Haunted” under their previous monicker ETSICROXE as well as a 9-song live show, both from ’89.
This masterpiece comes with remastered sound and packed in a total old-fashioned layout in contrat to their latter weird & sophisticated designs. Includes killer 12-pages booklet featuring an exclusive retro-interview, liner notes, cover and tons of old photos & flyers. This definitely a must-have release not only for every SUPURATION fan, but for every lover of the good old Death Metal from late 80’s and early 90’s!!No Comments