Upcoming tours: Behemoth

Behemoth-Myrkur-tour-2016

Behemoth is still promoting their last album (The Satanist), despite rumors of the next. To this end, the band is going on a lengthy “Blasfemia Amerika” tour where they play the album in its entirety. There are two major legs to this tour – the European portion that is described on Behemoth’s CSS transform heavy official website, and a second part in the United States that is just making its way to major news sites as we speak. Neither supporting lineup is particularly interesting – in Europe they’ll be supported by Abbath, Entombed AD, and Inquisition, while the USA will have to deal with Myrkur. For those who absolutely need this in their lives, the following dates have been announced in the USA:

Apr. 21 – Philadelphia, PA – Theatre of the Living Arts
Apr. 22 – New York, NY – Webster Hall
Apr. 23 – Boston, MA – Royale
Apr. 25 – Montreal, QC – Virgin Mobile Corona Theatre
Apr. 26 – Toronto, ON – The Phoenix Concert Theater
Apr. 27 – Detroit, MI – St. Andrews Hall
Apr. 29 – Chicago, IL – Thalia Hall
Apr. 30 – Minneapolis, MN – Mill City Nights
May 1 – Lawrence, KS – The Granada Theater
May 3 – Denver, CO – The Gothic Theatre
May 4 – Salt Lake City, UT – The Complex
May 6 – San Francisco, CA – The Regency Ballroom
May 7 – Santa Ana, CA – The Observatory

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Behemoth to enter the studio in 2016

Behemoth-EP

Nergal of Behemoth recently conducted an interview with Rock Sverige in which he revealed his plans for the band and other musical endeavors. So far, a new album from Behemoth isn’t confirmed, but Nergal claimed that the band would enter the studio in 2016 and that he thought “…it would be really smart and good to have a new album out in 2017”. He also mentioned some side projects outside of metal and an interest in the works of David Bowie. Needless to say, if the band releases further confirmation for a release, it’ll probably go on our radar. Behemoth has apparently sold enough albums to live quite comfortably, and that’ll probably continue for many years.

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Behemoth – The Satanist

behemoth-the_satanist

I did something I never thought I’d ever do and bought the new Behemoth record today. Was never a big fan of the early stuff (out of ignorance in never really listening to them more than anything) and have associated the 2000s material with 14 year old kids transitioning from Slipknot and Korn into death metal…

Before I even heard a note of the new one I was intrigued. Reading Darksi’s interviews post-leukemia in reference to this album really got me interested in what was in store sonically and lyrically and several reviews seemed to highlight that it was a turning point. Also very stoked on Denis Forkas’ art and Metastazi’s layout (that dude: FUCK) so it seemed quite the package.

I can say without a doubt that this is already a highlight for the year, even given Behemoth’s stature as a ‘celebrity’ death metal band. The production is wholly organic; gone are the vocal effects, clicks, snaps, and pops of their usually very sterile and over-produced sound. ‘The Satanist’ sounds natural and warm, vicious, and inspired. Each track is it’s own tight little opus – every song is memorable without being just a cavalcade of “dude check out this RIFF.”

None of this goes without saying that it does have it’s weaknesses (use of OV, stupid dress-up costumes, Slash guitar solos, and a goddamned Saxophone solo [Y U DO DIS PLEASE STAHP]), but the good far outweighs the bad. For a band to be this reinvigorated and viable on their 10th(!) full length, I have to commend them.

behemoth-the_satanist-cover

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Sadistic Metal Reviews: Zyklon B For Bandcamp

Hipster and poseur blood must be shed!

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Master’s Hammer – Live in Prague, 13th June 2017

Master’s Hammer played their first live show in over twenty five years recently at the Futurum bar in Prague this June. Most of the set, which entirely consisted of tracks from Ritual, was filmed by Tomáš Havránek who uploaded it to his Youtube channel. The performances are excellent and energetic so fans of the band should watch it. Word of warning, the presence of nude models makes this not safe for American workplaces in contrast to the Cronenbergian imagery our staff loves.

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Lame Gates of Ishtar Albums Reissued

Century Media has reissued third rate Gothenburg melodeaf band Gates of Ishtar’s first two studio albums, The Dawn of Flames and At Dusk and Forever, remastered by Dugout Studios (vinyl mastering by Patrick W. Engel) and with new artwork from Juanjo Castellano as the original artwork was “really ugly” according to the band. The band should have been more concerned with writing worthwhile material than artwork for lame, cash-in releases on the popularity of In Flames and other competitors with VH1’s adult contemporary lite rock. Gates of Ishtar were not “melodic death metal masters” but warmed-over bouncy speed and power metal for a late 90s mallrat and Wacken audiences just like the most of their contemporary bands from Gothenburg, Sweden when they weren’t making outright pop music.

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