#Metalgate: Shawn Wright Threatens to Extort Death Metal Underground to Fund Bestial Evil National Tour

Shawn Wright extortion threat

Baltimore social justice warrior Shawn Wright threatened to extort Death Metal Underground through a defamation lawsuit to fund his crappy crustcore band Bestial Evil USA‘s national tour in the comments section of our recent news article covering his latest whining.



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Death Metal Underground’s Best Albums of 2015

It took some time, but despite the deluge of content constantly bombarding us and aspiring metal fans worldwide, we’ve been able to reach some level of consensus on 2015’s worthwhile metal music. Not to say that we’re in perfect harmony (If you’ve been paying attention, you’ll note that there’s some room for dissonance in our musical language), but the hope is, like what our recent reinspection of 2013 revealed, that some of this material remains interesting for more than the year it was released.


Album of the Year

A wrathful reminder of what war metal should have been: a melodically-structured, chromatic holocaust to the god of this world. Jan Kruitwagen’s leads awe listeners and are optimally placed to hold attention just as each rhythm riff runs its course. An impenetrable mix rewards repeated listening to an album that may surpass Kruitwagen’s work on Sammath’s Godless Arrogance. March to Kaeck’s martial heartbeat or revel in shit.



Recommended Albums


Stoic Death

Bolt Thrower meets ritualistic black metal. Rather than cathartic bending into climactic oriental leads, Desecresy diffuse tension by methodically varying into bizarre melodies with carefully placed, otherworldly leads to a steady metronome.
Mid-paced riffing in the style of Bolt Thrower builds tension with melody and drifts off into space with variations and well placed leads. Where Bolt Thrower themselves shoot a rifle at the ballon using rhythmic change to introduce another riff or dramatically bending the riff into a climactic, oriental short solo, Desecresy insert ritualistic blackened leads for dramatic contrast with the rhythmic, power chord riffing.

Review and Interview:


Tau Cross
Tau Cross

Rob Miller returns from blacksmithing to his previous metallic occupation with an album of catchy post-punk in Motorhead and Metallica song formats. Thankfully free of the Godsmack and other MTV influences present on Amebix’s swansong.



Worthwhile releases



An effective album of mid-paced death and heavy metal riffing. There is no psychedelic rock pretending to be Black Sabbath “doom” here. Highly structured; the opposite of the random tossed riff salads of most modern metal. This band takes an approach more like that of classical guitarists toward melding death metal with progressive rock, blues, folk and other influences: it mixes them in serially and adopts them within the style, rather than hybridizing the two styles.

In other words, most bands that try to sound like progressive death metal try to act like a progressive rock band playing death metal, or a death metal band playing progressive rock. Cóndor takes an approach more like that of musicians in the past, which is to adopt other voices within its style, so that it creates essentially the same material but works in passages that show the influence of other thought.

Reviews and Interview:


Morpheus Descends
From Blackened Crypts

This vinyl 7” single features two new, well constructed death metal songs from one of from one of the few truly underrated bands in the genre. Those foresighted enough to purchase the identically-titled CD boxed set version received the band’s entire catalog in one of the rare remasters that sounds better than the original releases.



Bad Magic

One last Motorhead album of mostly Motorhead songs. Nothing “new” is introduced for those in the non-metal audience who disdain metal and wish to feel intellectually superior to the common headbanger. The final work from a relentless machine of a band.





In the Embrace of Evil
Dawn of Possession (Listenable Records)
Order From Chaos
Frozen in Steel (Nuclear War Now! Productions)
For the Security
Arsenal of Glory and Galloping Through the Battle Ruins (Drakkar productions)
Fallen Angel of Doom (Nuclear War Now! Productions)


Those Left Behind
Flesh Assimilation

Crusty death metal of the better than braindead Benediction but worse than Cancer category.

Atom by Atom

I’ve possibly heard too much but Hanger 18. I know too much. Although not as degradingly vulgar as Surgical Steel, Atom by Atom results in a pretty tacky affair. Vocals are as emotional as in the first album, except that in here they seem even more disconnected from the music as the music veers into some sort of progressive speed metal akin to Helstar’s. (Editor’s note: I liked it, but David Rosales was critical)

Blessed Be My Brothers

The band shows promise with their Unique Leader-style rhythmic riffing and soaring heavy metal leads. While being above par for technical deaf metal, aping a different one of your heroes every few verses doesn’t make for particularly enjoyable repeated listening.

House of Atreus
The Spear and the Ichor that Follows

Fredrik Nordstrom’s Arghoslent.

Satan’s Tomb

Technical power metal carnival music.

Iron Maiden
The Book of Souls

Nobody is allowed to edit themselves or turn on their bullshit filters in Steve Harris’s band anymore (Read a full review here).


Kvist meets the randomness of metalcore. Indistinct riffing and songwriting mix with pointless shoutout verses to past greats that makes listeners wonder why they aren’t just playing Sodom and Mayhem in the first place.

Below the Hengiform

Where are the riffs?

Black Speed

Every Teutonic speed metal band gone Voltron.

Ares Kingdom
The Unburiable Dead

The band has no need to repeat half the song just so the guitarist can get over his refractory period and play another solo. This is also an extremely distracted riff salad in which the individual riffs can be brought in from sources as different as galloping power metal to thrashy death metal to alternative nu and groove “metal”. This is headbang-core for beer metallers and other social metalheads. This recording received two reviews in 2015.

Aria of Vernal Tombs

A collection of interesting renaissance faire riffs written into songs that quickly wear out their welcome as metal, becoming RPG background music.

Burial Dimensions

A few strong songs on a demo do not warrant a two CD set of Swedish death with limpid keyboards anticipating the steps black metal took towards mainstream goth rock in the late nineties.

Exercises in Futility

This is the type of black metal as repetitive rock music that ignorant hipsters will praise as “ritualistic”. The album’s title sums the quality of its musical content: futile. (Editor’s note: I wanted to give this album a chance. It didn’t age well.)


Gothenburg cheese and Meshuggah licks are less appetizing than a lead-laced Mexican lollipop.

Charnel Passages

Grave Miasma returns. This time with 1993’s atmosphere.

Crypt Sermon
Out of the Garden

Candlemass meets Soundgarden.

Current Mouth

Every Teutonic speed metal band gone Voltron.

Opus Death

Solid underground metal in the spirit of Sarcofago that is perfectly well-written but does not amount to more than the sum of its parts; does not conjure up any long-lasting message.


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Vote for The Best Death Metal Album Of All Time

One of the other old school metal sites is Brian N. Russ’ BNRmetal.com. If you’ve read these pages for awhile, you know that Vijay Prozak and our other writers enjoy this site for its pithy characterizations of several generations of metal.

It’s a far better resource than Metal-Archives, who are so upset by old school sites that they censor both BNRmetal and anus.com on their forum, and the odious wikipedia which was clearly written by marketers and truly clueless “fans” of mainstream music that wants to be “bad” like that underground music. In fact, it’s where my research often starts for new bands, followed by going to a blogspot and downloading the damn thing.

BNRmetal.com is now holding a contest, “Vote for The Best Death Metal Album Of All Time,” which pairs some old favorites against each other:



If you have any strong opinions on this issue, go here to vote for BNRmetal.com’s best album of all time.

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Endless War : The Similarities Between Metal and Wrestling


Wrestling is the oldest sport in existence. One can find it in any culture on earth, Egyptian hieroglyphs depict various techniques, Islam recognizes it as one of the main sports for preparation in combat and European knights trained extensively as a lot of armored fights quickly become tests of who could pin who to be able to deal a finishing blow with a dagger through the gaps in the plate armor. Throughout the years wrestling has proven to be the best art for all forms of combat as every region in the world has at least one form of indigenous wrestling.



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You know your nation has reached peak sadism when kids are using the shooting deaths of their classmates to catapult themselves into celebrity stardom.  That means the time has come for frequent, merciless, rapid fire sadistic metal reviews.




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Troll 2 and (the Joy of) Miscategorized Metal

Tower Records and Musicland didn’t seem to have much the other day.  So I went by Camelot music instead. I was wearing my old green Slayer demon head shirt. I had built up points at that store, and they gave me a free purple shirt with their logo on it. I hated the shirt and donated it to Goodwill.  In the metal section was the cassette soundtrack to Troll 2. I was almost certain this was a mis-categorization.  I didn’t have the money to buy it that day and it sold out before I could get my hands on it.



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Analysis of Death Metal Vocalists

Guttural vocals are the only true vocal innovation in metal as other singing styles are derived from other genres. The growed vocal technique is a combination of multiple frequencies and is harmonically too rich to be treated in the same way as more tonal styles.  Since they are different to all that came before them they must be analyzed differently.  And as metal continues to be penetrated by the mainstream it is important to understand what should be expected from a vocalist and what each one brings to the table since as humans we are inclined to judge vocals first.

In the spirit of understanding the wide variety that the technique has to offer, take a look at some of the more interesting and/or well known vocalists that death metal has given us throughout the years:


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Heavy Metal In Academia

The last two decades has witnessed an exponential growth of studies devoted to popular music, coupled with a re-evaluation of past theories and models for interpretation and analysis. This paradigm shift has sparked interest in music “at the fringes” which in turn has led to the unlikely emergence of “metal studies”: a multi-disciplinary field of research centered around all things related to metal music.



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