Industrial band Killing Joke posted a new track showing them continuing in the IDM/industrial + gothic synthpop + punk/metal hybrid they have developing since 1981. In fact, this track features the lengthy calling-out style choruses which marked their first release.
Khors is a Ukrainian black metal band formed in 2004. Coming from the same general scene as Drudkh and Nokturnal Mortum, Khors’ brand of black metal is made by mostly simple riffs and long, simple and slow melodies. These are all very typical of the Slavic black metal sound. Accessible to the novice listener of black metal, Khors offers an experience that lies closer to what purists would consider closer to black metal than most mainstream acts rising the flag of the genre despite the real nature of their music
Cold consists mostly of simple guitar strumming outlining singable melodies with constant rock-like drums that use the double bass intermittently. The music relies on heavy repetition with very little changes. This is compensated by the tightening and releasing the drums provide through the simple effect of using and not using double bass drums. Particularly understated keyboards provide the spacious backdrop in which ghastly vocals carefully make sparing apparitions.
Production in this reissue of the album is stellar, outshining that of releases by countrymen Nokturnal Mortum. The rock-oriented sensibilities of this Ukranian black metal could tick off purist fans of the more extreme expressions of black metal, but Cold remains a black metal album at its center. Content-wise representing little more than a mouthful for the experienced listener, this is a perfect release for those starting out with the genre. Strongly recommended as an authentic gateway album.
In a recent blog post, Celtic Frost vocalist/guitarist Tom G. Warrior has publicly disowned BMG’s upcoming double CD reissues of his band’s best output, Morbid Tales and To Mega Therion, and the more pandering and spotty Into the Pandemonium and Vanity / Nemesis. The embarrassing Cold Lake was omitted at Warrior’s request. While initially on board with the reissues and involved with the creative process, Tom Warrior has abandoned ship because the commercial mega-label BMG refused to print his linear notes as he intended. This blatant censorship was a means of preserving the integrity of the Noise Records liquid assets purchased by the label but had inadvertently overwhelmed the Cold Laker with a plethora of painful flashbacks of the corporate influence that plagued Celtic Frost throughout its existence.
Chris Annunziata, host of The Metal Teddy Bear Experience show on 90.3 WMSC-FM, interviewed Mikael Akerfeldt of death ‘n’ toll turned seventies style rock band Opeth at the Starland Ballroom on March 7th. Chris steadfastly transcribed the extensive interview and most graciously submitted it us. Mikael discusses his touring experiences with Megadeth and Gojira along with his childhood security blanket and love of raw meat. The recorded version is at the end.
Many of the pariahs seen infesting contemporary American black metal – communism, narcissism, an illusion of extremism – can be traced back to one man: Euroynmous of Mayhem.
Continue reading Euronymous: Black Metal’s First Hipster
He tightened a napkin roll.
Death Metal Underground finally has crowned a winner of our Real Sex with Social Justice Warriors Short Story Contest. GGALLIN1776’s morbid visions of bloody leftist degeneracy have been pounded into our staffs’ brains like a pistol butt cracking open a teenage thug’s skull:
I reached out to Nortfalke from Tarnkappe to see if he would answer some of our staff’s questions. Here we go: