Not Digging the New Cynic Single

Received a transmission of a new single by Cynic. Feeling a bit disappointed in this tune, called ‘Humanoid’. While it has the great active warm fretless sounding bass-lines, and Y. Malmsteen styled solos, the vocals are a completely different style than on Focus and Traced in Air. Normally their vocals have the flanged-out robo. voice. On this new track, the vocals don’t sound metal enough. They are too Pink Floyd or Lincoln Park-ish for me. The guitars have tons of solos, but leave the bass to carry the rhythm, and this doesn’t work. It makes it too light. The whole thing comes off sounding funky rather than heavy. I would like them to go back and at least out a flanger on the vocals and add another heavier rhythm guitar tracking along with the bass.

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Cynic abruptly tears itself apart

Promotional artwork from Cynic's homepage

Rock and metal bands have a terrible habit of destroying themselves in dramatic conflicts. On Thursday, Cynic’s official Facebook page announced a breakup in the middle of a touring cycle. Perhaps not the best way to go about such a split. Recently, though, guitarist and vocalist Paul Masvidal claims (again, through Facebook) that neither he or the band’s bassist (Sean Malone) were involved in the decision to split. Whether or not each side is able to work out their differences is unclear at the moment, but this seems like a poor way to go about the business of ending a musical project, or otherwise changing its status.

Controversial reformation career aside, I personally owe Cynic a great deal for Focus, as its diverse aesthetic palette and jazz inflections gave me a gateway into extreme metal that I otherwise never may have found. Their later recordings, though, have done little to pique my interest and are unlikely to gain many fans around here. Perhaps this breakup is merely recognition that taking jazz, metal and metalcore and mixing them together produces a slurry that no one wants to drink.

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/smr/ SADISTIC METAL REVIEWS: YOUR FRIENDS ARE DEAD EDITION

You know your nation has reached peak sadism when kids are using the shooting deaths of their classmates to catapult themselves into celebrity stardom.  That means the time has come for frequent, merciless, rapid fire sadistic metal reviews.

BUCKLE UP, BECAUSE THE RIDE NEVER ENDS

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Defeated Sanity – Disposal of the Dead Dharmata

This band from Germany has been around in one form or another since the 90s.  Besides having a reputation as an under-rated act, they actively tour and record.  They are considered technical/brutal death metal.  I would probably count them as old school death metal.  Several releases are available, and it feels somewhat unfair to look at just one release and judge, but lets try.
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Dusk-Bound

The success of endeavors that carry with them the implication of development or transformation, such as the evolution of an artistic genre (without any relation to the ‘progress’ of dialectical materialism), requires the constant testing of strength, the crossing of one’s boundaries. Contrary to the beliefs of the simple minded, this does not mean that the act of crossing those lines is in itself enough for a fully-formed conclusion to be presented, although there is indeed great value in violation itself. But one could argue that the great weapons of the mind, enacted, come as a result of a full digestion and re-application of invaluable experience and information that comes from the crude testing of strength, directed towards the intuited limits of the yet unexplored.
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Meditations on the Death of Wishful Thinking

To be a writer, if you are any good, is to be a blasphemer. Humanity is an entropy engine because each person decides on what view of the world makes them look the best, and so the constant weight pushing down on us is that of the herd, of a group of individuals united only by selfishness, come together into a mob for the purpose of asserting their right to be different and unique, constantly leading away from an understanding of the world around us and any meaning that can be found in it.

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Fashwave

During the tumultuous past few years, a new sub-genre appeared that combines elements of several existing genres. Fashwave is synthwave with a darkwave sensibility and occasional metal-inspired riffs that sound very much out of the canon of Beherit or Burzum, but simplified to fit within the more synthpop-oriented rhythms of fashwave.

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