Recently many of the other “metal” websites, blogs, publications et cetera have been doing articles about the business side of music industry. Unsurprisingly none of these articles had the testicular fortitude to address the ugly reality of the underground metal economy as they are written by either slaves to the machine itself or losers who genuinely believe that they have “careers” in music which heavily depend on acceptance by the community. Since the Death Metal Underground staff bow to no masters social or corporate, we are in the rare position give you the truth in its rawest form. So with absolute disregard for the powers that be in metal, let’s take an honest look inside this machine to see how it really works.
David Rosales reviews this ridiculous split album.
Article by Lance Viggiano
Darkthrone have spent the records FOAD through The Underground Resistance regressing into their pre-Celtic Frost influences. Sensing their customers’ growing unpopularity with this black ‘n’ roll approach, Fenriz and Nocturno Culto try to save face on Artic Thunder by regressing into their own work. The upshot is that nobody but Miller Lite Throne can sell mediocre riffs in cyclical songs as well as these two. The downshift is that they cannot muster enough enthusiasm or energy to play their own ideas with the dedication of a devoted bar-tier cover band.
The organizers of the Caledonian Darkness black metal festival in Glasgow, Scotland were forced to cut short the second iteration festival early after an individual angry with the organizer’s inability to pay them vandalized the backstage area. Pig’s blood meant meant for Pseudogod, Sortilegia, and Ifrinn sets was used to paint six foot tall swastikas all over the white dressing room walls. Copying Dismember and Mayhem‘s shtick when you’re mediocre and not securing your own blood is a no no. Antifascists venue owners ended up canning Dead Congregation‘s and Svartidaudi’s sets, doing what they had threatened to do before the second day of the festival had even started
Dark Tranquility announced the release of their eleventh album of Gothenburg melodeaf for release on November 6th on Century Media records.
Article by Corey M.
To Starve the Cross sounds like the result of having chopped up a dozen good death metal songs and pasted the bits back together in such a way to eliminate any sense of continuity. Ghoulgotha is obviously made up of experienced and skilled players including the drummer of Ascended Dead and the guitarist from Father Befouled and Decrepitaph (among several other projects).
Article by Lance Viggiano.
Blood Incantation give birth to a star which rapidly dissipates its vibrant material into a pale dwarf by exhausting concise songwriting early in its lifecycle to leave only the raw core of extended jam sessions which cause the dead to be grateful for their passing. Each proper song begins with a clear objective but rapidly loses focus through descents into ill-fitting random pastiches of mosh riffs, doom, beer horn ready chug or atmospheric atonal ambience. By and large, the latter half of these songs are used to adroitly drift in the vacuum of purpose wherein it makes its residence. Unlike Altars of Madness which similarly abuses the listener by stretching the limits of tolerance towards virtuosity, this group lacks the voracious songwriting that is necessary to avoid wandering by achieving focus to force the captive into loving punishing bouts of self-indulgence.
Blood Incantation have announced their debut full-length Starspawn out for release August 19th on Dark Descent Records.
Article by David Rosales. These three brief reviews continue Death Metal Underground’s journey into seventies progressive rock.