The Most Popular Death Metal Bands- Who is #1?

Who is the most popular death metal band?

It’s one of those esoteric questions that wanders in and out of the mind without a quick Google search to offer a definite solution.  But today it dawned on me that if I don’t try to find an answer, it’s unlikely any one else will do a decent job at doing so.  And given the fact that deathmetal.org is the number one site that comes up when you Google “death metal news,” I believe we have a journalistic duty to present the world with this information.

Since where to draw the line on what’s “true” death metal or not is a matter of opinion moreso than concrete fact, I determined that anything labeled “death metal” would be fair game whether it truly was a pure death metal band or not.  Therefore I’d consider melodic death metal, black metal, and even deathcore in an effort to find who had conquered the greater sphere of death metal.

Unfortunately, the Nielsen record sale tracking data is not public and often does not identify how well an album has sold for many years after its release.  Thus, I determined that the most accurate metric for mining this data would be to measure by Facebook likes.  Yes, I know it’s not an exact science- many fans aren’t on Facebook, and many people click a band’s like button without really listening to them.  But still, it was as good as I would ever get to finding who the most popular band in the greater bounds of “death metal” truly was.

I expected to see the favorites of the 90’s metal press and MTVX dominate- Cannibal Corpse, Morbid Angel, Decide, Death, and probably In Flames take the number 1 spot.  Imagine my shock, that only one of these bands even cracked the top 5!  I had always heard about Morbid Angel and Deicide had the highest album sales, but it appears neither band has been able to conquer the internet age.

So again, this list was populated within very forgiving boundaries (bands loosely considered death metal, whether or not I believed them to be), and the best metric I could come up with.  Also, DO NOT FUCKING EVEN THINK OF CONFUSING THIS AS BEING A LIST OF THE BEST DEATH METAL- IT IS QUITE THE OPPOSITE!!!  And finally, if there are any bands you think I missed please let me know in the comments below and I will gladly do a live update and give you credit- maybe.

Without further ado, here is – for the first time in history – a list of the most popular bands that people considered to be death metal, and an explanation to why I would endure the immense visceral hatred for even considering them:

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Antestor Re-Release of Return of the Black Death Out Today!

Fuck yes!  Legendary Norwegian black metal band Antestor have re-released their timeless classic Return of the Black Death via the Nordic Mission label.  If you’re too much of a sodomite pussy to know, this album was the best release (and probably only good one) on the famed Cacophonous Records, who gave us the earliest works of Cradle of Filth and Dimmu Borgir- those fucking scumbags!  This album was also the precursor to the depressive/suicidal black metal genre that immediately became gay when Xasthur first put on his little makeup kit and started doing blek majick.  Yeah, I bet you thought Sortsind and Burzum started that shit-NOPE!  It was all a second rate ripoff of Antestor’s sorrow metal!

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/dmg/ DEATH METAL GENERAL: Rooftop Riders Edition

 

DEATH FUCKING METAL:

http://www.deathmetal.org/metal/

http://www.deathmetal.org/site-map/

http://www.deathmetal.org/category/faq/

>b-but I heard death metal is dead!

http://www.deathmetal.org/news/

http://www.deathmetal.org/review/

OP Paste Bin:  http://www.deathmetal.org/tag/death-metal-general/

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Death Of War Metal Imminent!

For years, Nuclear War Now!’s forum has been the haven for life dropout D&D neckbeards searching for some form of friendship and community. But according to website tracking metrics, the site has seen a massive decline in it’s traffic over the past 6 months.  While viewership of metal sites can rise and fall unpredictably on metal sites, the above statistic should frighten anyone who cares about keeping their site relevant.  Sites with active forums should be doing much better than your the average blog-style metal site, so the numbers above show an unforgivable descent into irrelevancy.

But given that the site is predominantly frequented by war metal fans that have no regard for actual music, the crash in interest also proves something far bigger:  war metal, as a sub genre, is in its last days.

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CASE STUDY: DEATH METAL POSITIVE, BUT ONLY FOR SELECT PERSONALITY TYPES

A trio of Australian PhD researchers recently shared the results of an ambitious case study on death metal listeners.  The project, titled “Who Enjoys Listening to Violent Music and Why?” (Thompson et al., 2018), aimed to determine if there were personality differences in fans who enjoyed death metal and if lyrical content that involved inducing harm or death to individuals had any effect on the listener’s experience.  Examined were possible differences in emotional stimuli between death metal fans and non fans, genders, and participants who either were or weren’t given a lyric sheet.  The publication indicates findings similar to earlier studies that measured emotional reaction of music and personality bias as stated:

These findings are consistent with evidence that personality mediates preferences for music (Rentfrow & Gosling, 2003; Vuoskoski & Eerola, 2011a, 2011b) and that, conversely, music preferences communicate information about one’s personality (Rentfrow & Gosling, 2006). Rentfrow and Gosling (2003) examined the structure of music preferences, as well as the association between personality and music preferences. They used exploratory and confirmatory factor analysis to reveal that music preferences revolved around four major types of music: Reflective and complex (classical, jazz, blues); intense and rebellious (alternative, rock, heavy metal), upbeat and conventional (country, pop, religious), and energetic and rhythmic (hip-hop, rap, soul, funk, electronic, dance). Preferences were also dependent on personality variables. For example, people who preferred intense and rebellious music – including heavy metal – tended to be open to new experiences, considered themselves to be intelligent and athletic, and showed no signs of neuroticism or disagreeableness.

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/dmg/ DEATH METAL GENERAL: LIBERAL CANCER EDITION

In just one week, the nauseating disease that is liberalsim has managed to shutdown the tour of a black metal/shock rocker and breakup a black metal/crust band.  While this is to be applauded in this instance as crusty black metal is paradoxal and live black metal is outright cringeworthy, it is atrocious that there are so many happenings of metal being bent over and embarrassed by an ideology as frail and useless as liberalism.  But contrary to the voices of life dropouts, the solution won’t be found in neckbeard occultism, Paganism, or other extensions of fatalism.  This disease may only be obliterated by THE TEMPLAR and their mercilessness opposition!  This means unapologitic masculinity, the re-institution of theocratic imperial order, the abolishment of atheism and materialsim, the cruel shaming of sodomites, and the complete annihilation of individualism and its atrocities.  The only true freedom is in complete submission to the LORD, who unleashed these plagues on a Western world that turned away from his divine order in 1789, closed their ears to his commands in the 60s, and completely fled his divine law in the last decade.  If you don’t soon take up the cross you’ll see your precious metal scene completely overrun by masculine women, post-emo beta-males, and neo-commies who will erase your metal heroes and replace them with emasculated champions of diversity!  DEUS VULT OR DIE
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Decimation: Atonality in Death Metal

Never has there been a word in metal as misunderstood as atonal, allowing all kinds of ridiculous claims since most individuals confuse atonality with dissonance and chromatism.

There are two ways to define atonality, one being the complete lack of tonal character and being reduced to noise like some of Kerry King’s solos or the works of Merzbow. The other definition that interests us here is the complete lack of functional harmony. In simpler terms that implies not having the root note that commands a certain melody. Without a root note, the notes in an atonal melody are not connected by scales, modes or chords.

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