Deathspell Omega return with another uninspired and uninspiring record entitled The Synarchy of Molten Bones. Their last record, Paracletus, was built on a foundation of Voivod-lite chords executed with the alt metal sensibilities of The Dillinger Escape Plan. In an effort to build ambience, additional guitar tracks would attempt to produce a microtonal effect without actual production of microtones; just more dissonance. These techniques were then deployed over pop-leaning melodies which become pronounced should one decide to hum the otherwise atonal morass.94 Comments
The secret to excellent marketing is found in the word “different.” A successful salesperson puts a surface on an ordinary product so it appears new, luxurious or otherwise distinctive. In music, the best method is to put a new surface on whatever is trendy at the time. Thus cloaked, it allows its listeners to appreciate the same stuff everyone else is listening to, but with its different appearance, they can claim they are different and unique special snowflakes.
Deathspell Omega took the idea of the metalcore dominant at its time — mix up dissonant and technical or jazzy riffing with metal riffs in carnival-style rotational song order based on internal interruption — and put a black metal face on it. For black metal, it relied on what Ulver and Satyricon did, which was to create long melodies that start impressively but go nowhere and require the song structure to intervene “dramatically” and interrupt before people realize that the melody is like the rambling of a drunken person. On top of this, they put choppy technical-style riffing and dissonant chords, but keep the focus on the vocals to distract from the carnival music nature of this randomness, tying it together with rhythm and the strong vocal as post-black bands like Behemoth did.
If the vocals were removed, good portions of this album would appear to have come from recent Cynic albums. Often a jazzy break goes right into hard rock riffing that comes from the pop canon, but as if the band becomes self-conscious, a more violent riff intervenes. The real problem here — as in all rock-derived music — is that unlike metal, this is vocal-driven not riff-driven. The riffs tag along for the ride as the voice tells you things it thinks you want to hear. As such, Paracletus is not only a pretender to the black metal throne, but worse, is musically incoherent which results in mental confusion and boredom.7 Comments
Abigor are back with their 9th album, which is sadly a continuation of the ideas on Leytmotif Luzifer. Hailing from Vienna in Austria, Abigor definitely have the style and look associated with their hometown but even in arguably their last bad work : Nacthymnen ( From the Twilight Kingdom) they have always lacked substance in comparison to the greats in the European black metal style. Leytmotif Luzifer was Deathspell Omega worship with the remnants of what could be qualified as generic second wave black metal. Here they continue in that substanceless yet somewhat more refined method of songcraft….7 Comments
Tags: abhoth, acid, adult contemporary, aima, anvil strykez, AOR, aosoth, Atreides, black 'n roll, burial ritual, carnal decay, cryptic brood, czar, deathcore, desolate shrine, drought, female vocals, hard rock, heavy baby sea slugs, illimitable dolor, insanity cult, metalcore, mindful of pripyat, mortifica, nyogthaeblisz, poseurs, post-hardcore, rites of thy degringolade, sadistic metal reviews, screamo, solitary, stadium rock, stench of profit, stoner rock, Summoning, Supremative, synth pop, synthpop, synthwave, the charm the fury, the ossuary, War Metal
Article by Lance Viggiano. Read his take on Transilvanian Hunger here.
I was essentially swindled into purchasing the gorgeous gatefold edition of this Averse Sefira LP which showcases some rather magnificent and captivating artwork as well as an above average execution of the band’s themes, concepts, and symbolism in visual form.31 Comments
Tags: 2008, Advent Parallax, article, averse sefira, Black Metal, boring, counter-review, death metal, jeff tandy, lame metal, lyrics, modern metal, re-review, review, techdeaf, tek-deth, texas, vapid, wanking
Tags: acrimonious, ande, anomalie, apostate viaticum, beneath a godless sky, black 'n roll, black alley lobotomy, boring, candle, consumation, crimson sun, Death Fortress, death metal, deathcore, deathless legacy, digir gidim, divine element, draugurinn, ekpyrosis, elevator music, eshtadur, falls of rauros, faytree, fen, fubar, gothic, harvest gulgatltha, in thousand lakes, jarnbord, kjeld, mean messiah, metalcore, nifelheim, norunda, NORÐ, resonance cascade, sadistic metal reviews, sielunvihollinen, skogen, spectral, tervahäät, the committee, the nightstalker, the ritual aura, thormesis, thybreath, unaussprechlichen kulten, weltesser, witchapter
The Lurking Fear, the new band with Tomas Lindberg and Adrian Erlandsson from At the Gates, previewed a new track from their upcoming Out of the Voiceless Grave debut album which comes out August 11th on Century Media.12 Comments
These bands attempt to masquerade their GarageBand music fit only for arcades, pizza parlors, and high school dances as underground metal. They fail.22 Comments
Tags: agonia, anasarca, aversions crown, chalice of suffering, diablerie, dischordia, duch czerni, durr metal, herem, hostage of fate, lux ferre, moontower, murkocet, pessimist, sadistic metal reviews, scalpture, snogg, spitefuel, sturmtiger, tenebrae in perpetuum, violblast, vultur, witchery, wolfshowl
The Death Metal Underground staff subjects themselves to countless nights of toilet diving in order to bring you gems crapped out by the dessicated undead corpse of the music industry. These are what we left in the latrine.15 Comments
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The following is a short list of black metal releases (with a commentary on each) that would general fall off the edge of the usual stylistic lines that Death Metal Underground follows when looking at genre releases. These are all exceptional and form part of what could, in hindsight, be described as the lone wolves of an established and matured black metal genre — generally unnoticed or passed by without receiving substantial attention among the waves of excess of the 21st century; treasures hidden in plain sight for those with a developed sense beyond mere form.49 Comments