Vice Magazine’s Embarrassing French Black Metal Film

As part of their quest to ruin everything interesting and appealing about both metal and life, the gullible cronies of media pyramid scheme Vice Magazine have journeyed to the grim countrysides of the French black metal underground to film what is undoubtedly the most boring film in the history of music. While Vice markets this abomination as a “documentary” calling it such is actually a misleading statement as the film is little more than a collection of autistic ramblings without a single question or narrative statement. In any case, the eyesore is a bastardization of the region’s legacy as any shred of decency still possessed by the founding members of Mutiilation and Drakkar Productions have been urinated directly into the toilet as they hammed it up for the same forces that they claim to be rebelling against. Fortunately, the film’s lack of credible sources and unbelievably poor post-production prevents it from succeeding in the demystification of what was once one of the more intriguing regional black metal scenes.

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Sadistic Metal Reviews: Catch of the Day

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Sadistic Metal Reviews 10-20-2016

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Death Metal Underground receives a constant stream of inferior promotional materials like a child is given unwanted Apples, granola bars, and candy corn on Halloween. We toss them in the trash too.

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Sadistic Metal Reviews 05-26-2015

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Flooding publishing news, the waves of garbage promos present an ecological problem that can only be dealt with extreme measures. A swift bombardment of napalm would suit all these studios producing garbage albums every day. Even those with high quality production are only hiding behind it. Having a crispy sound, good double bass rendering and perfect sound engineering does not make the music better when it is the equivalent of rat feces, it only makes the odor stronger and more difficult to bear.

 

Blunt Knife Idol – (2015)
Grindcore is the most misunderstood underground genre after black metal. The simpler something appears on the surface. Blunt Knife Idol things that if they play a groovy or a brutal riff with blast beats or racing double bass drums a grindcore song is automatically produced. Music for empty-headed “headbangers” who want to show their friends how “brutal” and “extreme” they are. Fucking rad, man.

 


Impurity – Into the Ritual Chamber (2015)
Hard rock with croaking vocals. Not particularly good hard rock at that. Just flat-sounding and never actually doing anything besides existing. Not as distinctive as Sarcófago, but just as bad and far blander. Sometimes, Impurity tries to give songs a twist by inserting a completely random and unrelated blasting section only to finish it with a stadium rock move… or a flute. Other songs start off with the minimalist “black metal” style and then transition into hard rock riffs. Structure-wise it is pretty unpredictable, but it’s only because there is no particular plan behind this. It does not feel like it even makes any sense, parts are just pasted to continue. Stay away from this old turd.

 


Khors – Night Falls Onto the Fronts of Ours (2015)
Starting out as a light, slavic-styled black rock band, Khors now play depressive alternative rock with double bass drums and black metal vocals in a manner similar to that of Swedish band Katatonia. The difference is that in Cold Khors lacked the content that Katatonia present time-efficiently in their pop-structured songs. Khors pretends to deliver little content inside long-drawn structures in the black metal manner. This makes for ambient rock that is only “atmospheric” but little else. Now they went all the way and became one more alternative-rock-with-harsh-vocals band like the previously mentioned Swedish band or like the Finnish Amorphis. Despite this, Night Falls onto the Fronts of Ours seems to reach its goal within its mainstream constraints. It does not fail, it is just rubbish mainstream music.

 


My Silent Wake – Damnatio Memoriae (2015)
Funny, confused, tough-guy music for fans of Sludge and the Pink Frothy AIDS approach to songwriting in “diverse” styles stitched together in self-indulgent manner. Each song here is meaningless but has a strong “attitude”. This satisfies most of the Homer Simpsons among metalheads, which is why this will have enough impact. This stretches from the idiotic to the simple music that pretends to be more refined or sensitive. My Silent Wake are a sure commercial bet for labels and a sure formula for artistic failure.

 


Possession – 1585-1646 (2015)
When you try to make black metal with a punk mentality, you will end up with a very long and repetitive punk song. This is NOT what primitive black metal is, folks. Like most music of its kind, and like most extreme music, this is 80% posturing, 15% music and 5% of something to say. The only reason this sort of band is given any chance is that with the commercial long tail effect the internet provides, niche tastes can be offered a product. Statistically, some clueless idiot is bound to like this heap of messy punk riffs put together by a talentless band.

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Sadistic Metal Reviews 05-24-2015

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Purging the releases by posers, the hipsters and the lowlifes from metal is the only way to rise from the decadent state of affairs and into glory. This is why Sadistic Metal Reviews exist in the first place. Slaughter them!

Blastomycosis – Covered in Flies and Afterbirth (2015)
Ignoring the stupid band, album and song names which already betray not only the intention but easily distracted mind with a penchant for gore themes that make little sense, the music they represent is as aimless as it is self-indulging in the most base of manners. Consisting in a quasi death metal which underneath is more akin to deathcore, Blastomycosis builds excuses for songs on changing basic rhythms that have become a staple of that sorry sub-genre. Filing rhythmically catchy and extremely simple riffs long enough to fill up space to say all the ridiculously disgusting things these subhumans want to say, I am reluctant to even call this music. Even if we could take this as grindcore, it would fail, as it lacks the forward momentum and drive of that style.

 


Druzhina – Third Henosis (2015)
While not outright offensive to the sensible music listener, Druzhina make the kind of music that is too moment-based. The band knows this type of Slavic power – pagan – black metal has to allow the listener to fall into each moment, letting each melody become part of the familiar landscape. However, like most second-rate bands, it lacks the long-distance vision of musical construction that knows where it is going. Instead of going somewhere, developing in any significant way, Third Henosis sort of just floats where it first appears. A still image of Slavic sorrow.

 


Insane Mind – Strip Club Cannibal (2015)
As the name implies, yet again, this music is pure ironic brutal posturing. I believe that the IQ necessary to like this is limited to around 90. If you even slightly above this, the stupidity of this “music” will be too unbearable for you to stand more than one of these songs. Like the Blastomycosis above, there is little to say about their lacking songwriting. A useful note here would be to point out that much more elaborate bands like Ara basically use the same nonsensical template, except that the upper levels of the music are refined and details are many times more polished than this embarrassment of an album.

 


Leere – Bleak (2015)
Beware of self-pitying, crying black metal. It isn’t black metal at heart, which is why the musical style displayed is more of an imitation than a proficient elaboration. Black metal builds on repetition, not only changes to maintain an atmosphere. Some excellent black metal writes about desperation and madness, but it never falls into the emo-sobbing we hear here. Incredibly boring music for depressive people.

 


Nikharsag – The Blood of Celestial Kings (2015)
D-beats, descending-bass progressions, catchy and melancholic melodies over power chords, this is the late At the Gates – inspired death metal. As a result of the voice, some cliché use of chords and rhythms, someone may want to say this is black metal, but it really isn’t. They even try really hard to make this obvious by inserting unimpressive but recognizably black metal sections in the middle of the song. The songs end as uneventfully as they begin, having gone nowhere. While retaining some decency, The Blood of Celestial Kings is ultimately a forgettable affair no metal fan would want to listen to a second time.

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Demoncy – Empire of the Fallen Angel (Eternal Black Dominion)

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Demoncy originally recorded Empire of the Fallen Angel in 2003 and a dozen years later has re-recorded and re-issued these compositions as Empire of the Fallen Angel (Eternal Black Dominion). Having thought for years that the original release deserved a second look, it was great to see it ride again.

Recorded solely by Demoncy creator Ixithra without the benefit of a band as happened on the original, this new edition includes four new compositions which will be of a style familiar to listeners of Enthroned is the Night: more melodic than the classic Joined in Darkness, but still furious in intensity. The re-created older tracks feature better vocals and better production, giving the guitars greater power and fitting songs together more tightly. Empire of the Fallen Angel came out when “depressive black metal” was first a trend, and represents a response to that in the form of black metal that is often doomy: slow, morbid, and atmospheric. While the traditional powerhouse Demoncy riffing that sounds like all the savagery of Incantation and Profanatica undergirded with melody is present, much of this release also resembles the mood-oriented immersive pieces of bands like Black Funeral or even Ras Algethi. This album was always a more sensible method of expressing that sensation in black metal than the “depressive” variant, which amounted to essentially Burzum ripoffs that never changed riff, and now with more powerful production it reveals its strength. A listener might also note pervasive influences from Gorgoroth throughout this material.

Much of the album also uses faster material of the type seen on Enthroned is the Night: fast angular riffing that preserves melodic affinity between internal phrases, keeping a sense of mystery and ongoing discovery vital in the music. The new vocals have all of the whispering abrasive sound that made Joined in Darkness sound like a communication from dark gods hidden underneath the earth, but with the intensified production both float above and complement the guitars. While this album is not as intensely violent and confrontational as Joined in Darkness, nor as death metal influenced and energetic as Enthroned is the Night, it captures both the esoteric fury of American black metal like Black Funeral and the melodic intensity of European acts, all within its own voice. This classic not only rides again, but does so with a new life of its own.

Tracklist:
1. Invocation To Satan
2. Risen From The Ancient Ruins
3. Scion Of The Dark
4. Eternal Black Dominion
5. Sepulchral Whispers
6. My Kingdom Enshrouded In Necromantical Fog
7. The Enchanted Woods Of Forgotten Lore
8. The Obsidian Age Of Ice
9. Night Song (Apocalyptic Dawn)
10. Empire Of The Fallen Angel
11. Shadows Of The Moon (The Winter Solstice)
12. Warmarch Of The Black Hordes
13. The Ode To Eternal Darkness

Empire of the Fallen Angel (Eternal Black Dominion) will see release on June 29, 2015 via Forever Plagued Records.

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