Blackwolfgoat – Drone Maintenance


Since the dawn of metal the music industry has sought to stretch the definition of “heavy metal” to include anything with heavy guitars because that would enable them a new sales channel for the usual pap. The arguably metal-influenced seemed to excite labels for that reason.

I freely admit to liking this release but not recommending it. This takes some unpacking to make sense, so let me first remind us all of the role of a record reviewer: we need to help you buy the 1% among all the new stuff that is worth listening to multiple times. That elite group consists of records that are not only aesthetically interesting, but musically interesting, and have some form of artistic content, because nothing other than those three will hold the attention of a metalhead for very long. What I do not want to do is hype a record that has an excess of one of the three without the others catching up, like a punk record with really deep political reviews, or a post-metal disc with great production, or even a jam band that remakes jazz but communicates nothing. A record that you will listen to time and again requires all three in roughly matching proportions, and if it lacks those, you will find you bought something in the way pop music listeners do, so that it fascinates you for a week and then languishes in the closet to get dumped at the used record store (where you will find many others of the same record, and get fifty cents for it as a result).

Blackwolfgoat is basically an atmospheric jam. There are spoken interludes on drone-related topics that really offer nothing and are replaying a hackneyed technique; if you delete those tracks (1, 5 and 9) you are left with a record of distorted guitar which uses technique and recursive melody well but aims for ambiance, i.e. not really coming to a point. This is where it fails: this is a jam, not an artistic communication, so while there’s a lot to like here, there is not much to listen to repeatedly here. The intention to create specific moods and expand their depth rather than extend them linearly, which is the core attribute of ambient music, does not rear its head often. Thus while this is enjoyable, it is best passed buy until the time when it hits the used rack for fifty cents, at which time it will make an interesting study in technique and texture for the budding guitarist.


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Malicia – Silencioso Dolor Que Aniquila (2013)

Sandwiched between keyboard compositions which attempt to sound random while hiding a simple progression in notes that initially seem like tangential harmony, Silencioso Dolor Que Aniquila consists of moderately successful compositions using the language of Hellhammer but a sensibility more like a late speed metal band.



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The Sad Pandemic of West Coast “Black Metal”

Today’s American black metal has found itself right within the parameters of Poe’s Law which, when applied to this abomination of a music scene, would sound something like this:



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Nokturnal Mortum – Verity (2017)

With Verity, Nokturnal Mortum continue down the more commercial path they started embarking on The Voice of Steel and their half of last year’s The Spirit Never Dies split with Graveland: commercialized rock-constructed music with Ukrainian folk and power metal aesthetics.  On the inferior half of the The Spirit Never Dies, Nokturnal Mortum abandoned the use of the progressive rock techniques with speed, power, and Gothenburg metal riffs to craft compositions similar to the extended, droning flowing black metal compositions of past greats. Verity continues the slide down into Wacken fare.



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Evil – Evil’s Message (1984)

Article by George Psalmanazar.

Evil were a Danish metal band from the mid 1980s often held up as yet another “lost gem” by record collectors as their sole studio release, the Evil’s Message EP, has never been reissued except for a hard to find, bargain basement compilation with French heavy metal band Sortilège’s self-titled EP in the late 90s. Evil’s Message is far from actually being good though; it is nothing special, bog standard Motorhead and Metallica style speed metal.



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Sadistic Metal Reviews: Inquisition of the Unworthy

Burn them all!



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