Blackwolfgoat – Drone Maintenance


Since the dawn of metal the music industry has sought to stretch the definition of “heavy metal” to include anything with heavy guitars because that would enable them a new sales channel for the usual pap. The arguably metal-influenced seemed to excite labels for that reason.

I freely admit to liking this release but not recommending it. This takes some unpacking to make sense, so let me first remind us all of the role of a record reviewer: we need to help you buy the 1% among all the new stuff that is worth listening to multiple times. That elite group consists of records that are not only aesthetically interesting, but musically interesting, and have some form of artistic content, because nothing other than those three will hold the attention of a metalhead for very long. What I do not want to do is hype a record that has an excess of one of the three without the others catching up, like a punk record with really deep political reviews, or a post-metal disc with great production, or even a jam band that remakes jazz but communicates nothing. A record that you will listen to time and again requires all three in roughly matching proportions, and if it lacks those, you will find you bought something in the way pop music listeners do, so that it fascinates you for a week and then languishes in the closet to get dumped at the used record store (where you will find many others of the same record, and get fifty cents for it as a result).

Blackwolfgoat is basically an atmospheric jam. There are spoken interludes on drone-related topics that really offer nothing and are replaying a hackneyed technique; if you delete those tracks (1, 5 and 9) you are left with a record of distorted guitar which uses technique and recursive melody well but aims for ambiance, i.e. not really coming to a point. This is where it fails: this is a jam, not an artistic communication, so while there’s a lot to like here, there is not much to listen to repeatedly here. The intention to create specific moods and expand their depth rather than extend them linearly, which is the core attribute of ambient music, does not rear its head often. Thus while this is enjoyable, it is best passed buy until the time when it hits the used rack for fifty cents, at which time it will make an interesting study in technique and texture for the budding guitarist.


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Black Funeral – Ankou and the Death Fire (2016)

Counting among the longest running US black metal institutions to date, Black Funeral has given birth to a motley collection of musical works over the last twenty-five years, spanning regional adaptions of Northern European black metal, over dark ambient and archaic/industrial drones, through the Les Legions Noires-styled raw melodic approach of later years.



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Nortt- Endeligt (2017)

After a decade of nothingness and decay, Denmark’s Nortt re-emerges in the form of a third full length on pt. 2 of the Avantgarde Music canon (the rock n’ roll/new wave edition). Rising to prominence in the early days of the suicidal black metal wave but vanishing just as the Thy Lights and Nocturnal Depressions of those days brought the movement to self-parody black and white Myspace-metal, Nortt returns to a world that has mostly forgotten their existence. As fate has seen their fellow Total Holocaust Records peers of that time fall into the pits of post-rock (Hypothermia), drug addiction (Nachtmystium), or straight up oblivion (Blodulv), will Nortt’s funeral doom foundation lead to a more desirable outcome?


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Sadistic Metal Reviews: 12-3-2017



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Thergothon – Stream From the Heavens (1994)

Murky and obscure like the style itself, a definition of doom metal proves elusive. Proponents of doom metal uphold it as a qualitatively discrete sub genre within metal on the grounds shared set of aesthetic, formal and ideological particularities that binds together a seemingly disparate conglomerate of artists and styles.



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Atmospheric Dendrophilia

Recently, I found a Youtube channel called “Atmospheric Black Metal Albums” devoted to what hipster urban lumberjacks have termed “atmospheric black metal”. We must call attention to the horrible Youtube, supposedly “black metal” sub-genre festering right under our noses for it is wholly different from the Eastern European flowing varietal.



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