Nortt- Endeligt (2017)

After a decade of nothingness and decay, Denmark’s Nortt re-emerges in the form of a third full length on pt. 2 of the Avantgarde Music canon (the rock n’ roll/new wave edition). Rising to prominence in the early days of the suicidal black metal wave but vanishing just as the Thy Lights and Nocturnal Depressions of those days brought the movement to self-parody black and white Myspace-metal, Nortt returns to a world that has mostly forgotten their existence. As fate has seen their fellow Total Holocaust Records peers of that time fall into the pits of post-rock (Hypothermia), drug addiction (Nachtmystium), or straight up oblivion (Blodulv), will Nortt’s funeral doom foundation lead to a more desirable outcome?
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Sadistic Metal Reviews: 12-3-2017

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Thergothon – Stream From the Heavens (1994)

Murky and obscure like the style itself, a definition of doom metal proves elusive. Proponents of doom metal uphold it as a qualitatively discrete sub genre within metal on the grounds shared set of aesthetic, formal and ideological particularities that binds together a seemingly disparate conglomerate of artists and styles.

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The Sad Pandemic of West Coast “Black Metal”

Today’s American black metal has found itself right within the parameters of Poe’s Law which, when applied to this abomination of a music scene, would sound something like this:

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Sadistic Metal Reviews: Inquisition of the Unworthy

Burn them all!

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Sadistic Metal Reviews: 3-9-2017

The Death Metal Underground staff subjects themselves to countless nights of toilet diving in order to bring you gems crapped out by the dessicated undead corpse of the music industry. These are what we left in the latrine.

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The Best Underground Metal of 2016

2016 is over. The funderground mentality continued spreading forth, infesting metal over the last year just the same as it had in the decades past the genre’s artistic high-point in the early nineties. Rehashes of past greats pandering to a lowest common denominator audience continue to dominate the release schedules of metal labels all too willing to please the lemmings with music fit to safely ignore during drunken socializing. Ever-flowing streams of posers are desperate to be rock stars, pumping out plagiarism, and paying their way to record deals. File sharing and streaming reducing the cost of hearing new music to essentially nothing has led fans to constantly consume whatever is new regardless of quality. However the purging is at last at hand. The day of doom is here. The filth who have lied and corrupted the underground must be cleansed while the commendable elite few will remain.

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