Russianvids Exposes Metallica

Youtube conspiracy theory vlogger Russianvids exposed Metallica’s connection to the Masonic-Satanic Illuminati. Russianvids noted many displays of goofy homoerotic antics from James Hetfield, Dave Mustaine, and Kirk Hammet. Lars Urlich’s predilection for kissing and tonguing other men is shown. Russianvids explain this is part of the Masonic conspiracy to condition the general populace into accepting homosexuality as normal rather than statistically abnormal behavior.

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#Metalgate: MetalSucks Commenters Expose Kim Kelly

kim-kelly-demonic-christ-shirt

Vince Neilstein and Axl Rosenberg of metalcore and nu-metal web site MetalSucks are counting down who they deluded themselves into believing are “The twenty five most important people in metal”. So far only two of their picks have had anything to do with heavy metal at all: Fenriz, who as true communists they chose for his working class background and refusal to leave his job in the Norwegian postal service rather than his music accomplishments in Darkthrone and Rob Halford of Judas Priest for being gay so MetalSucks can push the liberal social narrative to twelve year olds and urban hipsters with the critical thinking skills of twelve year old girls.

The most controversial choice of the two MetalSucks commissars-in-chief was crustfund false journalist Kim Kelly for being a female scenester and selective social justice warrior Neilstein and Rosenberg personally know. The communists appreciated her exposing “vitriol, hate and misogyny” and “nazi black metal bands” mostly in line with their political and social agendas for the leftist new world order that has hopefully just been vanquished democratically.

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A Metalhead’s Journey to the Light

By Cullen Toner

Many have expressed emotions of extreme shock and awe after discovering the explicitly Christian lyrics and aesthetics of my newest album, Deus Vult. How could I, the former singer/songwriter of New Jersey’s most popular Satanic band, find God and religion after 15 years of playing in bands with misanthropic, anti-Christian themes? What would cause a complete 180 degree change in lifestyle, a complete about-face in world view? And why would I recklessly proclaim such a change in heart to a world of black and death metal that would so surely respond in confusion, mockery, and utter malice?

To even consider the answers requires a great deal of courage and intellect, as most in the world of extreme metal have extensively conditioned themselves to the idea that metal, in all of its rebelliousness, is the antithesis to Christianity. But since the spirit of metal is one that has historically challenged authority and convention in a quest for deeper truth, those who truly understand its foundation will not cower from the mere suggestion of radical thought. And to those to I can assure that a long quest for logic and wisdom has unexpectedly led me at the foot of the upright cross. Not only did this provide happiness and fulfillment for the first time, but the foundation for meaning and purpose that many metalheads are currently in a vast search for.

In an attempt to explain as objectively as I can, this is how I came to embrace Christianity as my faith, and what it meant for my relationship with metal music.

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Interview with Cromlech (CA)

The Canadian band Cromlech strode forth boldly onto the field of battle with the promising album “Ave Mortis” in 2013.  Honing their tactics and weapon-craft, in 2017 they released their excellent EP “Iron Guard.”  Blending doom, death, and classic heavy metal influences the mighty Cromlech is the tip of the spear in the coming resurgence of epic power metal. In a brief lull between battles, the members of Cromlech most nobly took a few minutes to answer some interview questions.

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/dmg/ DEATH METAL GENERAL: RETIREMENT PLAGUE EDITION

Satyricon were always a band to live in the shadow of better bands and thus it is only fitting for their farewell U.S. tour to suffer the same fate.  The band announced their last trip to the United States just hours before Slayer’s shocking announcement that they will soon cease to exist. Understandably, this caused the Satyricon “news” to be buried deep under a pile of apathy. Feels bad, man.

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YouTube Censorship Begins Targeting Musicians

It’s here!  YouTube’s rapidly accelerating censorship committee has finally begun targeting musicians with their Orwellian “hate speech” laws.  Pandering to the advertisers that have quietly bought the operations of Silicon Valley tech companies and the souls of all Silicon Valley employees, YouTube has begun a fascist campaign of censoring any videos that may cause trouble for any company that may accidentally place an ad on it.  So far this has primarily targeted vloggers for (conservative) wrongthink- videos portraying horrifically offensive hatred such as statistics, scientific research, or biological facts.  Yet strangely, the first band in the greater sphere of heavy music that YouTube has gone after is a modern nu-metal/rap rock band who, in all honesty, looks pretty leftist….
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Dusk-Bound

The success of endeavors that carry with them the implication of development or transformation, such as the evolution of an artistic genre (without any relation to the ‘progress’ of dialectical materialism), requires the constant testing of strength, the crossing of one’s boundaries. Contrary to the beliefs of the simple minded, this does not mean that the act of crossing those lines is in itself enough for a fully-formed conclusion to be presented, although there is indeed great value in violation itself. But one could argue that the great weapons of the mind, enacted, come as a result of a full digestion and re-application of invaluable experience and information that comes from the crude testing of strength, directed towards the intuited limits of the yet unexplored.
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Elegiac Black Clouds of War 2018

Elegiac is a one man band from California formed in 2014 by sole composer Zane Young, whom has released a large number of records under the name of Elegiac- far too much for any band yet alone a one man band.  Like many bands of this generation, Elegiac play a basic form of black metal that can be described as the bastard child of Bathory, Satanic Warmaster and generic modern rock.  This is not what one expects from USBM at all despite their promo toting this release as the return of the micro genre’s glory days.
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