Dutch cassette-only label and distro Zwaertgevegt is printing Sammath shirts with designs from Strijd and Godless Arrogance. I believe this is the first time an official Strijd shirt has ever been printed. There will be a maximum of fifty shirts of each design so fans of one of the best modern black metal bands should contact Zwaertgevegt to order quickly if they desire one.
Furious melodic black metal band Sammath, who meld elegant melodies with unrelenting aggression in the style of Immortal Battles in the North, will release its most recent album Godless Arrogance on pro-tape in the USA through Sylvan Screams Analog. Starting next week, copies of this legendary black metal revivalist album will make their way into stores and mailboxes across the New World.
Comments Sammath mastermind Jan Kruitwagen: “Three months after the CD and vinyl release via Hammerheart and a few weeks after the European tape release, Sammath proudly anounces Godless Arrogance on tape in the USA via Sylvan Screams Analog.” For more information about Sammath, visit the Sammath website.
Sammath first battered its way into black metal with the 1999 album Strijd which immediately turned heads for its archly inhuman beauty and crashing violence. This album expanded upon demos from several years before which were slowly refined before release, leading to a fully mature first album, which Sammath followed with three more albums before perfecting the fusion of its progressive, melodic and primal aggressive elements in Godless Arrogance.
Most bands have two or three good albums in them and once they’ve made those, they’re relegated to re-living old influences. Sammath on the other hand has continued improving with Godless Arrogance, the band’s new album on Hammerheart Records.
Luckily for all of you who like quality metal, you don’t need to wait until the official release date. Godless Arrogance is available for pre-order at the low price of €9.90 and will begin shipping on February 5, 2014.
Crossing the melodic structure of black metal with the vicious riff attack of primal death metal, Godless Arrogance expands upon this band’s career with an album that shows technical skill but doesn’t show off, and is focused on delivering raging tunes with an underpinning of melody.
Sammath combines the dark melodic understructure of black metal with the type of charging full-ahead death metal that Fallen Christ or Angelcorpse pioneered (which might descend from Morbid Angel’s “Thy Kingdom Come”). At this speed, the riff-salad approach of more traditional death metal would become a muddle, so the band focuses on a few ripping riffs per song and uses song structure deviations to incorporate entirely different riffs to create dialogue with the main verse-chorus pair and the Slayer-style introduction/transition riffs that accompany it.
Remarkably, Sammath has been consistent in this approach but have not found a voice for it until now. 1999’s Strijd showed an archly elegant melodic sense and underlying violence, but switched between the two much like later Entombed varied between pounding d-beat ambient riffs and architectures derived from John Carpenter soundtracks that showcased a spatial element to the music. During the early 2000s, two transitional albums Verwoesting/Devastation and Dodengang showed the band refining its rhythmic attack. Building on that past, Sammath went for guitar technicality and a more death metal approach to riffs on Triumph in Hatred but ended up losing the tendency to create an expansive spatial feel with complementary but radically different melodies in the death metal style, which uses riff to define context and then alters context for a type of continually evolving surprise ending.
Godless Arrogance features nearly constant high-intensity rhythmic riffing and finally has a production to match which emphasizes internal harmony but projects vocals and guitars to the forefront, creating an enveloping wall of sound. Drumming is violent martial battery without the happy kickbeat tendencies of overly rock-trained drummer; percussion here is more like punk, hard-driving intensity to channel the guitars, which alternate between abrupt chromatic confrontation in the Demoncy style to gentle unfolding melodies much like were found on Strijd. Bass folds into the guitar, and vocals are the high-volume bluster that reduces distorted vocals to a sound like a whisper spoken close to a microphone in high wind. The result is incessant and unrelenting but also has an inner life of melody that gives it depth and allows it to manipulate riff context like a death metal band while evoking ambient atmosphere in the best tradition of black metal.
“Godless Arrogance” will be released February 3, 2014 on Hammerheart Records.
You can hear a sample track in high definition at the Hammerheart Records Sammath Godless Arrogance page for “Fear Upon Them”. This track showcases not only the songwriting of the new album but the production you’ll hear which improves upon past Sammath releases.
Creating music in the style of fast ripping death metal with the underlying melody and moodiness of black metal, Sammath deliver a blast of fury and beauty that resembles the second Immortal album crossed with Fallen Christ. Godless Arrogance may help renovate metal in 2014.
Dutch-German furious black/death metal band Sammath unveil their most promising material to date with a new song “Fear Upon Them” which reveals the many influences of this underground metal band. While some of its works sound like Morbid Angel or Perdition Temple with an underlying melody line, other songs are wholly melodic and go more into black metal ambiance.
“Fear Upon Them,” which is the latest single released from Godless Arrogance, shows Sammath going back to their roots. Specifically, the most furious melodic black metal bands to walk the earth, namely Immortal and Bathory. By slowing down the drum tempo but speeding up the strum tempo, Sammath create an unearthly sound like a dream in fog.
On top of this, the band add riff development and a sense of the unexpected yet not obviously quirky and contrarian, which means that songs slide into their own personalities and transcend their influences. In this case, “Fear Upon Them” wears its influences on its sleeve, more as a tribute than a blueprint for emulation.
The album Godless Arrogance will come out on Hammerheart Records later this year.
What a difference studio recording and mastering can make. Sammath went into the studio with a demo full of their iconic black/death battle metal, but in the studio, something magic happened: it became transformed into a hybrid of early Morbid Angel and early Ancient, being both relentless and hiding melody inside its rigorous riffs.
Godless Arrogance promises to be a relentless war-charge of high speed percussion, fuzzily distorted fast riffing, and demented mocking vocals which sound like a criticism of the mundane world by something beyond it. The band have upgraded their playing to leave fewer spaces in the wall of sound, and have used production to mate their fuzzy guitars and whirlwind drums into a channel of sonic violence.
To be released by Hammerheart Records worldwide, Godless Arrogance shows this Dutch-German band backing off of the technicality of the last album in favor of the relentless riff assault of their most popular middle albums, combined with the sublime sense of melody that made their first album a keeper for so many metalheads.
Ripping high-intensity Dutch-German black/death metal band Sammath plans to release its latest work on Hammerheart Records in October of 2013. The album, entitled Godless Arrogance, will likely continue the Nietzschean-cum-Jack-London themes of this band: war, Darwin, struggle, death, misery and pain.
Best known for their 1990s melodic yet violent black metal release Strijd, Sammath emerged at a time when death metal was drifting into nu-core and black metal was spacing out like an aristocratic heroin addict into the territory of indie, post-rock and save the whales punk music. In contrast, Sammath brought a vision of humanity in constant struggle against its own stupidity and tolerance for the delusional, and expressed it in music that is equal parts knife fight and architectural grandeur.
Godless Arrogance will be Sammath‘s first release on worldwide Dutch metal conspiracy Hammerheart Records, and will continue the legacy of the past four Sammath releases with more streamlined music with a better integrated riff vocabulary and more selective but correspondingly intense use of melody. Expected to result in mass murder and spontaneous immolation of hipsters, Godless Arrogance includes the two tracks below in their final form.
Dutch-German blazing black metal act Sammath, who are preparing to unleash their fifth album, Godless Arrogance, have signed to worldwide metal music label Hammerheart Records for the release of that album.
“I’m getting emails and telephone calls from people all over the world,” said Sammath guitarist/composer Jan Kruitwagen on the change that catapults them from a smaller metal label to worldwide distribution on par with Relapse and Nuclear Blast. The band is leaving its label of sixteen years, Folter Records, on amicable terms. “Joerg from Folter was actualy proud as fuck that we got signed to these guys and only wishes us well. It wasn’t easy telling him after 16 years on his label, but he understands.”
According to Kruitwagen, Hammerheart sought Sammath after hearing the demo tracks from the upcoming album and knowing the band for a long time. “The new tracks will destroy! Guido from Hammerheart knows what’s good,” he said. Believed by many to be the boldest step of the band’s career, Godless Arrogance combines the elegant melodies of Sammath‘s first album, Strijd, with the aggressive ripping death metal approach of their most popular work, Dodengang.
The band doesn’t plan to change a thing about their approach, which is old school technique and composition with an eye toward defiant independence. “We have lots of work left to do. All drums are recorded without triggers and everything is recorded live. Getting this all sounding like we want takes time. We do everything ourselves, no hands but ours will finnish this CD, except Peter Neuber for the master (Necrophobic, Revenge, Severe Torture),” Kruitwagen added.
Godless Arrogance will see release in “a couple of months at least,” but will not change its approach. “We need to make sure it all sounds up to mark, without losing the intense sound it already has,” said Kruitwagen. He added that despite a changing music industry, the band remains committed to its approach. He added, “let the music speak for itself.”
The tracklist for Sammath‘s Godless Arrogance will be:
1. Shot in mass
2. Fear upon them
3. Thrive in arrogance
4. Death (hunt them down)
5. This world must burn (hammer of supremacy)
6. Through filth and the remains of man
7. Nineteen corpses hang in the mist