Riff analysis: Gorguts- “Condemned to Obscurity”

Having recently dissected what comprises the riff structuring of the current incarnation of Gorguts in the Pleiades’ Dust review, I decided to revisit what I deem to be their most truly progressive material in The Erosion of Sanity to pinpoint what the band used to do successfully in comparison.  The most bewildering track on it, “Condemned to Obscurity,” perplexed me when I had first heard it about twenty years ago and still has an esoteric nature to its structure and aesthetic today.  But unlike current Gorguts which borrows from indie and noise rock techniques to create dissonance, Gorguts on this particular song managed to do so utilizing purely metal tropes in a way that was entirely unique for its time.  In the following I will attempt to break down what comprises the very first riff of the song and detail what it meant for the band at the time and how it served as a window into what they eventually evolved into, for better or worse.

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Gorguts – Pleiades’ Dust (2016)

Gorguts is a band that for a majority of its career has resembled an act that is at war with itself artistically.  After a serviceable debut comprised of purely death metal notions and peaking with its most dense and progressive release in The Erosion of Sanity, the band chose to scale back its arrangements while imbuing its approach with a discordance that may have laterally trespassed its prior unsullied metal constructs but at the same time gave Gorguts an identity all their own.  With regards to their contemporaries, you cannot currently say a band “sounds like Gorguts” without indirectly focusing on the sound created on Obscura, and the band’s own knowledge of that most likely has controlled their writing ever since — to the detriment of their overall intents in each record from then on…

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Gorguts – Considered Dead Turns Twenty-five

Gorgut‘s debut Considered Dead turned twenty five this year. Gorguts shockingly were once an excellent death metal band. Considered Dead combined a rhythm riffing style reminiscent of Death but arranged those riffs into almost neoclassical compositions which unfolded over the course of each track, surprising with sudden shifts of utmost aggression into cathartic sonic violence.

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Gorguts preview new Pleiades’ Dust EP

gorguts ep

Article by Daniel Maarat

Gorguts have previewed (https://www.youtube.com/watch?v=RDyn5lkVNlo) their upcoming EP to be released on Season of Mist. “Wandering Times” is the first track of Pleiades’ Dust sole, thirty three minute long composition. Listeners can expect Luc Lemay’s LP length EP to continue in the technical life muzak style of Coloured Sands: Random dissonant verses clashing with jazz fusion interspersed with ambient interludes incongruent as a whole to all but music theory majors. The commissioned cover and lyrical theme of the Islamic Golden Age suggests this release will persist in trying to irrumate headbangers with vaguely oriental spiritualism. Lemay seems to be appealing more to coffee shop guitarists wanting salvation from their poor life choices.

Werner Herzog made a documentary (Wheel of Time) about fifteen years ago on the same sand mandalas as Coloured Sands. Here are his views on yoga to spare you from Lemay’s orientalism:

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Century Media re-issues Gorguts Obscura and From Wisdom to Hate

gorguts_-_obscura_and_from_wisdom_to_hate_reissues

Century Media Records has recently re-issued the death metal classics Obscura and From Wisdom to Hate by Canadian band Gorguts. The 2015 editions of these records were created in close cooperation with guitarist and songwriter Luc Lemay, who describes the history and context of these releases in accompanying liner notes. The re-issues are dedicated to the memory of former members Steeve Hurdle (R.I.P. 2012) and Steve MacDonald (R.I.P. 2002).

GORGUTS Obscura (Re-Issue 2015)

  • Gatefold black 2LP
  • Gatefold mint 2LP – limited to 200 copies (only available via CMDistro.com / Europe only – sold out in the US)
  • Gatefold lilac 2LP – limited to 200 copies (only available via CMDistro.com / US webshop only)
  • Gatefold transparent blue 2LP – limited to 100 copies (exclusive to GORGUTS’ current label Season Of Mist)
  • Standard Jewelcase CD (offered at mid-price)

GORGUTS From Wisdom To Hate (Re-Issue 2015)

  • Black LP+CD
  • Silver LP+CD – limited to 200 copies (only available via CMDistro.com / European & US webshop)
  • Transparent red LP+CD – limited to 200 copies (only available via CMDistro.com / US webshop only)
  • Clear vinyl LP+CD – limited to 100 copies (exclusive to GORGUTS’ current label Season Of Mist)

To order:

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Gorguts re-issues Obscura and From Wisdom to Hate on Century Media

gorguts-reissues_of_obscura_and_from_wisdom_to_hate

Death metal band turned prog-core act Gorguts has re-issued the latter two albums from its classic period, Gorguts and From Wisdom to Hate, on industry powerhouse Century Media Records. The re-issues — on jewelcase CD, 2LP and limited edition 2LP — will be available in pre-order starting March 9, 2015.

Says guitarist/composer Luc Lemay: “I’m proud to announce that our 1998 record Obscura and 2001’s From Wisdom To Hate will finally be re-released! …For this re-issue, I decided to include liner notes that tell the story behind each record. How we got together as musicians, what was the composition process that made this sound possible and that made us grow as artists…I decided to change the logo because, with a step back, I realized that I never really like the original one on Obscura and I wanted to give the record a fresh look. I kept the same logo for From Wisdom To Hate, because it was created for this record…Thanks again to all our fans for their unconditional support through all those years.”

The re-issues see official release on April 6, 2015 in Europe and April 7, 2015 in North America. Both are dedicated to the memory of former members Steeve Hurdle (R.I.P. 2012) and Steve MacDonald (R.I.P. 2002). While Gorguts has deviated into progressive-themed *core territory with their latest, Colored Sands, this band helped forge the sound of technical death metal back when that term simply referred to death metal which required technical ability to play. While Obscura has often been imitated in style, those who have tried to imitate it have generally done so on the basis of style alone and missed the sublime composition within which made this album a classic independent of style.

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Gorguts – Colored Sands

gorguts-colored_sandsTwo of the worst fates in the world: to not know why people like what you do, and to get thrown into the big bin marked “not bad” that contains 99% of human endeavors which are quickly forgotten.

Colored Sands, which sees release today, attempts to recapture the magic of Obscura and From Wisdom to Hate. On the surface, one would see these as a collection of techniques: off-time riffs, odd chord voicings, “deep” lyrics and an affinity for classical music.

Unfortunately, that’s all Gorguts took from their back catalog.

As said above, this reviews damns this CD with the faint praise of “not bad.” It’s much better than the rest of the tek-deth genre, but that’s sort of like saying that chainsaw dismemberment is better than Evola. The real problem with Colored Sands is that it’s transparent.

You can imagine a group of guys sitting in a room thinking, “How do we make a death metal album edgy?” For starters, they throw in the list of techniques I mentioned. But then they use very similar rhythms, song structures, riff types and even sequence of chord voicings.

We could call this “the Opeth effect”: for an instant audience, make music that sounds difficult but in fact is moron-simple and predictable, because it allows people to pose at being elite. It’s in full effect here, as bad as on the second Cynic album. It’s progressive music for pop fans.

Most of us had higher expectations because Gorguts traditionally held themselves to a higher standard. But what’s here is 50% traditional death metal and 50% tech-deth dressed up as prog, and it’s boring. The best part is the brief classical piece in the style of the Russians, which is both populist and not all that exciting in the convention of that style.

http://www.youtube.com/watch?v=igkV8F4-fc0

http://www.youtube.com/watch?v=ALRfZPBj4iY

http://www.youtube.com/watch?v=uZlzOOllYdA

http://www.youtube.com/watch?v=pl_LfGnckLs

http://www.youtube.com/watch?v=fWe8gkBRiJM

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Gorguts – Colored Sands preview

gorguts-colored_sandsThe re-formed Gorguts today released the first substantial sample we have from their new album, Colored Sands, which will be available on September 3 in the United States and August 30 in the rest of the world via Season of Mist. The default medium will be the CD digipak but Colored Sands will also be available on vinyl LP, including black vinyl, yellow in red vinyl (limited to 150 copies), and clear vinyl (limited to 350 copies).

The big question for Hessians is whether Colored Sands will sound like nu-core, either frenetic Gothenburg-styling finger wiggling or breakdown-heavy antsy post-hardcore noise like the tek-deth noodlers. The answer is surprisingly that this band is in a three-way tie between slowed-down droning alternative metal like Gojira, technical death metal of the old school, and the new school of jazz-influenced indie-style progressive metal. Unfortunately, it’s not very exciting because as you can imagine, the focus is on form, and not content.

For example, “Forgotten Arrows” tries to hard to be about something but the music doesn’t match. It’s cut from multiple skeins of metal and alternative/indie rock cloth, but the song never gets a voice of its own. All of it is well-executed, and it avoided the irritating aspects of nu-core, which is commendable. However, it never really gains a spirit, like older Gorguts did.

That being said, this is only one track, and it’s a lot better than expected for the title (which may reflect a Vedic influence) and the addition of people like Colin Marston, who while he was a friendly and articulate fellow when I met him, is forever damned in metal for releasing the droning black metal imitation flavoring turd Krallice. The new guitarist and drummer seem to keep up admirably with grand old metal man Luc Lemay and his adroit fingers.

Track Listing:

  1. Le toit du monde
  2. An Ocean of Wisdom
  3. Forgotten Arrows
  4. Colored Sands
  5. The Battle of Chamdo
  6. Enemies of Compassion
  7. Ember’s Voice
  8. Absconders
  9. Reduced to Silence

Gorguts 2013 U.S. Tour Dates:

  • 09/05 – Springfield, Va. @ Empire
  • 09/06 – Raleigh, N.C. @ Hopscotch Festival
  • 09/07 – Wilimington, Dela. @ Mojo 13
  • 09/08 – Worcester, Mass. @ Palladium

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