Lars Ulrich Reveals Influences in List of His Favorite Metal & Rock Albums

Lars Ulrich revealed his fifteen favorite heavy metal and hard rock albums to Rolling Stone magazine as part of Rolling Stone’s list of their 100 favorite metal albums.

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Burzum’s Top Ten Metal Influences

Varg Vikernes posted a video a few weeks ago to his ThuleanPerspective Youtube channel listing the ten metal albums most influential to Burzum. We forced a lowly, supple-assed Death Metal Underground junior staffer/catamite to type them up into a play list for our readers:

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Sammath Releases “Godless” Live Track

Furious Dutch black metal band Sammath have issued forth a live recording of “Godless” featuring founder/guitarist Jan Kruitwagen on vocals. The band takes a high-intensity old school approach to this track, emphasizing the multitude of death metal and black metal influences on this band, but with technical aptitude making the song flow together in the style of later black metal.

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Defeated Sanity – Disposal of the Dead Dharmata

This band from Germany has been around in one form or another since the 90s.  Besides having a reputation as an under-rated act, they actively tour and record.  They are considered technical/brutal death metal.  I would probably count them as old school death metal.  Several releases are available, and it feels somewhat unfair to look at just one release and judge, but lets try.
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SHAARIMOTH Temple of the Adversarial Fire

Well crafted and nicely produced, Temple of the Adversarial Fire by Shaarimoth , appears to be a nice mixture of 90s black metal fun.  This is more in the epic vein, rather than underground sounding.  Lets face it: the first two songs are great.  There is a nice mixture of riffs and beats, with short phrasing.  It is a bit heavy on vocals. They can get tiring at points.  Bands I hear as influences here include Emperor, Morbid Angel, early My Dying Bride, and Bal Saggoth. Making my way through the album, song 3 leads with annoying vocals (minus 1 star), over a slower heavier riff.  In song 4, am waiting for the album to get its mojo back. It does, with a European blast beat that has a sick lower grinded guitar counterpart. A fun, evil Samael style rock riff emerges from that. Some of the vocals still are iffy, but the guitar playing is growing on me. Why is the album so choppy though?

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Watain – Trident Wolf Eclipse (2018)

Grammy-award wining artist Watain has shamelessly assumed the mantle of “most embarrassing band masquerading as black metal” previously shared by Dimmu Borgir and Cradle of Filth. Where the downfall of those two bands was an overdose of gothic and groove influences, Watain has managed to outdo both in both parody and bastardization of black metal with their previous album’s venture into country musical territory.  With a career built on celebrity guest spots from more capable underground metal musicians, necrophiliac 1st era Bathory Worship mixed with a second rate attempt to mimic Dissection’s concluding album, and a ridiculously cartoonist theatrical performance worthy of a Broadway musical, Watain’s legacy has been secured to forever be “the band that bent over farthest to inherit the phallus of commercialization the deepest” and has effectively decimated any hope of legitimacy the sub genre might have had in the post-90s.  With a brash new attestation in the form of Trident Wolf Apocalypse the truth could not possibly be more clear to any listener with knowledge of black and death metal: Watain are the biggest joke in all of black metal history.

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Dusk-Bound

The success of endeavors that carry with them the implication of development or transformation, such as the evolution of an artistic genre (without any relation to the ‘progress’ of dialectical materialism), requires the constant testing of strength, the crossing of one’s boundaries. Contrary to the beliefs of the simple minded, this does not mean that the act of crossing those lines is in itself enough for a fully-formed conclusion to be presented, although there is indeed great value in violation itself. But one could argue that the great weapons of the mind, enacted, come as a result of a full digestion and re-application of invaluable experience and information that comes from the crude testing of strength, directed towards the intuited limits of the yet unexplored.
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Demonomancy- Poisoned Atonement


Review by Nicholas Vahdias

An Italian 3 piece from the legendary city of Rome, Demonomancy released their first demo in 2010 and have since released an album and another demo.  Poisoned Atonement marks their decade as a band although few are aware of their existence. They claim to champion the freedom of a sick soul held back by the shackles of the human body but ultimately deliver medicore war metal with cringeworthty aesthetics.

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Blood – Inferno (2017)

Continuing the path of a storied band, Inferno mixes re-recorded versions of older tracks with new material in what seems to be a band redefining itself. Blood started as a grindcore band with more of a death metal attitude, then adopted an outlook closer to black metal for its opus O Agios Pethane, but since then has struggled by being caught in the middle of three genres.

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