Zealotry – The Last Witness (2016)

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Article by David Rosales.

On their tantalizing debut album, Zealotry showed charm that often characterizes first releases. Debuting bands earnestly try to capture the aura of the music as they juggle with the technical aspects of playing it. First albums often come off as awkward or even flawed but there still containing endearing and thoroughly captivating elements. Many groups lose this enchantment in their sophomore album only to recover it with the third. This happened to Sepultura, who reached the pinnacle of their transcendental contributions on their only death metal album, Morbid Visions. They followed it with a boring mass of riffs with no heads or tails. Their much superior 1989 speed metal album, Beneath the Remainsfortunately corrected this.  Hopefully, this will be the case with Zealotry as well.

The Last Witness plays like an extension of The Charnel Expanse‘s final track, “The Unmaking”, the least structured song on the album. The band tangentially explored the technical ramifications found by playing their particular style. From the creators’ perspective, this seemed like a clear path. In taking this choice to focus on a narrower voice, the evocative deficiencies of that streamlined, tremolo-picked, sequence-of-riffs approach had to be compensated for. This was completely ignored and instead there is a heavier emphasis on playing the technical parts of the songs correctly.

Musically, there is a lot of worthwhile content here; It just doesn’t tell a story as much as give scattered visions that are not arranged properly, do not have clear beginnings, and even less conclusions. The painstaking composition in a self-conscious style with a corrective attitude is extremely promising. This is admittedly the hard route as it requires extreme discipline; it is the classical composer’s way for reaching to perfection on all fronts. However, composers need many, many errors before turning trial into triumph.

As it stands, The Last Witness is a collection of exquisite details into which a very attentive reader can dive. He will discover many forms but nothing solid enough to materialize a clear vision. In part, this is due to the tendency towards extreme variation and superficial indulgence of musicianship, and too much escapism in the codas. Follow the title track attentively to hear what I am referring to. The problems here mirror those of Monsieur Tougas on his side project except that Zealotry has a much more individualized voice.

Zealotry would also do well to stay away from the death and war metal influences with atmospheric pretensions seen in the empty music of Phobocosm. Instead, they should work on their motific death metal,  develop the themes to establish long-range links, and fully utilize their proper sense of breathing space. Zealotry should play to their strengths instead of diverging horribly and incoherently as in the final track, “Silence”. I am sure with practice and discipline, the time will come when this band will dominate a wider range of expressions. For now, shaping up this very narrow music into that which breathes, lives, and envisions a story is still a goal.

Readers may listen to The Last Witness on Zealotry’s Bandcamp page.

Essentials: Killing Joke

Before the hybridization of different genres such as metal and industrial became something of a holy grail for underground musicians, an intermediate genre known as post-punk turned toward an eclectic and more contemplative mode of expression.

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Real Sex with SJWs Contest Winners

Death Metal Underground finally has crowned a winner of our Real Sex with Social Justice Warriors Short Story Contest. GGALLIN1776’s morbid visions of bloody leftist degeneracy have been pounded into our staffs’ brains like a pistol butt cracking open a teenage thug’s skull:

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Upcoming Unaussprechlichen Kulten Album

Unaussprechlichen Kulten have a new record, Keziah Lilith Medea (Chapter X), coming out on Iron Bonehead Productions June 2nd. Baphomet Pan Shub-Niggurath was good so this is one of the few death metal releases this year that Death Metal Underground is looking forward to. Hopefully our staff won’t stick the CD in the toaster upon hearing the new Sammath record.

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Autechre – elseq 1–5 (2016)


Article by Lance Viggiano.

Autechre‘s elseq 1-5 is a four hour anthology consisting of five individual EPs, each compiled together loosely upon conceptual coherence between the constituent tracks. elseq 1-5 is an exercise in release format rather than just content; the artists behind Autechre seek to utilize the immediacy of the digital age, releasing tracks “as they go” without traditional limitations imposed by the “album.” Granted of course this collection appeared as a hulking and impenetrable dump rather than a sequence. This point bears worth remembering as this overview proceeds as the temptation to view elseq 1-5 as a complete work, or works, is ingrained in popular habits.

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Visiting The Tobacco Barn (Brenham, Texas)

When one traipses through the country outside of the lock-step conformist big cities, it behooves the pipe smoker to look for those varieties of tobacco favored in the less “civilized” areas of the world. This might bring one to Brenham, Texas, where the Brookshire Brothers grocery store offers up a unique and wonderful American tradition: the drive-thru Tobacco Barn.

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Google Censors Almost A Billion Search Results

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Google has censored over 900 million search results due to receiving DMCA takedown notices from rights holders’ legal representatives. The media conglomerates are fighting a losing battle against the widespread sharing of mostly mediocre content that nobody is willing to pay for more immediate or legal access to for good reasons. The quality of movies, music, and games has tanked over the past decades to placate the ape brains of a lowest common denominator third world audience.

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Macabre Omen – Gods of War – At War (2015)

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During black metal’s most creatively fertile period in the early 1990s, a handful of Greek musicians forged an alternative musical path noticeably different from that of their Nordic peers. Their efforts would subsequently crystallize into the Hellenic black metal sound or style.

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#MetalGate: The MetalSucks Manifesto

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Nu-metal and metalcore website MetalSucks posted the “The MetalSucks Manifesto” today, reaffirming their stance as communist social justice warriors. Donald Trump’s triumph in the 2016 United States presidential election apparently did not dishearten their leftist delusions. A neighbor to the MetalSucks headquarters in Axl Rosenberg’s Brooklyn tenement apartment has revealed exclusive insider information to Death Metal Underground about the activities of the MetalSucks politburo of Axl Rosenberg, Vince Neilstein, and Emperor Rhombus during the week following Trump’s victory.

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