“The Marching Morons,” by Cyril W. Kornbluth


One of our readers pointed out the similiarity between the movie Idiocracy and a short story by Cyril W. Kornbluth named “The Marching Morons” which appeared in Galaxy Science Fiction in April, 1951.

Like Idiocracy, the story involves a man who is put into stasis for centuries and wakes up in a new world where humanity has bred itself into oblivion. The Margaret Sanger style eugenics implications are even clearer in this story than in Idiocracy, told with both wit and compassion. Unlike the movie, this story addresses the question of how technology could persist, and comes up with the Nietzschean idea of an upper caste of intelligent people who have ended up enslaved to the masses of fools.

The story falls into the style which is convenient to call “honest” when we in fact mean realistic, with some aggression behind it in the telling of an important story that is mostly forgotten because of its political inconvenience. For Kornbluth, who was Jewish, to explore anything tinged with eugenics in the years after WWII was not only personally brave but ran the risk of great condemnation. Perhaps he was a victim of political correctness because it seems this story should have wider reach.

“The Marching Morons” is written in the older style of science fiction that readers of Ray Bradbury may be familiar with, which is not so much self-consciously “literary” content embedded in mass market writing but a compact, vivid style in which every detail is important but the big picture is not lost in the details. Kornbluth writes with what we might call passion but is more appropriately termed “urgency” in that this story takes place in a desperate time, and was written in a desperate time.

While the presence of this story in the heritage of Idiocracy seems obvious, it is also important to point to an earlier work which it would have been hard for any science fiction fan to miss: The Time Machine, by H.G. Wells. In this book, a Victorian scientist travels to the future. He finds the planet is now divided into two groups: the Morlocks, brutal and crude creatures that fear the light and control the planet from its surface, and Eloi, light and graceful creatures of intelligence which live below the surface in menial circumstances.

As the protagonist explores, he discovers that the Morlocks have descended from the working classes of his time and have through evolutionary pressures become essentially Orcs, thoughtless and violent but obsessive. They live by feeding on the Eloi, to whom Darwin has not been kind because when intelligence is no longer needed for survival, it becomes a burden and the thoughtless and violent dominate it.

Apparently Wells was influenced by E. Ray Lankester’s book Degeneration: A Chapter in Darwinism (1880) in which the author sets forth the idea that if a species gains a constant food supply, evolution pushes toward a suppression of form in a kind of marginal profit obtained by removing expensive features that are no longer necessary.

It may also serve as an answer to Edward Bulwer-Lytton’s The Coming Race, in which he posits an underground species of angelic human-like creatures known as Vril-ya will take over earth with superior intelligence. Much as Orwell answered Huxley, Wells answered Bulwer-Lytton, suggesting that instead of the utopian vision he portrays a Lankesterian degeneration of humanity lurked in the future, which is the theme held in common with both Idiocracy and “The Marching Morons.”


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Sadistic Metal Reviews: Chevy Chase Chainsaw Massacre

Twas the 5th day before Christmas, and all through the house, the creatures stared concerned and suddenly in need of psychiatric therapy.  My wife said I have that crazy look in my eye, as my boss had jipped me on my Christmas bonus- the holiest thing of the American middle class baby boomer.  The urge to kill left me trembling, barely able to stand, and I frantically raced to the garage and grabbed my chainsaw and son’s hockey mask.  As the voices got louder, I found myself speaking in tongues- vocalizing a string of obscenities as if possessed by otherworldly entities.  In an attempt to quiet the deafening commands to kill, I remembered that death metal was an outlet that had saved me years before.  But it was 2017, and I did not know what the new death metal sounded like.  But I had heard that Bandcamp were going to save the world with their social justice, so I thought I would listen to the top selling death metal bands on the first page of Bandcamp.  Surely they had the most sales, and therefore were the most trustworthy, and true to the old death metal sound.  I decided to download all 8 albums and burn to CD to listen to on my Walkman CD player.  But when I heard…. when I heard… when I heard…



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Warum ist Averse Sefira sehr Schwach?

Article by Raimund Weiner. Ffans und die Untermenschen may recognize me from the comments under such alter egos as Brainer Rascalslut und Strainer Weidensbutt; yes, the veil has come off, liebe Untermenschen.



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Rap Rock Banned At DoD Command Post

Nu-“metal” (really rap rock) bands Korn and Slipknot were banned by an American military captain heading a command post according to a Department of Defense memo posted to Twitter by a United States Marine. Also forbidden from being played at all hours were late 90s and early 2000s butt rock bands Smashmouth, Nickelback, and Creed. The reason for the officer banning the playing of the groups’ music in totality was that they were “terrible.” Hopefully this officer has his wits about him and bans metalcore and hipster whine rock if whichever imbecile was playing rap rock moves onto other styles of “terrible” rock music.


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Sadistic Metal Reviews 11-27-2016


Thanksgiving is a merry time of the year but the bender has to end with more Sadistic Metal Reviews!



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Metallica – Hardwired… to Self-Destruct (2016)

Review contributed to Death Metal Underground by the Peckerwood Boys. The audio review may be heard here.

Yep, just me here. A new Metallica album of all 45 rpms of pure American metal! 180 grams, limited to 500 copies. I’m gonna spin this bitch like NASCAR!

Lookin’ under the hood here, you got your Black Album riffs, you got your Pantera, and that sir, that’s gonna get you over to your cousin’s house faster than her boyfriend so you can propose to her. Now this album right here has really got me saying, “I’m glad, I’m glad it was Cliff!” That Master of Muppets there album had a lot on it I couldn’t understand in it. It was like tryin’ to make sense of one of them pieces of paper with scribbles on it, them black scribbles man.



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Interview: Chupacabra

Article by Corey M.

Chupacabra’s music comes from the heart – that is, the part of the individual that is between the mind and the gut. Working without an established template, the songwriter finds and applies sounds in a unique organization specifically to reflect a profoundly idiosyncratic perspective on existence. This is a risky move: Most musicians are content to operate within an established paradigm, adapting to the constraints and handicaps offered by the genre that produces music with which they most closely identify. To abandon paradigm altogether and strike out on one’s own, neither with nor against the current but out of the river itself, is quite bold. But for Chupacabra, it is completely natural. Take a listen to this musical example of what Jung called “individuation”; the process that unifies the unconscious and the conscious, completing a powerful circuit through which ancient genetic memory is filtered and refined by real-time intelligent planning and analysis.



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