Sanctuary releases “Exitium (The Anthem of the Living)” from The Year the Sun Died

sanctuary-band_photo

During the 1980s, Sanctuary albums popped up wherever speed metal was sold but never quite found entry into the genre because of their reliance on a hybrid sound with the brainy radio heavy metal of the day. Like Queensryche, they embraced the dark rainy sound of the Northwest that later lived on in grunge which aims more toward presentation of intense vocal performances than a maze of riffs leading to detonation.

“Exitium (Anthem of the Living)” takes a doom-metal infused perspective on that style much in the style of Skyclad or Confessor, dropping into slower riffs to allow melancholy vocals to tie the song together. Song structure is simple and cyclic with flair but essentially exists to support vocals, so riffs follow a verse-chorus layout. The vocals sound a lot like Alice in Chains with more morbidity or Queensryche with more aggression, laying out a melody that is both hopeful and fatally self-contradictory. This creates an atmosphere of darkness with an inspirational tinge to it that seems almost like the band is exulting in self-pity.

The newest Sanctuary album The Year the Sun Died will walk among us on October 14. Fans of this band may find the changes unsettling and less intense than past works, but may appreciate the greater emotionality and connection to inner sensation that The Year the Sun Died appears to offer. As metal reaches toward rock in many directions, this somewhat overcast and isolated approach may work for Sanctuary as they try to forge anew their signature sound.

2 Comments

Tags: , ,

Soilwork – The Living Infinite

soilwork-the_living_infiniteIf you ever find yourself wondering why mainstream music produces so many professional and well-produced acts while metal seems pasted-together in comparison, worry no more: Soilwork has invented a new form of radio-friendly metal that competes with the big bands you can hear on the radio.

Much of metal’s heritage is pop. Iron Maiden, Queensryche and even easy-listening death metal like Cannibal Corpse follow the pop formula. What they are not is systematic in listening to their own material, analyzing it, following published research on effective songwriting and thus, consistent. A professional band approaches music like science. Every part of every song must be deliberate, which requires organization and to put it bluntly, work. This anti-hobbyist view threatens metalheads two ways. First, it points out that we could do better, with self-discipline; second, it points out that the world isn’t as simple as “all pop is crap” and “all underground is good.” Pop is musically competent and in many ways surpasses the underground bands.

The Living Infinite manipulates human emotions like a Hollywood mega-movie. All aspects of this work are thoroughly professional. Nothing is left to chance. Every iota is calculated to produce an effect that works together to make a greater whole. Production is also a masterpiece, creating a glassine space that resonates with guitar sound and avoids crowding of the distorted tracks. Every aspect that wants to be heard can be heard, and through the magic of ProTools or an analogue, identical parts are (literally) identical. In itself, the production makes you want to relish this release because it gives it big-radio pop gloss without truly emulsifying the product into uniformity.

The style of the music is designed based on what has become highly popular for metal over the past two decades. If you can imagine Iron Maiden, The Haunted, Rammstein and Amon Amarth in a blender, you can see where Soilwork get their influences. It mixes the sweet dual lead guitar work of NWOBHM with the bouncing riffs and “carnival music” detours of metalcore. You will hear a Blind Guardian influence in the surging choruses and sparkly bright major key vocal melodies, and you could detect later Queensryche’s hybrid of indie rock, glam metal and power metal in its use of vocal hooks and interwoven rhythm lines. There are no ballads, per se; the ballad effect has been swept up in the metal effect, which is itself subsumed in the rock effect.

Soilwork target the audience for guitar-heavy bands like Dire Straights or Rush with the appeal of melodic metal and the positivity of power metal (which has a lot in common with modern Christian rock in this respect). While The Living Infinite may not satisfy the underground or true metal palate, its goal is not to appeal to that audience, but the people out there listening to mainstream rock who are looking for something that goes a bit further without going to a truly dark place. For that purpose, this heavily guitar-oriented band serves as an introduction and baptism into what could eventually become a dangerous metal habit.

22 Comments

Tags: , , , ,

A Metalhead’s Journey to the Light

By Cullen Toner

Many have expressed emotions of extreme shock and awe after discovering the explicitly Christian lyrics and aesthetics of my newest album, Deus Vult. How could I, the former singer/songwriter of New Jersey’s most popular Satanic band, find God and religion after 15 years of playing in bands with misanthropic, anti-Christian themes? What would cause a complete 180 degree change in lifestyle, a complete about-face in world view? And why would I recklessly proclaim such a change in heart to a world of black and death metal that would so surely respond in confusion, mockery, and utter malice?

To even consider the answers requires a great deal of courage and intellect, as most in the world of extreme metal have extensively conditioned themselves to the idea that metal, in all of its rebelliousness, is the antithesis to Christianity. But since the spirit of metal is one that has historically challenged authority and convention in a quest for deeper truth, those who truly understand its foundation will not cower from the mere suggestion of radical thought. And to those to I can assure that a long quest for logic and wisdom has unexpectedly led me at the foot of the upright cross. Not only did this provide happiness and fulfillment for the first time, but the foundation for meaning and purpose that many metalheads are currently in a vast search for.

In an attempt to explain as objectively as I can, this is how I came to embrace Christianity as my faith, and what it meant for my relationship with metal music.

(more…)

39 Comments

Tags: , , , , , , , , , , ,

SCAM ALERT: Via Nocturna Records

Despite the vitriolic hatred, nihilism, and misanthropy that death and black metal music is known for many artists/fans/labels have a developed a pretty blind system of trust and assumptions.  This code of honor stems from a general assumption of a “metal brotherhood” along with the idea that beatings or some other justice would be served in the event anyone acting out of line while also publicly listing their address online.  However the extreme metal scene has seen many legendary rip-off artists ranging from Peruvian fat-girl-fucker Christian Felipe Paucar Toledo, Nachmystium’s Blake Judd and his Battlekommand Records (now Ascension Monuments Media), and Blake’s drug addicted sidkick crony Jeff Wilson and his Disorder Recordings/Design.  To date, none of these men have been beaten within an inch of their life despite robbing and conning people in droves, and all of them continue to tour and sell music.  Therefore, ripping people off appears to carry no penalty, or at least within the boundaries of the metal world.

Many musicians on Bandcamp have reported they are receiving an emails from a “label” calling itself Via Nocturnal Records.  The label starts off with an obviously generic message saying they want to release the band’s music on CD.  After responding positively indicating interest, the label now sends the bait for a really outrageous and embarrassing metal scam.

(more…)

6 Comments

Tags: , , , , , , , , , ,

Immortal Release Title Track of New Album “Northern Chaos Gods”

Cash grab alert!  After giving the classic board room “fuck you” to cornerstone musician Abbath, the corporate conglomerate of Demonaz and Horgh have secured the legal rights to the band name “Immortal” and are now positioned to promptly squeeze their fans to blindly buy music and merch advertised as that of a Norwegian black metal legend.  Although the pair have only played together on one album out of 12, they’re billing this as “the comeback of Immortal!” and have already gotten the infamously money-hungry Nuclear Blast records to set up the most overused rock n’ roll ponzi scheme.

Together, the pair have released a new song “Northern Chaos Gods,” the title/intro track of their first foray into commercialized rehash.  So how did the miraculous (fake?) recovery of Demonaz’s tendonitis work out?  Exactly how far into the waters of retro-rehash did the band wonder?  Have they evolved even the slightest as musicians or do they remain forever trapped in the 90’s? As trust fund life-dropouts living in the woods at the expense of their family might say:

“Let’s find out!”

(more…)

11 Comments

Tags: , , , , , ,

Analysis of Dissection’s “A Land Forlorn”

 

Dissection was one of the last bands to be associated with violence and action in metal. Jon Nodveidt, a true Hessian who rejected the modern world,  committed various acts that most will consider morally reprehensible yet they embodied his personal philosophy and the ideology of his music.  Barring the third album, Dissection display a penchant for ambitious composition within a framework of heavy/death and black metal.  The second outing reached too far and ended up sounding almost confused from the virtuosity of the musicians and the wide number of techniques at their disposal without the vision to streamline all these ideas. The Somberlain is a lot more focused in its inspirations by sticking closer to the source material and more structured arrangements.

A Land Forlorn impressively bridges multiple approaches to metal.

(more…)

4 Comments

Tags: , , , , , , , , ,

/smr/ Sadistic Metal Reviews: Massacre of Death Metal’s Mainstream

Yesterday, we gave you the 10 most popular death metal bands of all time.  Now one by one they will face public execution as we absolutely massacre their most recent release.  No mercy will be shown- orders are to kill everything that moves.

Did you fucking soy metal nu males really think they would get off easy?  This is Death Metal Underground- the most savage music site on the internet!  Death to soy metal, death to sellouts, burn and die all falses!  Mayhem- war- sadism- brutalization!  No death metal band should have 1 million Facebook likes!  No death metal band should be on Facebook at all!  Pussies!  Behead the corpses, throw them into the streets- the Templar way!

(more…)

16 Comments

Tags: , , , , , , , , , , , , , , , , ,

/smr/ Sadistic Metal Reviews – Post Black Metal Eulogy (Part 2)

In post black metal, we saw riffs being declared null and void in favor of atmosphere.  Gone were the melodic harmonies of Iron Maiden and Dissection, the savage atonal decimation of Morbid Angel and Blasphemy, and the memorable rhythm and lead guitarwork of Slayer and Death.  All this came in favor of completely forgettable riffs and songs in favor of an overall spacey “transcendental” experience.  Aesthetically, post metal was the reflection of progressive societal values of the 2010s- the emassculation of men (all musicians were Nu Males), artwork made by douche bag art degree scumbags that live in ghettos, and tame, timid, “spiritual but not religious” lyrics that had not a shred of aggression or danger.

It didn’t have to be like this.  There could have been ways for bands to experiment with post rock/shoegaze elements and still maintain the foundation of a metal presentation, maintain metal aesthetics, and have attitude or edge.  But not a single band- NOT A SINGLE ONE- was capable of doing so, proving that the accusations of these bands/musicians not being metal were to be fully valid and accurate.

This is the absolute end of post black metal before it circles the drain of a shit-stained toilet and is flushed to the bowels of irrelevancy.  A finally eulogy to a genre that never should have happened.  The musicians will bleed out their parents money and then become homeless, get aids from a bad batch of heroin, and die a miserable death in an alleyway gutter where they should have been left to rot at birth.

(more…)

20 Comments

Tags: , , , , , , , , , , , , , , , , , , ,