Lord Wind quietly released a new demo late last year for free download on Bandcamp. The Graveland side project’s last album, Ales Stenar, was one of the best of 2012. Hopefully a new record will follow soon.
New Lord Wind: not metal per se, but metal in spirit, and it will be hard to beat this impressive CD that I’m already calling as “album of the year.”
- Lord Wind – Ales Stenar review with mp3 samples, etc.
Note new URL.
To be released in 2012 by Wolftyr. Alruna plays fiddle on some tracks. For this video I used various samples from myspace etc (Note: some of the samples are in their unfinished form). Album is inspired heavily by Conan the Barbarian.
- Pre-order ($14 + $3.50 shipping)
Newest album from Rob Darken’s Neo-classical/neo-folk project!
All Pre-Orders will receive a free lord Wind patch with their order.
Estimated arrival January 25th 2012 – All pre-orders will ship on release day!
Lord Wind & Alruna
Photos for album Lord Wind “Ales Stenar” (2011) Wolftyr Prod (USA)
with Alruna (fiddle)
Fraghments of Lord Wind music with Alruna fiddle, you can listen on : http://www.reverbnation.com/lordwind
(first song : fragment of song19 “Cult of Set” with A…)
Lord Wind – Atlantean Monument
Probably the best work from Eastclan group since 1998, this release culminates the pagan dreamlike melodies that have been appearing in Graveland and Lord Wind releases. Over an hour long, it represents the best music currently available for those who long for the society of honor that ruled long ago, before dualistic religions, technology and finance took over our lives.
Read the review: Lord Wind – Atlantean Monument
I am calling this new genre post-black-metal. It is the spirit and mood of black metal, the rhythms of 1980s EBM and industrial, the samples and collage technique of martial industrial, the atmosphere of neofolk, the sweeping epic point of view of soundtracks, and that sense of world music evoking the spirit of ancient tribalist folk songs from Europe that Dead Can Dance had going. Mix all this together, and you get a new genre which has a few members such as Kreuzweg Ost, later Burzum, Arcana, Lord Wind and even the Beherit ambient albums.
This is a natural progression for black metal. It admitted its 1970s synthpop and ambient cosmic music influences. Even more, it was influenced by Danzig’s Black Aria and other soundtracks like those from Vangelis and Basil Poledouris. Metal itself was influenced by the soundtracks to 1960s Italian horror cinema. Beherit put out two ambient albums, Burzum two, and Darkthrone released its Tangerine Dream tribute band Neptune Towers. Even Emperor released that keyboard version of “Inno a Satana,” and Ildjarn put out three ambient landscape music albums. It’s in black metal’s blood, and with the end of the innovation of the style itself in the mid-1990s, the bands turned to the next step. More instruments, longer songs, more modes, more complexity.
Rolling on the success of bands such as Blood Axis and Lord Wind, the newest entry into this field is Winglord, a Scandinavian produce that hopes to rebirth the ancient spirit of Europe through synth-piano music. As mentioned above, it’s poppy like old Ministry or VNV Nation, but it has more musicality going on, like a Dead Can Dance track. It’s easy to listen to and yet melancholy, yet brings forth a message of not “small hopes” in the way modern music is “uplifting” but does nothing about the larger crisis of living in an insane and dying society, but instead shows us a way we can conquer the disease of this time. First in our hearts, then in our minds, then with our hands. It’s inspiration not through external forces, but through a sense of power, which is where it is most like black metal.
These tracks are built on a foundation of martial industrial and industrial dance (EBM). Verse-chorus loops are broken by interludes; layers extend melodies with different conclusions and beginnings. Melodies themselves, in a manner much like the way Summoning expands its riffs into soundtrack-style phrases, unfurl from lush keyboard layers into linear variation which then outlines the themes of each songs. It’s highly organized however which makes the entire listening experience a controlled, evocative process.
The Chosen One is a huge improvement over earlier Winglord, and shows us one future for this genre. It doesn’t aspire at all to the trends and individualistic ego-drama of the modern time. Instead, it creates for us a vista of a land outside of time, in which eternal values obliterate all of our temporal concerns, and lets us get lost and swept up in this majestic wave of power. For those who like good music, and want to see some new motion in the underground, this is a vital and impressive undertaking to be enjoyed.
I don’t even know what to categorize this music as, but it’s equal parts soundtrack (Basil Poledouris, Vangelis, Ennio Morricone), neofolk (Hekate, Arcana), ambient (Kraftwerk, Tangerine Dream) and synthpop (VNV Nation). The result is epic keyboard music that fills the soul with a sense of ancient glory. The best known example is Lord Wind, but others have touched on this idea in the past and slowly a movement is building around it.
The latest attempt, sound like like VNV Nation crossed with Vangelis, is Winglord:
Check them out at the official Winglord site.
This another band from the Lord Wind-created category of medieval ambient soundtrack neofolk-ish stuff. Their first album, Eroica, sold out quickly. It is similar to Lord Wind but a bit lighter and brighter and more inclined to show instrumental prowess. The new album, The Chosen One, hits our shores this year.